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Tom Garback
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in Philadelphia, The United States
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https://www.goodreads.com/tcgarback
Tom Garback (he/him) is currently pursuing an MA in Writing and Publishing at Emerson College, where he is Co-President of Undergraduate Students of Publishing (“Pub Club”). He is also Publisher of Wilde Press, a non-profit publisher that releases four new titles a year. Tom has worked as Staff Writer, Copyeditor, Editor, Designer, and Marketing Associate on eight different literary, lifestyle, and fashion magazines during his time in college. He has also written for The Digest, a lifestyle magazine based in Hoboken, New Jersey. In his spare time, Tom enjoys singing with his a cappella group, hiking the Appalachian trail and other high up places, and working in student government. His fiction, poems, and essays have been featured in numerou Tom Garback (he/him) is currently pursuing an MA in Writing and Publishing at Emerson College, where he is Co-President of Undergraduate Students of Publishing (“Pub Club”). He is also Publisher of Wilde Press, a non-profit publisher that releases four new titles a year. Tom has worked as Staff Writer, Copyeditor, Editor, Designer, and Marketing Associate on eight different literary, lifestyle, and fashion magazines during his time in college. He has also written for The Digest, a lifestyle magazine based in Hoboken, New Jersey. In his spare time, Tom enjoys singing with his a cappella group, hiking the Appalachian trail and other high up places, and working in student government. His fiction, poems, and essays have been featured in numerous horror anthologies and over twenty magazines, including catapult, Collective Realms, Cabinet of Heed, Blind Corner, and Sonder. You can read some of his work at https://tcgarback.wixsite.com/website.... ...more
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The Other Side
by
Julie Hiner (Goodreads Author),
Tom Garback (Goodreads Author)
4.20 avg rating — 15 ratings
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3 editions
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Twisted Love: A Gothic Romance Anthology
by
Rachel M. Martens (Goodreads Author),
Stephen Howard (Goodreads Author),
Rosalyn Briar (Goodreads Author)
4.75 avg rating — 4 ratings
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published
2021
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2 editions
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⭐️⭐️⭐️⭐️ Critical Score: A- Personal Score: B+ Absolutely phenomenal design work, not just of the book itself but of the content: their stellar career in truly elevating HP as a franchise. It’s such a pleasure to see their work encapsulated in one beaut ⭐️⭐️⭐️⭐️ Critical Score: A- Personal Score: B+ Absolutely phenomenal design work, not just of the book itself but of the content: their stellar career in truly elevating HP as a franchise. It’s such a pleasure to see their work encapsulated in one beautiful book. I didn’t care about the Fantastic Beasts content all that much because that trilogy is so underwhelming, and it takes up half or more of this book, but it’s still presents great design work to peruse. And the copy itself is nothing special (the design work is why I’m here anyway), but it’s cute and sufficient. ...more |
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May 01, 2026 11:01AM
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⭐️⭐️⭐️⭐️ Personal Score: A Critical Score: B Extraordinary if not for the bounty of plot conveniences and plot holes, much of which I divulged in my original review from 2024, so I won’t go into it all over again. I’m rereading some HP books because I’ve ⭐️⭐️⭐️⭐️ Personal Score: A Critical Score: B Extraordinary if not for the bounty of plot conveniences and plot holes, much of which I divulged in my original review from 2024, so I won’t go into it all over again. I’m rereading some HP books because I’ve purchased the MinaLima editions, which are simply miraculous. A challenging first week at my new job pushed me to splurge on these redesigns and spontaneously commit to rereading at least the first four in the series (in random order), even though I most recently reread the whole series less than a year and a half ago. Oh, how I desperately wish all seven books were already out in these interactive editions, but it will be 5 or more years before they’re done. Ugh. The MinaLimas are stunning. They don’t close very flat and neat because of the interactive elements, and the illustrations could be a tad more book-accurate, but otherwise they’re utterly splendid. A shame they were cut off by Scholastic after three books, though it will be interesting to see how another set of artists handles the darkening theme of the series from book four onward. … 2024 reread review: ⭐️⭐️⭐️⭐️ Personal Score: A Critical Score: B+ I can’t say this one lived up to the high standard it held in my memory, but only because of the convoluted climax, which has an uncomfortable amount of exposition, plot conveniences, plot holes, and contrivances. Like, a depressing amount. It sort of ruined my day. But the other 90% of the book is phenomenal, so I’ll start by focusing on that. The series really finds its identity in this volume. It makes the first two entries look weak by comparison, when they’re not weak at all, they’re terrific. PoA is pure Harry Potter: not only is it even more imaginative than ever but more emotional; the drama is higher and the plot thicker and richer. From beginning to climax, it is dripping with suspense. The cozy yet spooky atmosphere is extraordinary. The slower pace is actually an improvement; I love just being in class with these characters and learning about the magical world. Until the ending, I loved the cute backstory of James’ childhood friends. It’s very human world-building, executed with a deliciously careful pace and mystery at every step of the way. Once the info bomb comes toward the end, it does fall apart, but for the majority of the story, I was enthralled with this mischievous friend group. There