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Sheila Bitts

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Sheila Bitts

Goodreads Author


Born
in Chicagoland, The United States
Website

Twitter

Genre

Influences
Dark Romanticism, Science, History, Private Detective/ PI Genre.

Member Since
September 2009

URL


Sheila Bitts, MFA, MPH is the author of Roses (2018, poetry). Her flash fiction is in Beyond Words Literary Magazine (2021). Worth (2022) is her collection of short stories. She wrote the novel, The Diamond Escape (2017) and its screenplay (2020). Entanglement (2022) is the second book in the Falloy Private Detective Novels.

BlueCat Review of Screenplay, "The Diamond Escape"--"This script is entertaining and is clearly inspired by many classic movies. It’s both a heist story and a detective story and the writer draws deftly from both genres to create a breakneck pursuit of the titular diamonds. In this expansive chase.. The diversity of place and the speed with which we move between settings create an exciting and, on the whole, original pie
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Popular Answered Questions

Sheila Bitts Why yes, myself. It says one may toggle to book format, but in reality, one may not. Etc.
Sheila Bitts I'm not sure this answer counts as a spoiler. It depends on how much you know about the allusions and the tribute references.

This book of short storie…more
I'm not sure this answer counts as a spoiler. It depends on how much you know about the allusions and the tribute references.

This book of short stories is influenced by Vonnegut, Shakespeare, James Joyce, Poniatowska, Robbe-Grillet, Magical Realism, Realism, Dark Romanticism, and many other people/styles including dark humor.

There are some heavy stories with some serious topics, but there are also some comedic pieces including some based on urban legends.

The stars used to separate segments in "The Asters" was taken directly from Vonnegut's use of stars in Slaughterhouse Five. It's also a trauma-driven story.

The Morse code at the end of "Frozen Over Ripples in a Pond" was what the woodpecker said to Carlsbad. You can go to a Morse code site and look it up. It was supposed to be interactive writing and reading as he found nature to be his only friend. That and the boy were part of the magical realism elements others had mentioned. He is symbolic, too, as he looks like the Tarot card for the Sun.

As for "Out of the Frying Pan and Into the Fire,"
I understand actual trigger warnings, but I was being one who copes through using dark humor and that's why I even mentioned them in the first story. This is also why I called them "Pulp Trigger warnings." It was a dark humor word play as I also write in the private detective/ noir /mystery/ thriller/ heist genres. Self-referencing, true, but also wider, I thought.

On the same story, adding Rod Serling was pure homage to his style because the whole story was imagined in black and white as if it were an episode of the Twilight Zone. I also said that was how Mr. Knowles saw the world. The point about the town being named its name in the first paragraph sounded like the old-fashioned Hollywood/Twilight Zone style of writing. Plus, then, I could introduce values as a theme.

On “Wonder Weapon” and on zombies: In Italy, there is a scandal about cruise ships and about the failure of flood gates stopping flooding in real life. I just took it a step further and made Donald Trump a blonde pomp zombie calling for calamari as he swiped at them because Trump's COO was named Matthew Calamari, Sr. Much of this is about the failure of leadership, banks, and the soul-crushing defeats that they release on the rest of humanity.

On the other zombie story, "The Scriptwriter," the reader does not know the Scriptwriter's real name until the end because it is a pun. If you look it up in the urban dictionary, you will see.

Shakespeare wrote in his sonnet form which I used for both my Othello and my Iago. I placed them on the Lido because I studied medieval pilgrimage. That was where many soldiers waited and died due to disease when they prepared to fight in the Crusades. I added senators and kept the story at the turning point before tragedy struck Othello.
(BTW There is a Shakespearean stage. However, I changed it. I made it rotate. That is a modernization that he would not have done, but yes, a literal turning point for a scene.)

This and the story called "Comandante" are two examples of stories with turning points for main characters. In the latter, Jesusa was at the crossroads. She is based on the novel's character from Poniatowska's Here's To You, Jesusa! So was the Comandante. There was so much violence in Jesusa's life after she chose to marry instead of staying with the Comandante. She was beaten to a pulp until she threatened to shoot her husband even as they fought a civil war on the same side. Her life never got better it seemed. I thought that was her turning point when she met the Comandante. I wish she had stayed with her as she was welcomed at her dinner table.

I could go on, but in short, the stories are often about the choices we make…and regret as much as they are about the value of a human being.(less)
Average rating: 3.27 · 141 ratings · 55 reviews · 7 distinct worksSimilar authors
Entanglement (Falloy Privat...

3.09 avg rating — 53 ratings — published 2022 — 2 editions
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The Diamond Escape (Falloy ...

liked it 3.00 avg rating — 44 ratings5 editions
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Worth: Short Fiction Collec...

3.40 avg rating — 30 ratings — published 2022 — 5 editions
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Roses: Collected Poems 1988...

4.30 avg rating — 10 ratings4 editions
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Collected Poems (1988-2008)

it was amazing 5.00 avg rating — 2 ratings2 editions
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The Umbrella Initiative: A ...

it was amazing 5.00 avg rating — 1 rating
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Screenplay of The Diamond E...

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Merry Christmas 2024!

I hope everybody has a Great Christmas!
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More of Sheila's books…
Louise Erdrich
“There was still blood going down Henry's chin, but he didn't notice it and no one said anything, even though every time he took a bite of his bread his blood fell onto it until he was eating his own blood mixed in with the food.”
Louise Erdrich, The Red Convertible

Karen Russell
“spoilers (turning point)

"Now Cillian was awake—he was irreversibly awake. He blinked up at her face, which was staring down at him. When they locked eyes, her frozen smile widened.

“Mom!” he couldn’t help screaming. “Help!”

The Bog Girl, imitating him, began to scream and scream. And he could see, radiating from her gaze, the same blind tenderness that he had directed at her. Now he was its object. Something truly terrifying had happened: she loved him back.”
Karen Russell, The Bog Girl

“After a week’s quiescence, an ambulance tore across Road, siren wailing and lights flashing to the rhythm of help emergency help help help. Road opened its mouth and swallowed.
They were delicious.”
Shalini Srinivasan, Road: A Fairytale

“Why think separately of this life than the next, when one is born from the last? Time is always too short for those who need it, but for those who love, it lasts forever.”
Dracula Untold

Edgar Allan Poe
“Misery is manifold. The wretchedness of earth is multiform.”
Edgar Allan Poe, Berenice

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message 3: by Sheila (last edited Jan 04, 2022 01:03PM)

Sheila Bitts Craft: The author used unreliable first-person point of view of a SecUnit as well as dialogue to get her theme across. I thought of her bot character as female while reading it.
All Systems Red by Martha Wells
Quote

"I didn’t turn my helmet toward him because that can be intimidating and it’s especially important for me to resist that urge. 'I carefully monitor my own systems.' What else did he think I was going to say? It didn’t matter; I’m not refundable." (49)


Sheila Bitts "He might have been compared to a summer’s day, particularly the
last hours of one, and while he lacked a tennis racket or a sail bag the impression was
definitely one of youth, sport, and clement weather."

and

"He had an
inexplicable contempt for men who did not hurl themselves into pools."

and

"Here he was exposed to the ridicule
of the north-bound traffic, but after ten or fifteen minutes he was able to cross."

from, "The Swimmer"
John Cheever


Sheila Bitts "Capiche..."
from "Bullet in the Brain"
Tobias Wolff


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