Marcel M. du Plessis
Goodreads Author
Born
in Pretoria, South Africa
Website
Twitter
Genre
Influences
Member Since
September 2011
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"Religious devotion many times leads to fanaticism which kills the family unit. This happens everyday--here is a chronicle of this. This diluted (& superscary-in-a-different-way) version of "The Shining" is complex, emotional. It is written similarly "
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Perhaps one of the best books I've ever read! Certainly one of the most important. It is a story about the evils of colonialism, imperialism, religion - all the way down the what it means on a personal level, right down to the skin. It is beautiful an ...more |
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Very Useful! This has been rather useful. The exercises have improved my words per hour. Especially useful for all the projects I plan to finish this year... |
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| Jackson Lamb has the best lines in the world. The ending was great! | |
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Marcel Plessis
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“Another cloud bank drew across the moon. In the darkness, she ate. She ate as the ravenous hunger spurred her on. She stripped flesh from bone and savoured the metallic warmth of blood on her tongue. She kept eating and ripping and chewing. Soon she would be full. Soon. Almost.”
― The Curse of Balar
― The Curse of Balar
“Strange how his entire life could fit on a table, for he was that most despicable of creatures, a serial novelist. A battlefield of failures in the form of crumpled paper littered the ground around the chair. He stared at them forlornly. It was not that they were empty, just that they were full of poison. Ink in the shape of ghosts and curses. Beauty corrupted by darkness.”
― The Curse of Balar
― The Curse of Balar
“Even in the darkest night, hope glints on the iris like a distant fire.”
― The Silent Symphony
― The Silent Symphony
Topics Mentioning This Author
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| Goodreads Librari...: I am the author of this book | 3 | 7 | Apr 29, 2025 05:11AM |
“Fairy tales are more than true: not because they tell us that dragons exist, but because they tell us that dragons can be beaten.”
― Coraline
― Coraline
“Darkness cannot drive out darkness: only light can do that. Hate cannot drive out hate: only love can do that.”
― A Testament of Hope: The Essential Writings and Speeches
― A Testament of Hope: The Essential Writings and Speeches
“Good. Item seven. The had had and that that problem. Lady Cavendish, weren’t you working on this?’
Lady Cavendish stood up and gathered her thoughts. ‘Indeed. The uses of had had and that that have to be strictly controlled; they can interrupt the imaginotransference quite dramatically, causing readers to go back over the sentence in confusion, something we try to avoid.’
‘Go on.’
‘It’s mostly an unlicensed-usage problem. At the last count David Copperfield alone had had had had sixty three times, all but ten unapproved. Pilgrim’s Progress may also be a problem due to its had had/that that ratio.’
‘So what’s the problem in Progress?’
‘That that had that that ten times but had had had had only thrice. Increased had had usage had had to be overlooked, but not if the number exceeds that that that usage.’
‘Hmm,’ said the Bellman, ‘I thought had had had had TGC’s approval for use in Dickens? What’s the problem?’
‘Take the first had had and that that in the book by way of example,’ said Lady Cavendish. ‘You would have thought that that first had had had had good occasion to be seen as had, had you not? Had had had approval but had had had not; equally it is true to say that that that that had had approval but that that other that that had not.’
‘So the problem with that other that that was that…?’
‘That that other-other that that had had approval.’
‘Okay’ said the Bellman, whose head was in danger of falling apart like a chocolate orange, ‘let me get this straight: David Copperfield, unlike Pilgrim’s Progress, had had had, had had had had. Had had had had TGC’s approval?’
There was a very long pause. ‘Right,’ said the Bellman with a sigh, ‘that’s it for the moment. I’ll be giving out assignments in ten minutes. Session’s over – and let’s be careful out there.”
― The Well of Lost Plots
Lady Cavendish stood up and gathered her thoughts. ‘Indeed. The uses of had had and that that have to be strictly controlled; they can interrupt the imaginotransference quite dramatically, causing readers to go back over the sentence in confusion, something we try to avoid.’
‘Go on.’
‘It’s mostly an unlicensed-usage problem. At the last count David Copperfield alone had had had had sixty three times, all but ten unapproved. Pilgrim’s Progress may also be a problem due to its had had/that that ratio.’
‘So what’s the problem in Progress?’
‘That that had that that ten times but had had had had only thrice. Increased had had usage had had to be overlooked, but not if the number exceeds that that that usage.’
‘Hmm,’ said the Bellman, ‘I thought had had had had TGC’s approval for use in Dickens? What’s the problem?’
‘Take the first had had and that that in the book by way of example,’ said Lady Cavendish. ‘You would have thought that that first had had had had good occasion to be seen as had, had you not? Had had had approval but had had had not; equally it is true to say that that that that had had approval but that that other that that had not.’
‘So the problem with that other that that was that…?’
‘That that other-other that that had had approval.’
‘Okay’ said the Bellman, whose head was in danger of falling apart like a chocolate orange, ‘let me get this straight: David Copperfield, unlike Pilgrim’s Progress, had had had, had had had had. Had had had had TGC’s approval?’
There was a very long pause. ‘Right,’ said the Bellman with a sigh, ‘that’s it for the moment. I’ll be giving out assignments in ten minutes. Session’s over – and let’s be careful out there.”
― The Well of Lost Plots
“The trouble with having an open mind, of course, is that people will insist on coming along and trying to put things in it.”
― Diggers
― Diggers
“Have you ever been in love? Horrible isn't it? It makes you so vulnerable. It opens your chest and it opens up your heart and it means that someone can get inside you and mess you up.”
― The Sandman, Vol. 9: The Kindly Ones
― The Sandman, Vol. 9: The Kindly Ones
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