are so many great additions to the world: Hogsmeade (pure happiness), Sirius and Lupin, Buckbeak, Crookshanks, Trelawney and divination, Hagrid as a professor, the dementors, the Marauder’s Map, the time-turner—oh, wait. That last one is kind of a wrench. Until the ending, there are so many story elements that Rowling so elegantly and naturally develops into a beautifully woven narrative tapestry. That’s the vibe of this book, well balanced ingredients. Some random thoughts. It was upsetting to watch Hermione burn herself out and the fights within the trio. Great character work there. The dementors are iconic. I appreciate how they personify depression. One standout moment is when Harry reflects on his bad memories somehow feeling good because they’re the only memory in which he’s heard his parents’ voices. I’m always pleased by how much I enjoy the quidditch scenes, and this book has many of them. The infamous Cho Chang name first appears in this book. Ugh. What in the world was Rowling thinking? Insane. Cho’s characterization is terrific; it’s just her name that’s crazy. I’m sad that I knew all the plot twists going in. I wish I could experience PoA with all the intended surprises hitting me anew; maybe I would have liked the climax more? Before I get into that, I have to say—and this is true of all the books so far—how much I love the chapter titles and lengths and illustrations, the interior page design, the jacket design, all the nuts and bolts. Okay, the ending. It is so convoluted that the plot logic falls apart. Honestly, it was heartbreaking to see the book fumble so hard. The worst is the exposition-y stretch of 50 pages in the shack. Examples… Starting with one that’s not just at the end, why do patronuses repel dementors? If they’re made of happiness, which dementors feed off of, and can’t be hurt by dementors, I get that they work as a shield, but it doesn’t make sense that they *repel* dementors. Wouldn’t they attract them? Lupin forgot to conceal the Marauder’s Map before he ran from his offer in pursuit of the kids. Seriously? As a teenager, Snape sees Lupin in werewolf form in the underground passage, but wouldn’t Lupin have gotten to the house before he transformed? In general, there aren’t clear werewolf rules in this book. All three childhood friends manage to learn how to become animagi as teens just to support their friend? Feels forced. And they somehow manage to avoid anyone knowing this, but there’s no hint that other people in the world do this. It’s a bit of a stretch that Sirius found Peter from the newspaper photo alone and broke out of Azkaban all on the feeling that this was indeed Peter. I get that the rat had a missing finger, but still…it’s sort of a weak inciting incident for the novel’s central conflict. It’s also quite the coincidence that Crookshanks managed to fall under Hermione’s care just at the right time. How could Crookshanks be sure Hermione would want him, or was that just a happy coincidence? Sirius’s explanation for enduring the dementors during his imprisonment (that the feelings about his innocence protected him) implies no one has ever been falsely imprisoned there, which is unlikely. Plus, his escape explanation is very weak. Do werewolves only turn when they’re in the moonlight, or does Rowling write it that way for no reason? If they do, then that opens a world of issues because then Lupin could just hide from the moonlight every month, but instead it’s a big hardship for him. If dementors are blind and only track by sensing emotion, how would they track Sirius anywhere, or track anyone, for that matter? Why did Sirius suspect Lupin could be the spy but not Peter? You’re telling me a cat was able to withdraw a ton of gold from Sirius’s unnamed vault in Gringotts with a slip of parchment? Huh? So Sirius was this fond of Harry to take a huge risk buying him a broom, but never once wrote him a letter to explain things? Sirius couldn’t reach out to Lupin either? Why would they chain Ron, who has a broken leg, to Peter? Why wouldn’t they turn Peter into a rat again to make containing him easier? If Peter is such a disloyal weakling who only works in his own interest, why would he bother to seek out Voldemort after this book? I mostly buy it, I guess, because Voldemort will be his only sanctuary, but it’s still a bit of a stretch. It’s also such an easy coincidence that the person Wormtail happens to be undercover with as Scabbers is Ron, and not any other kid in wizarding world. How can Lupin just forget he is an hour or so away from turning into a werewolf and not prepare accordingly? Using the alohomora spell kind of kills the logic in Harry and Hermione’s innocence of Sirius’s escape—don’t these adults know they could have easily unlocked the infirmary door, Sirius’s door, or any door along the way? Does no one know Hermione knows this unlocking spell? And in a world where this spell exists, how could they have expected to successfully lock Sirius in a room all alone? Are we really supposed to believe that McGonagle would actually entrust a time-turner to a 13-year old student?! This has to be one of the most powerful magical objects to ever exist, for crying out loud. McGonagle would never trust a student with it. And if Hermione used it for classes, why wouldn’t she use it to catch up on sleep, get more homework time in, etc.? Okay, so the time travel thing functions on a one-timeline theory. They don’t actually *change* the past, because the first run-through of events includes actions carried out in the second run-through. It’s all the same course of events, and we’re seeing it from two different perspectives. But this is paradoxical so long as the time-travelers are aware of how the first run-though went down. While Harry and Hermione choose not to interfere in ways that would have disproved the first run-through, they could have! There was nothing forcibly stopping them from, say, running into the cottage when the executioner was there, and that would have contradicted the first run-through of that scene—essentially, forcing a disproval of the timeline is possible. Hermione sort of suggests they could make a second timeline, because she warns Harry