Peter Vronsky

“Werewolves had been so rationalized and medicalized by the year 1000 that they became subject to a medieval type of “heroin chic” romanticism in literature, in which they were frequently portrayed as attractive, lonely, suffering, victimized, self-sacrificing, chivalrous heroes in fictional and mythological tales emerging during the Grail romance era. The “chivalrous werewolf” narratives often feature a noble knight or prince who transforms into a werewolf to protect the subject of his romantic love, but while he is a werewolf she betrays him by stealing his transformative device—either a potion, a ring, a belt or his clothes—trapping him forever in his lovelorn werewolf state.25”
― Peter Vronsky, Sons of Cain: A History of Serial Killers from the Stone Age to the Present

“Suddenly a million males, most of whom had been raised under the tenets of Western Judeo-Christian values but had rarely ventured beyond their hometowns, were catapulted thousands of miles overseas among strangers into a savagely primitive world of warfare stripped of the rules and inhibitions of civilization. It was a mini Stone Age war but with machine guns and flamethrowers, in which our soldiers were called upon to behave like our primitive ancestors in a reptilian state of killing for survival.”
― Peter Vronsky, Sons of Cain: A History of Serial Killers from the Stone Age to the Present

“For the media covering serial murder it is not the number of victims that counts anymore. But their celebrity status or credit rating. The trade off these days is one upscale SUV in the driveway for every 10 dead hookers in a dumpster.”
― Peter Vronsky, Sons of Cain: A History of Serial Killers from the Stone Age to the Present