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Chris Payne

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Chris Payne

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Member Since
May 2022


Average rating: 4.38 · 4,329 ratings · 842 reviews · 46 distinct works
Where Are Your Boys Tonight...

4.39 avg rating — 4,247 ratings — published 2023 — 10 editions
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The Chieftain: Victorian Tr...

3.83 avg rating — 12 ratings — published 2011 — 3 editions
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Sams Teach Yourself Asp.Net...

3.86 avg rating — 7 ratings6 editions
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"You're Gonna Need a Bigger...

liked it 3.00 avg rating — 2 ratings2 editions
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Sams Teach Yourself .Net Wi...

really liked it 4.00 avg rating — 1 rating — published 2002 — 3 editions
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Erased!: A Comedy

it was ok 2.00 avg rating — 1 rating — published 2012 — 3 editions
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Developing Supervision of T...

0.00 avg rating — 0 ratings — published 1982
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The Home Manager as Trainer...

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0.00 avg rating — 0 ratings — published 1994
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100 Unexpected Statements a...

0.00 avg rating — 0 ratings — published 2013
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FRAGMENTS OF A LIFE: A rand...

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More books by Chris Payne…
Central Places
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The Holy Day
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by Christopher Norris (Goodreads Author)
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Rap Capital: An A...
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Chris’s Recent Updates

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Pretend We're Dead by Tanya Pearson
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What Happened to Millennials by Charlie Wells
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What Happened to Millennials by Charlie Wells
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Native Nations by Kathleen DuVal
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The Gods of New York by Jonathan Mahler
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Major Labels by Kelefa Sanneh
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Early Work by Andrew     Martin
Early Work
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Such Great Heights by Chris DeVille
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Y2K by Colette Shade
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Honey by Isabel Banta
Honey
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Quotes by Chris Payne  (?)
Quotes are added by the Goodreads community and are not verified by Goodreads. (Learn more)

Buddy Nielsen: One reason I think 2000s emo got so big was because it was kind of inappropriate to have party music as the background to two wars and probably the deadliest terrorist attack in American history. The response was music that captured the energy of the youth, which was this fucked-up world we're living in . . . In 2008, there's a generation of kids that may not remember 9/11 in the same way, and it switches to a different style of music that reflects the zeitgeist. It's just what happens with popular music.”
Chris Payne, Where Are Your Boys Tonight?: The Oral History of Emo’s Mainstream Explosion 1999-2008

Maria Sherman: ...I also wonder if people who are loyalists to this music--ride or die Warped Tour every year--I imagine at a certain point they were sick of seeing bands they love blow up to an enormous size and no longer feel like their own. Not that you have to be younger to experience that but . . . there's such a feeling of ownership of this music that you connect to deeply. And after a while it's like, 'Okay, well it got too big. I'm out.”
Chris Payne, Where Are Your Boys Tonight?: The Oral History of Emo’s Mainstream Explosion 1999-2008

Jim Adkins: ...There was a girl who wrote us, explaining how she felt like an outsider at her school because the punk rock kids wouldn't accept her, even though she liked us and a lot of the really obscure bands we toured with. And I just thought 'It's not worth your time to trip on this. Punk rock is and should be inclusive. That's the one thing I know. No matter what your definition of punk is, everyone would say that it's inclusive, it welcomes outsiders. Freak flags welcome. Wave 'em around. These chicks don't get it at all, don't waste your time trying to get their approval.' That's where the main idea for the lyrics to 'The Middle' came from.”
Chris Payne, Where Are Your Boys Tonight?: The Oral History of Emo’s Mainstream Explosion 1999-2008

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Around the Year i...: 2024 Fall Reading Challenge: Completion Thread 49 180 Dec 02, 2024 06:53AM  
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