not to be seen or interfere with things except in saving Buckbeak and Sirius. But she’s used to the time-turner; shouldn’t she know that if he had interfered big time, that would have been known from the first run-through of events? Rowling doesn’t completely flub the time travel stuff, I get that this is hard to write about, but the way she has things set up is paradoxical. On a more general note, the climax pulls everything together in the way a hardboiled mystery novel would, where everything feels too convenient and unnatural. The more I dig into the final act, the more imperfect it appears, and that diminishes the magic of an otherwise sublime novel. But I mostly just needed to get all of this off my chest. These issues don’t necessarily ruin the book because there’s simply too much great content in here to let the ending ruin it all. … 🎥 Film Thoughts Viewed Nov 23 Personal Score: A A visual and tonal improvement on the first two. Honestly one of the best looking movies I’ve ever seen. I could watch it on repeat forever. This is where the movies really find their identity. As rife with plot holes as the book, if not more-so. These movies are becoming increasingly different from the source material. ...more |
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⭐️⭐️⭐️ Critical Score: B Personal Score: B- Some parts are super interesting, like the stuff from Rowling’s archive (who knew she was a decent sketch artist?). The various illustrator artwork is great, though it feels like out-of-place fluff in a collec ⭐️⭐️⭐️ Critical Score: B Personal Score: B- Some parts are super interesting, like the stuff from Rowling’s archive (who knew she was a decent sketch artist?). The various illustrator artwork is great, though it feels like out-of-place fluff in a collection of museum artifacts. Much of the historical stuff is quite dry. I did feel the same kind of boredom I get in the average museum stroll, but with a book I feel far more pressure to read every word, so the tedium wore on me. Still generally fun, though. Worthwhile if you’re a HP fanatic or you love history. ...more |
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Apr 29, 2026 06:57PM
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2026 reread review: 🌟🌟🌟🌟🌟 Critical Score: A Personal Score: A+ I said so, so much about this book in my 2024 review, so I won’t say much more now. I’m thrilled to be done this 2026 reread of the series, which I took on spontaneously because my new job was 2026 reread review: 🌟🌟🌟🌟🌟 Critical Score: A Personal Score: A+ I said so, so much about this book in my 2024 review, so I won’t say much more now. I’m thrilled to be done this 2026 reread of the series, which I took on spontaneously because my new job was really hard from the start. DH is still my favorite in the series. I can’t give it a critical score of an A+ this time because it’s just too convoluted in some places, and my adoration for the story cannot obscure that right now, but I do think it’s otherwise a truly monumental work. … 2024 reread review: 🌟🌟🌟🌟🌟 Critical Score: A+ Personal Score: A+ I will write this review in eight parts, the same number of pieces to Voldemort’s soul: my thoughts of The Deathly Hallows, my thoughts on the book series as a whole, a personal ranking of the books, a critical ranking of the books, my thought on the DH movies (parts one and two), my thoughts on the film series as a whole, a personal ranking of the movies, and my closing thoughts on the franchise (books, films, merchandise, cultural impact, etc.). And since this will be way over the character limit, I’m linking the overflow in a review of The Prequel, which is the closest thing to a loophole I can come up with: https://www.goodreads.com/review/show.... To open my discussion of DH, I must mark that it I have finished this book on November 30th. I started my re-read of this series on November 3rd. So, I read the seven-book series in 28 days, four weeks. That gives me an average of 146 pages a day, and four days a book, though this varies widely (like the books vary widely in length). This book is as good as I remember, as enjoyable in this re-read as I hoped, an entirely satisfying conclusion. There is a lot of hate for this book (though it has the highest Goodreads score of any HP book so many that’s a misconceived notion), largely because it’s not the typical frolicking-at-Hogwarts book, but that’s exactly why I love it the most. The storyline is a breath of fresh air. It sticks out in a narratively necessary way, bringing the coming-of-age to a close by throwing our heroes out of school and on the road. Now, I love frolicking at Hogwarts, don’t get me wrong. But for the last volume in a long saga, it makes sense to change things up and give us a more unique storyline. The other thing people complain about with DH is that the “first half is just them hanging out in the woods,” but one, that’s not remotely true, very little of the book is them in the woods, and two, I love the slow parts, and three, they’re not even that slow. Yet the second half of the book is somehow still miles better than the first; the whole thing is sublime the moment they get to Hogwarts until the epilogue (which feels like fan-fiction, even if it’s short and generally harmless). I’m so overwhelmed by my thoughts on this book that I’ve decided to just go through the whole thing chapter by chapter, laying out my review piecemeal. I decided not to take notes as I read, so going step-by-step through the book will help me to stay organized in configuring my evaluation all at once right now, instead of just neatening the thoughts I’ve usually already written down by the time I’m down a book. I will also give a rating to each chapter, because that’s fun. So, here we go. Chapter 1: The Dark Lord Ascending 4/5 A devious opener, and really sets the stakes for how dire things have gotten. Rowling could have picked a different victim; Charity Burbage isn’t an emotionally impactful pick since we’ve never even heard her name before, but politically this murder does make sense, because she was the Muggle Studies professor. “Dinner, Nagini,” is a terrific line, and having her eat Charity in front of