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Matthew Salesses

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Matthew Salesses

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Born
Seoul, Korea, Republic of
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December 2011

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Bestselling author of The Hundred-Year Flood and Disappear Doppelgänger Disappear, among other books. Craft in the Real World comes out Jan, 2021. I’m adopted.

Thank you for reviewing Disappear Doppelgänger Disappear!

For those who reviewed DDD, I made a little film on using tone in fiction, as thanks. You can view it here:

https://www.youtube.com/watch?v=5VC6Px0iEsU&t

Thank you so much!
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Published on August 13, 2020 10:25 Tags: craft, creative-writing, disappear-doppelgänger-disappear, fiction
Average rating: 3.9 · 6,013 ratings · 1,131 reviews · 22 distinct worksSimilar authors
Craft in the Real World: Re...

4.42 avg rating — 2,389 ratings — published 2021 — 7 editions
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The Hundred-Year Flood

3.17 avg rating — 1,366 ratings — published 2015 — 10 editions
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The Sense of Wonder

3.63 avg rating — 1,189 ratings — published 2023 — 8 editions
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Disappear Doppelgänger Disa...

3.47 avg rating — 280 ratings — published 2020 — 6 editions
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I'm Not Saying, I'm Just Sa...

4.02 avg rating — 194 ratings — published 2013 — 2 editions
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The Last Repatriate

4.40 avg rating — 68 ratings — published 2011 — 2 editions
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Different Racisms: On Stere...

4.20 avg rating — 59 ratings — published 2014 — 3 editions
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Our Island of Epidemics

4.44 avg rating — 32 ratings — published 2010
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We Will Take What We Can Get

4.08 avg rating — 12 ratings — published 2009
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How to Greet the Mother Who...

3.92 avg rating — 12 ratings — published 2015
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More books by Matthew Salesses…
Zen and the Art o...
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The Last Mapmaker
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Quotes by Matthew Salesses  (?)
Quotes are added by the Goodreads community and are not verified by Goodreads. (Learn more)

“For a marginalized writer writing to a normative audience, the writer has to be wary of normative craft. Much of what we learn about craft (about the expectations we are supposed to consider) implies a straight, white, cis, able (etc.) audience. It is easy to forget who we are writing for if we do not keep it a conscious consideration, and the default is not universal, but privileged.”
Matthew Salesses, Craft in the Real World: Rethinking Fiction Writing and Workshopping

“Sometimes our passion is so strong that it makes a fool of us.”
Matthew Salesses, The Hundred-Year Flood

“What we call craft is in fact nothing more or less than a set of expectations. Those expectations are shaped by workshop, by reading, by awards and gatekeepers, by biases about whose stories matter and how they should be told. How we engage with craft expectations is what we can control as writers. The more we know about the context of those expectations, the more consciously we can engage with them.”
Matthew Salesses, Craft in the Real World: Rethinking Fiction Writing and Workshopping

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