Jess Henderson's Blog

October 24, 2024

Girlbrain: A Theory

Published by the Institute of Network Cultures as part of their Longform series
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Published on October 24, 2024 06:00

January 28, 2024

Mental Hellth Dumpster Fire

A multimedia work on how burnout became a social mood.
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Published on January 28, 2024 04:43

January 21, 2024

Research Residency: Living Museum Ateliers Psychiatric Clinic, Switzerland

How a residency in a Swiss psychiatric clinic resulted in the work 'Mental Hellth Dumpster Fire.'
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Published on January 21, 2024 02:57

January 17, 2024

Asemic Writing as a Practice and Production

Does 'asemic writing' really have zero semantic content?
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Published on January 17, 2024 22:52

January 12, 2024

BOOK: Warmups and Cooldowns

Five ways to tap into your creative self.
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Published on January 12, 2024 22:09

SOMASOMA: Free Typeface

I made a typeface with no semantic content and you can download it for free.
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Published on January 12, 2024 04:33

On Immigrant Burnout

I'm sharing something I thought I never would.
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Published on January 12, 2024 01:36

October 25, 2021

Offscreen Mag

Unlike many taglines, Offscreen Magazine‘s summarises their interests well: The Human Side of Technology.

An independent print magazine, Offscreen examines how we shape technology and how technology shapes us. Founder Kai Brach wrote to me following coming across Offline Matters to see if I would contribute something for their new issue. Together, we decided to re-jig an excerpt from the book called ‘In Praise of Aiming Lower’, adapting it to the context of doing creative work during the ...

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Published on October 25, 2021 03:50

The Monocle Media Summit

I was invitied to speak at this year's Monocle Media Summit in London.
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Published on October 25, 2021 03:25

The Monocle Media Summit 2021

‘What – and who – is making the news

This month, I was invited to speak at Monocle’s 2021 Media Summit in London, where the annual theme was ‘What – and who – is making the news.’ Naturally, I felt out of place next to a line up that included people whose work is gravely important—like international correspondent Clarissa Ward—but nevertheless, it was an experience.

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Published on October 25, 2021 03:25