everyone is awesome. … Chapter 2: In Memoriam 5/5 Really ushers in a new landscape we wouldn’t expect to explore: Dumbledore’s dark, secretive past and questions about his character. It’s a fresh angle on Harry grieving for a lost loved one, as he’s now battling resentment and confusion for Dumbledore’s departure, what he never revealed to Harry, and how little Harry truly knew him. … Chapter 3: The Dursleys Departing 5/5 Rowling manages to make the parting of Harry and the Dursleys both realistic yet surprisingly emotional. Job well done. I was tearing up at this chapter. … Chapter 4: The Seven Potters 5/5 It’s unprecedented to get this much action so soon in a HP book, which reminds us that shit has gotten real, the epic finale is upon us, and things are scarier than ever. Using the Polyjuice potion to create seven Harrys is so much fun. Hedwig’s death is upsetting, especially because Harry lowkey doesn’t think much about her afterwards, lol. It’s heartwarming that Hagrid escorts Harry again like when he was a baby. Getting to see Voldemort so soon is shocking. … Chapter 5: Fallen Warrior 4/5 Now that I think about it, it’s sort of quirky how George’s battle scar is losing an ear, and that it’s this big devastating thing for everyone. Moody’s death is more serious, especially because they can’t find his body. … Chapter 6: The Ghoul in Pajamas 2/5 I was glad to get a slow moment in the narrative, but Molly’s hovering feels a bit much to excuse why the trio can’t conspire (and why’s it necessary that they can’t conspire until right before the wedding, anyway?), and the discussion of the mission just wracked me with potential plot holes, so overall this chapter annoyed me a bit, and I was just ready to move ahead to the wedding. … Chapter 7: The Will of Albus Dumbledore 3/5 Lingering shakiness of the plot logic from the last chapter. And the will conversation did not help, but it was still a fun scene. Harry choosing to ignore Ginny felt forced for the sake of drama. … Chapter 8: The Wedding 5/5 Ok, finally the vibes are restored. The conversations with various guests were so fun. Best closing lines of any chapter; utter chills. … Chapter 9: A Place to Hide 5/5 Carries on the adrenaline of the previous page. So exciting. The hunt has begun—the hunt for Horcruxes and the hunt for Harry. … Chapter 10: Kreacher's Tale 5/5 I’m so surprised to be this delighted in watching our trio hanging out at Number Twelve, Grimmauld Place. It’s so cozy yet fun. Exploring Sirius’s bedroom, discovering R.A.B.: steady advancements in unraveling the Horcrux mystery. I was wowed by the turn of Harry’s relationship with Kreacher (thanks to Hermione); I had really thought he was a lost cause. … Chapter 11: The Bribe 5/5 What a shocking turn of events with Lupin. Heartwarming to see the trio fall into great terms with Kreacher. Tracking down the locket, finding out what’s happening in the outside world and at Hogwarts…it’s all riveting. One of the challenges with this narrative is that Rowling has to tell it all from Harry’s third person limited point of view, so every detail of what’s going on with the war is precious. … Chapter 12: Magic is Might 5/5 Wasn’t expecting so much time to pass, but this book does take place over a full year like the other books do. … Chapter 13: The Muggle-Born Registration Commission 5/5 Their first mission is a winner. Thrilled to see Umbridge return. The state of the Ministry is dreadful. Poor Moody’s eye. Such an exciting infiltration and escape. I will say the movie adds some nice touches to the action. … Chapter 14: The Thief 5/5 Finally in the woods! … Chapter 15: The Goblin's Revenge 5/5 Ought to be a boring part in the story but is instead super engaging. Love the aesthetic of runaways having a campfire in the woods to tell stories and the trio overhearing. Them fighting might irritate some readers, but I love it, and seeing it erupt into Ron abandoning them is painful and shocking. … Chapter 16: Godric's Hollow 5/5 Absolute top-notch setting and vibes. Really somber. … Chapter 17: Bathilda's Secret 3/5 At the time, it felt hard to believe Voldemort would station Nagini, and not a wizard Death Eater, in a corpse to trick Harry into the house…idk, the sequence just felt a bit forced, also because of Hermione’s spell accidentally breaking Harry’s wand. But by the end of the book, I appreciated the context that Voldemort stopped sending Nagini out on missions only after he discovered Harry was destroying Horcruxes. … Chapter 18: The Life and Lies of Albus Dumbledore 5/5 The reveals about Dumbledore are very troubling. It’s touching to see Harry and Hermione alone together in such a pitiful part of their mission. I really cherish their friendship, and I’m so glad they don’t end up together romantically. I think Hermione and Ron is valid. And honestly, Harry and Ginny isn’t a bad ship because Ginny grew some character from the fifth book onward. … Chapter 19: The Silver Doe 4/5 In the moment, it all feels a bit too convenient: the random Patronus, the sword just being there, Ron showing up and saving Harry in the nick of time. It does make sense by the end of the book, though. And Ron’s destruction of the horcrux is awesome. The deluminator working the way it does for Ron is a bit strained. Dumbledore made it that way because he knew Ron would abandon them and then need a way to get back to them? If you say so! I guess it’s a metaphorical take on illumination, because the device is showing Ron the light to guide him back. Looking at it that way is helpful. It’s so amazing to see the trio reunited, and I appreciate that Hermione is pissed at Ron for a while. … Chapter 20: Xenophilius Lovegood 5/5 So, so, so fun. My favorite mission in the book at this point. Love the Lovegood house. … Chapter 21: The Tale of the Three Brothers 5/5 Introduces an enchanting legend that has super exciting implications for the HP saga. Then we get the twist of Luna’s kidnapping, Xenophilius’s betrayal, and the narrow escape—and Hermione’s ingenious way of doing it so that the Lovegoods would face the least amount of punishment. So exciting. … Chapter 22: The Deathly Hallows 5/5 I really felt for Harry’s obsession with the hallows, because this is the point in the book where we reach a new level of intrigue, suspense, and excitement. I myself felt so enamored with the hallows and their history. Potterwatch radio is cool and beautifully illuminates some more of what’s going on in the world. It’s kind of dumb how Harry accidentally says “Voldemort” and basically ruins the entire mission, even though it works out for the best, obviously, because without the Malfoy Mansion adventure they wouldn’t have freed the prisoners there, seen Wormtail’s demise, earned Harry’s ownership of the Elder Wand, weakened the Malfoy’s allegiance to Voldemort (because they’re punished so badly for letting Harry escape), and learned of a potential Horcrux in Bellatrix’s bank vault. … Chapter 23: Malfoy Manor 5/5 Necessary for the reasons listed above, but also just exhilarating. A fitting climax for the film adaptation. Horrible to watch Hermione tortured. Wormtail’s death is genius; it’s his one moment of morality that Voldemort’s hand identifies as weakness, thus sentencing him to death. It’s the perfect way for this villain to go down. But what sticks out to me the most in this chapter is Dobby’s death. Maybe the most upsetting death of the whole franchise, and after his most heroic moment. Oh, god, my little Dobby… … Chapter 24: The Wandmaker 5/5 Harry digging the grave by hand crushed me. I don’t see why Harry thinks deciding to talk to Griphook before Ollivander made a difference to Voldemort getting to the Elder Wand; Harry couldn’t have stopped him if he’d had a few extra minutes…but whatever, this is still such a fun, slow moment in the story to interview these characters and learn about the wands and the sword. Ends with the satisfying advancement of Voldemort finally procuring the Elder Wand. … Chapter 25: Shell Cottage 5/5 Allows us to really appreciate this beautiful setting and quiet narrative moment without being boring in the slightest. Lupin’s visit is a such a happy scene. The sword offers fascinating politics about the relationship between wizards and goblins. … Chapter 26: Gringotts 5/5 Tops everything else in the book up to this point. What pure spectacle. Impersonating Bellatrix, doing the impossible by breaking into the bank, and then escaping on a dragon…it’s something for the ages. Also, Rowling ultimately handles the politics of the dispute over the sword between Harry and Griphook well; I’m glad he mildly cheats them the way they were planning to mildly cheat him. … Chapter 27: The Final Hiding Place 5/5 Like chapter nine, this quick one terrifically rides on the adrenaline of the previous pages, but it also ushers in the final act of the book by pointing the heroes toward Hogwarts and placing into effect a countdown for when they must have their showdown with Voldemort. … Chapter 28: The Missing Mirror 5/5 What a twist to introduce Aberforth, who is a fantastic and refreshing character, by the way. I maybe would have liked the narrative to recognize just how shocking it is to see him here and now, instead of having Harry just be like, “Oh, it’s you.” Provides some great relief with answering a few questions about Dumbledore’s past. … Chapter 29: The Lost Diadem 5/5 Neville is such a king. The title is sort of funny because it’s the next couple chapters that really deal more with the diadem, but regardless, it is a marvelous thing to see our trio return to Hogwarts. There is so much payoff in finally learning what’s been going on at school this year. Almost makes you wish we could go beyond Harry’s point of view and had seem some of the excitement in real-time, but I guess (narrative) absence makes the heart grow fonder. … Chapter 30: The Sacking of Severus Snape 5/5 The movie makes this scene a bit more epic, but it’s still quite satisfying here. So happy to see McGonagall again and begin preparations for the battle. I also loved seeing the Order return, ready to fight. … Chapter 31: The Battle of Hogwarts 5/5 Ironically the battle is just what’s happening *around* Harry during this chapter, because what it’s really about is finding the diadem. The movie allows us a more aerial view of the fighting, but Rowling manages to show us a ton of dueling and chaos (all through tons of satisfying call-backs to people, places, and things we discovered throughout the series) while keeping us focused on the horcrux hunt. It is disappointing how we can’t follow Hermione and Ron into the Chamber, though; thank goodness the movie shows us, and puts their kiss there instead of when Ron comments on elf liberation, though I’ll admit it’s still an oddly touching moment. It annoyed me how Harry kept saying Voldemort put the diadem in the Room of Requirement because he thought he was the only one to discover it. The room is literally a place where people go to hide things…and he keeps saying Voldemort thought only he knew about it. That makes no sense, love. But ultimately it doesn’t really matter because it’s still plausible enough that he’d put the diadem there, though what is a bit too coincidental is Harry finding it in HBP and putting it on that bust, but I’m fine with it. The burning of the Room of Requirements is thrilling, and it’s surprisingly nice to see the trio rescue Draco and Goyle. The fire that Crabbe cast being able to destroy the Horcrux does feel a bit too convenient. Fred’s death at the end is sad, though killing off one of the twins feels a bit like a cop-out, because they have barely any individualism through the series; killing one feels like it only counts as a half death, so it’s an easy way out. Does that sound horrible? I’m not saying it’s not really sad that he died. … Chapter 32: The Elder Wand 5/5 So, did the spiders take Hagrid away to kill him, or to retreat? Why not kill Hagrid if they’re still loyal to Voldemort in this moment? Why do *all* of them retreat just to carry Hagrid away? The Shrieking Shack is where the revelations start pouring out, and they are not messy and frustrating as in some of the other books. However, why did he have Nagini kill Snape? Did Voldemort just do this because he didn’t know if he could face-off Snape by wand? And wouldn’t the wand then go to Nagini, not Voldemort, or no one if Nagini can’t accept it as a non-wizard (though I think she used to be one)? And Voldemort just walks away before ensuring Snape is dead? As for the first question, I’m seeing some people online arguing Voldemort suspected he couldn’t use the Elder want to kill it’s master, but he still had his regular wand. Obviously, the narrative choice comes from Rowling needing Snape to have the opportunity to pass Harry his memories. I love how this chapter shows Voldemort to be a coward, hiding from the battle whilst he doesn’t have the Elder Wand’s true power. I wish we had the line from the movie, when Snape tells Harry, “You have your mother’s eyes.” What a heart-wrenching moment, but it’s not Rowling’s idea, so it’s not in the book. Womp, womp. … The rest of my review is located in my review for The Prequel...just as a loophole to Goodreads's ridiculous character limit: https://www.goodreads.com/review/show.... ...more |
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Tom Garback
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2026 reread review: 🌟🌟🌟🌟🌟 Critical Score: A Personal Score: A+ I said so, so much about this book in my 2024 review, so I won’t say much more now. I’m thrilled to be done this 2026 reread of the series, which I took on spontaneously because my new job was 2026 reread review: 🌟🌟🌟🌟🌟 Critical Score: A Personal Score: A+ I said so, so much about this book in my 2024 review, so I won’t say much more now. I’m thrilled to be done this 2026 reread of the series, which I took on spontaneously because my new job was really hard from the start. DH is still my favorite in the series. I can’t give it a critical score of an A+ this time because it’s just too convoluted in some places, and my adoration for the story cannot obscure that right now, but I do think it’s otherwise a truly monumental work. … 2024 reread review: 🌟🌟🌟🌟🌟 Critical Score: A+ Personal Score: A+ I will write this review in eight parts, the same number of pieces to Voldemort’s soul: my thoughts of The Deathly Hallows, my thoughts on the book series as a whole, a personal ranking of the books, a critical ranking of the books, my thought on the DH movies (parts one and two), my thoughts on the film series as a whole, a personal ranking of the movies, and my closing thoughts on the franchise (books, films, merchandise, cultural impact, etc.). And since this will be way over the character limit, I’m linking the overflow in a review of The Prequel, which is the closest thing to a loophole I can come up with: https://www.goodreads.com/review/show.... To open my discussion of DH, I must mark that it I have finished this book on November 30th. I started my re-read of this series on November 3rd. So, I read the seven-book series in 28 days, four weeks. That gives me an average of 146 pages a day, and four days a book, though this varies widely (like the books vary widely in length). This book is as good as I remember, as enjoyable in this re-read as I hoped, an entirely satisfying conclusion. There is a lot of hate for this book (though it has the highest Goodreads score of any HP book so many that’s a misconceived notion), largely because it’s not the typical frolicking-at-Hogwarts book, but that’s exactly why I love it the most. The storyline is a breath of fresh air. It sticks out in a narratively necessary way, bringing the coming-of-age to a close by throwing our heroes out of school and on the road. Now, I love frolicking at Hogwarts, don’t get me wrong. But for the last volume in a long saga, it makes sense to change things up and give us a more unique storyline. The other thing people complain about with DH is that the “first half is just them hanging out in the woods,” but one, that’s not remotely true, very little of the book is them in the woods, and two, I love the slow parts, and three, they’re not even that slow. Yet the second half of the book is somehow still miles better than the first; the whole thing is sublime the moment they get to Hogwarts until the epilogue (which feels like fan-fiction, even if it’s short and generally harmless). I’m so overwhelmed by my thoughts on this book that I’ve decided to just go through the whole thing chapter by chapter, laying out my review piecemeal. I decided not to take notes as I read, so going step-by-step through the book will help me to stay organized in configuring my evaluation all at once right now, instead of just neatening the thoughts I’ve usually already written down by the time I’m down a book. I will also give a rating to each chapter, because that’s fun. So, here we go. Chapter 1: The Dark Lord Ascending 4/5 A devious opener, and really sets the stakes for how dire things have gotten. Rowling could have picked a different victim; Charity Burbage isn’t an emotionally impactful pick since we’ve never even heard her name before, but politically this murder does make sense, because she was the Muggle Studies professor. “Dinner, Nagini,” is a terrific line, and having her eat Charity in front of everyone is awesome. … Chapter 2: In Memoriam 5/5 Really ushers in a new landscape we wouldn’t expect to explore: Dumbledore’s dark, secretive past and questions about his character. It’s a fresh angle on Harry grieving for a lost loved one, as he’s now battling resentment and confusion for Dumbledore’s departure, what he never revealed to Harry, and how little Harry truly knew him. … Chapter 3: The Dursleys Departing 5/5 Rowling manages to make the parting of Harry and the Dursleys both realistic yet surprisingly emotional. Job well done. I was tearing up at this chapter. … Chapter 4: The Seven Potters 5/5 It’s unprecedented to get this much action so soon in a HP book, which reminds us that shit has gotten real, the epic finale is upon us, and things are scarier than ever. Using the Polyjuice potion to create seven Harrys is so much fun. Hedwig’s death is upsetting, especially because Harry lowkey doesn’t think much about her afterwards, lol. It’s heartwarming that Hagrid escorts Harry again like when he was a baby. Getting to see Voldemort so soon is shocking. … Chapter 5: Fallen Warrior 4/5 Now that I think about it, it’s sort of quirky how George’s battle scar is losing an ear, and that it’s this big devastating thing for everyone. Moody’s death is more serious, especially because they can’t find his body. … Chapter 6: The Ghoul in Pajamas 2/5 I was glad to get a slow moment in the narrative, but Molly’s hovering feels a bit much to excuse why the trio can’t conspire (and why’s it necessary that they can’t conspire until right before the wedding, anyway?), and the discussion of the mission just wracked me with potential plot holes, so overall this chapter annoyed me a bit, and I was just ready to move ahead to the wedding. … Chapter 7: The Will of Albus Dumbledore 3/5 Lingering shakiness of the plot logic from the last chapter. And the will conversation did not help, but it was still a fun scene. Harry choosing to ignore Ginny felt forced for the sake of drama. … Chapter 8: The Wedding 5/5 Ok, finally the vibes are restored. The conversations with various guests were so fun. Best closing lines of any chapter; utter chills. … Chapter 9: A Place to Hide 5/5 Carries on the adrenaline of the previous page. So exciting. The hunt has begun—the hunt for Horcruxes and the hunt for Harry. … Chapter 10: Kreacher's Tale 5/5 I’m so surprised to be this delighted in watching our trio hanging out at Number Twelve, Grimmauld Place. It’s so cozy yet fun. Exploring Sirius’s bedroom, discovering R.A.B.: steady advancements in unraveling the Horcrux mystery. I was wowed by the turn of Harry’s relationship with Kreacher (thanks to Hermione); I had really thought he was a lost cause. … Chapter 11: The Bribe 5/5 What a shocking turn of events with Lupin. Heartwarming to see the trio fall into great terms with Kreacher. Tracking down the locket, finding out what’s happening in the outside world and at Hogwarts…it’s all riveting. One of the challenges with this narrative is that Rowling has to tell it all from Harry’s third person limited point of view, so every detail of what’s going on with the war is precious. … Chapter 12: Magic is Might 5/5 Wasn’t expecting so much time to pass, but this book does take place over a full year like the other books do. … Chapter 13: The Muggle-Born Registration Commission 5/5 Their first mission is a winner. Thrilled to see Umbridge return. The state of the Ministry is dreadful. Poor Moody’s eye. Such an exciting infiltration and escape. I will say the movie adds some nice touches to the action. … Chapter 14: The Thief 5/5 Finally in the woods! … Chapter 15: The Goblin's Revenge 5/5 Ought to be a boring part in the story but is instead super engaging. Love the aesthetic of runaways having a campfire in the woods to tell stories and the trio overhearing. Them fighting might irritate some readers, but I love it, and seeing it erupt into Ron abandoning them is painful and shocking. … Chapter 16: Godric's Hollow 5/5 Absolute top-notch setting and vibes. Really somber. … Chapter 17: Bathilda's Secret 3/5 At the time, it felt hard to believe Voldemort would station Nagini, and not a wizard Death Eater, in a corpse to trick Harry into the house…idk, the sequence just felt a bit forced, also because of Hermione’s spell accidentally breaking Harry’s wand. But by the end of the book, I appreciated the context that Voldemort stopped sending Nagini out on missions only after he discovered Harry was destroying Horcruxes. … Chapter 18: The Life and Lies of Albus Dumbledore 5/5 The reveals about Dumbledore are very troubling. It’s touching to see Harry and Hermione alone together in such a pitiful part of their mission. I really cherish their friendship, and I’m so glad they don’t end up together romantically. I think Hermione and Ron is valid. And honestly, Harry and Ginny isn’t a bad ship because Ginny grew some character from the fifth book onward. … Chapter 19: The Silver Doe 4/5 In the moment, it all feels a bit too convenient: the random Patronus, the sword just being there, Ron showing up and saving Harry in the nick of time. It does make sense by the end of the book, though. And Ron’s destruction of the horcrux is awesome. The deluminator working the way it does for Ron is a bit strained. Dumbledore made it that way because he knew Ron would abandon them and then need a way to get back to them? If you say so! I guess it’s a metaphorical take on illumination, because the device is showing Ron the light to guide him back. Looking at it that way is helpful. It’s so amazing to see the trio reunited, and I appreciate that Hermione is pissed at Ron for a while. … Chapter 20: Xenophilius Lovegood 5/5 So, so, so fun. My favorite mission in the book at this point. Love the Lovegood house. … Chapter 21: The Tale of the Three Brothers 5/5 Introduces an enchanting legend that has super exciting implications for the HP saga. Then we get the twist of Luna’s kidnapping, Xenophilius’s betrayal, and the narrow escape—and Hermione’s ingenious way of doing it so that the Lovegoods would face the least amount of punishment. So exciting. … Chapter 22: The Deathly Hallows 5/5 I really felt for Harry’s obsession with the hallows, because this is the point in the book where we reach a new level of intrigue, suspense, and excitement. I myself felt so enamored with the hallows and their history. Potterwatch radio is cool and beautifully illuminates some more of what’s going on in the world. It’s kind of dumb how Harry accidentally says “Voldemort” and basically ruins the entire mission, even though it works out for the best, obviously, because without the Malfoy Mansion adventure they wouldn’t have freed the prisoners there, seen Wormtail’s demise, earned Harry’s ownership of the Elder Wand, weakened the Malfoy’s allegiance to Voldemort (because they’re punished so badly for letting Harry escape), and learned of a potential Horcrux in Bellatrix’s bank vault. … Chapter 23: Malfoy Manor 5/5 Necessary for the reasons listed above, but also just exhilarating. A fitting climax for the film adaptation. Horrible to watch Hermione tortured. Wormtail’s death is genius; it’s his one moment of morality that Voldemort’s hand identifies as weakness, thus sentencing him to death. It’s the perfect way for this villain to go down. But what sticks out to me the most in this chapter is Dobby’s death. Maybe the most upsetting death of the whole franchise, and after his most heroic moment. Oh, god, my little Dobby… … Chapter 24: The Wandmaker 5/5 Harry digging the grave by hand crushed me. I don’t see why Harry thinks deciding to talk to Griphook before Ollivander made a difference to Voldemort getting to the Elder Wand; Harry couldn’t have stopped him if he’d had a few extra minutes…but whatever, this is still such a fun, slow moment in the story to interview these characters and learn about the wands and the sword. Ends with the satisfying advancement of Voldemort finally procuring the Elder Wand. … Chapter 25: Shell Cottage 5/5 Allows us to really appreciate this beautiful setting and quiet narrative moment without being boring in the slightest. Lupin’s visit is a such a happy scene. The sword offers fascinating politics about the relationship between wizards and goblins. … Chapter 26: Gringotts 5/5 Tops everything else in the book up to this point. What pure spectacle. Impersonating Bellatrix, doing the impossible by breaking into the bank, and then escaping on a dragon…it’s something for the ages. Also, Rowling ultimately handles the politics of the dispute over the sword between Harry and Griphook well; I’m glad he mildly cheats them the way they were planning to mildly cheat him. … Chapter 27: The Final Hiding Place 5/5 Like chapter nine, this quick one terrifically rides on the adrenaline of the previous pages, but it also ushers in the final act of the book by pointing the heroes toward Hogwarts and placing into effect a countdown for when they must have their showdown with Voldemort. … Chapter 28: The Missing Mirror 5/5 What a twist to introduce Aberforth, who is a fantastic and refreshing character, by the way. I maybe would have liked the narrative to recognize just how shocking it is to see him here and now, instead of having Harry just be like, “Oh, it’s you.” Provides some great relief with answering a few questions about Dumbledore’s past. … Chapter 29: The Lost Diadem 5/5 Neville is such a king. The title is sort of funny because it’s the next couple chapters that really deal more with the diadem, but regardless, it is a marvelous thing to see our trio return to Hogwarts. There is so much payoff in finally learning what’s been going on at school this year. Almost makes you wish we could go beyond Harry’s point of view and had seem some of the excitement in real-time, but I guess (narrative) absence makes the heart grow fonder. … Chapter 30: The Sacking of Severus Snape 5/5 The movie makes this scene a bit more epic, but it’s still quite satisfying here. So happy to see McGonagall again and begin preparations for the battle. I also loved seeing the Order return, ready to fight. … Chapter 31: The Battle of Hogwarts 5/5 Ironically the battle is just what’s happening *around* Harry during this chapter, because what it’s really about is finding the diadem. The movie allows us a more aerial view of the fighting, but Rowling manages to show us a ton of dueling and chaos (all through tons of satisfying call-backs to people, places, and things we discovered throughout the series) while keeping us focused on the horcrux hunt. It is disappointing how we can’t follow Hermione and Ron into the Chamber, though; thank goodness the movie shows us, and puts their kiss there instead of when Ron comments on elf liberation, though I’ll admit it’s still an oddly touching moment. It annoyed me how Harry kept saying Voldemort put the diadem in the Room of Requirement because he thought he was the only one to discover it. The room is literally a place where people go to hide things…and he keeps saying Voldemort thought only he knew about it. That makes no sense, love. But ultimately it doesn’t really matter because it’s still plausible enough that he’d put the diadem there, though what is a bit too coincidental is Harry finding it in HBP and putting it on that bust, but I’m fine with it. The burning of the Room of Requirements is thrilling, and it’s surprisingly nice to see the trio rescue Draco and Goyle. The fire that Crabbe cast being able to destroy the Horcrux does feel a bit too convenient. Fred’s death at the end is sad, though killing off one of the twins feels a bit like a cop-out, because they have barely any individualism through the series; killing one feels like it only counts as a half death, so it’s an easy way out. Does that sound horrible? I’m not saying it’s not really sad that he died. … Chapter 32: The Elder Wand 5/5 So, did the spiders take Hagrid away to kill him, or to retreat? Why not kill Hagrid if they’re still loyal to Voldemort in this moment? Why do *all* of them retreat just to carry Hagrid away? The Shrieking Shack is where the revelations start pouring out, and they are not messy and frustrating as in some of the other books. However, why did he have Nagini kill Snape? Did Voldemort just do this because he didn’t know if he could face-off Snape by wand? And wouldn’t the wand then go to Nagini, not Voldemort, or no one if Nagini can’t accept it as a non-wizard (though I think she used to be one)? And Voldemort just walks away before ensuring Snape is dead? As for the first question, I’m seeing some people online arguing Voldemort suspected he couldn’t use the Elder want to kill it’s master, but he still had his regular wand. Obviously, the narrative choice comes from Rowling needing Snape to have the opportunity to pass Harry his memories. I love how this chapter shows Voldemort to be a coward, hiding from the battle whilst he doesn’t have the Elder Wand’s true power. I wish we had the line from the movie, when Snape tells Harry, “You have your mother’s eyes.” What a heart-wrenching moment, but it’s not Rowling’s idea, so it’s not in the book. Womp, womp. … The rest of my review is located in my review for The Prequel...just as a loophole to Goodreads's ridiculous character limit: https://www.goodreads.com/review/show.... ...more |
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Gays of Goodreads
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everyone welcome! let's all find cute, bookish (boy)friends. everyone welcome! let's all find cute, bookish (boy)friends. ...more



















