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Michelle Browne
Goodreads Author
Born
in Saskatoon, Canada
December 08
Website
Twitter
Genre
Influences
Member Since
March 2014
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Popular Answered Questions
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...And the Stars Will Sing
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published
2012
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2 editions
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The Stolen: Two Short Stories
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published
2012
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4 editions
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Cult Classics for the Modern Cult
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published
2014
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2 editions
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The Underlighters
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published
2013
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5 editions
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The Loved, The Lost, The Dreaming
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published
2013
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4 editions
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Cult Classics for the Modern Cult 2: Heartbreakers for the Modern Cult
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published
2015
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2 editions
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Euphoria/Dysphoria
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published
2014
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2 editions
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After the Garden (The Memory Bearers Saga #1)
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published
2014
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8 editions
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The Meaning Wars Complete Omnibus: A Queer Space Opera
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Frost and Other Stories
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published
2013
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2 editions
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Michelle’s Recent Updates
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Michelle Browne
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| A surprisingly gothic horror that goes so incredibly hard, harder than I thought possible, harder than most authors would have the courage to do. This felt like it absolutely used as much of the potential of the concept as it could, which I can't hel ...more | |
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| This was as compulsively readable and unputdownable as any of Dawson's previous works. I gotta say, I love the "good for her" and unrepentant feminist indulgence of this one. I wish there was more of a denoument, and there was a central mystery that ...more | |
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Michelle Browne
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A horrific, top tier Lovecraftian gothic horror This was tense, gripping, and impossible to put down. I am stunned and impressed by the way the author managed to evoke the agonizing current situation of journalism and the internet, the conservative cu ...more |
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Michelle Browne
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A gripping, pacy thriller that goes hard and gets weird A gripping, pacy thriller that goes hard and gets weird. This one was pretty good, but I admit that my reading experience suffered from trying to beat the clock of the library loan. Regardless, ...more |
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Michelle Browne
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God tier vintage horror So this is what Southern Gothics are supposed to be like. Greco-Roman influences in the cursed nature of the families, small horrors casually delivered in the most chilling way, familial abuse quietly conveyed: this book is an ...more |
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Michelle Browne
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A satisfying tale of female rage Johanna Van Veen's prose is so good in this one. The horror is on point, and the angles that can be explored, are. This one gets nasty, in impressive ways. I do wish the ending was less abrupt, but still, I'm rather i ...more |
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Michelle Browne
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Absolutely spectacular historical romance This is what I wanted A Little Light Mischief to be, honestly. Crackling with Wildean wit and a battle of wills, a slow burn to love with tantalizing sexiness, and class critical? Yeah, I loved this without re ...more |
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Michelle Browne
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A brutal, unforgiving tour de force I thought this book wasn't going to phase me, but the ending? My god. I do think that the central conceit of the swarm felt oddly underutilized, as if it could have been any other cult. But the writing is smooth, eve ...more |
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Michelle Browne
rated a book liked it
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A surprisingly slow, thoughtful consideration of immortality So, I did like Play Nice, The Returned, and Black Sheep more, but this was still solid. It felt surprisingly fresh to see a vampire tale consider the meaning of life. I wasn't expecting the ...more |
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Michelle Browne
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Two amazing tales The first story is my favourite, because the gore and dark humour and risk are handled so brilliantly. Every moment of research that went into this turned into a slick, fast paced tale with hidden depths and nuance. The second story ...more |
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Topics Mentioning This Author
| topics | posts | views | last activity | |
|---|---|---|---|---|
| Womankind Worldwi...: Feminist Novel | 77 | 188 | Aug 25, 2013 09:42PM | |
| David Estes Fans ...: R&R # 42 - THE UNDERLIGHTERS by Michelle Browne | 30 | 47 | Nov 18, 2013 10:15PM | |
| The Next Best Boo...: Dystopian novels | 60 | 1154 | Sep 28, 2016 10:51AM | |
Space Opera Fans :
Nov 2022 LIMITED Nominations
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9 | 32 | Oct 22, 2022 03:34AM |
“Strange memories on this nervous night in Las Vegas. Five years later? Six? It seems like a lifetime, or at least a Main Era—the kind of peak that never comes again. San Francisco in the middle sixties was a very special time and place to be a part of. Maybe it meant something. Maybe not, in the long run . . . but no explanation, no mix of words or music or memories can touch that sense of knowing that you were there and alive in that corner of time and the world. Whatever it meant. . . .
History is hard to know, because of all the hired bullshit, but even without being sure of “history” it seems entirely reasonable to think that every now and then the energy of a whole generation comes to a head in a long fine flash, for reasons that nobody really understands at the time—and which never explain, in retrospect, what actually happened.
My central memory of that time seems to hang on one or five or maybe forty nights—or very early mornings—when I left the Fillmore half-crazy and, instead of going home, aimed the big 650 Lightning across the Bay Bridge at a hundred miles an hour wearing L. L. Bean shorts and a Butte sheepherder's jacket . . . booming through the Treasure Island tunnel at the lights of Oakland and Berkeley and Richmond, not quite sure which turn-off to take when I got to the other end (always stalling at the toll-gate, too twisted to find neutral while I fumbled for change) . . . but being absolutely certain that no matter which way I went I would come to a place where people were just as high and wild as I was: No doubt at all about that. . . .
There was madness in any direction, at any hour. If not across the Bay, then up the Golden Gate or down 101 to Los Altos or La Honda. . . . You could strike sparks anywhere. There was a fantastic universal sense that whatever we were doing was right, that we were winning. . . .
And that, I think, was the handle—that sense of inevitable victory over the forces of Old and Evil. Not in any mean or military sense; we didn’t need that. Our energy would simply prevail. There was no point in fighting—on our side or theirs. We had all the momentum; we were riding the crest of a high and beautiful wave. . . .
So now, less than five years later, you can go up on a steep hill in Las Vegas and look West, and with the right kind of eyes you can almost see the high-water mark—that place where the wave finally broke and rolled back.”
― Fear and Loathing in Las Vegas: A Savage Journey to the Heart of the American Dream
History is hard to know, because of all the hired bullshit, but even without being sure of “history” it seems entirely reasonable to think that every now and then the energy of a whole generation comes to a head in a long fine flash, for reasons that nobody really understands at the time—and which never explain, in retrospect, what actually happened.
My central memory of that time seems to hang on one or five or maybe forty nights—or very early mornings—when I left the Fillmore half-crazy and, instead of going home, aimed the big 650 Lightning across the Bay Bridge at a hundred miles an hour wearing L. L. Bean shorts and a Butte sheepherder's jacket . . . booming through the Treasure Island tunnel at the lights of Oakland and Berkeley and Richmond, not quite sure which turn-off to take when I got to the other end (always stalling at the toll-gate, too twisted to find neutral while I fumbled for change) . . . but being absolutely certain that no matter which way I went I would come to a place where people were just as high and wild as I was: No doubt at all about that. . . .
There was madness in any direction, at any hour. If not across the Bay, then up the Golden Gate or down 101 to Los Altos or La Honda. . . . You could strike sparks anywhere. There was a fantastic universal sense that whatever we were doing was right, that we were winning. . . .
And that, I think, was the handle—that sense of inevitable victory over the forces of Old and Evil. Not in any mean or military sense; we didn’t need that. Our energy would simply prevail. There was no point in fighting—on our side or theirs. We had all the momentum; we were riding the crest of a high and beautiful wave. . . .
So now, less than five years later, you can go up on a steep hill in Las Vegas and look West, and with the right kind of eyes you can almost see the high-water mark—that place where the wave finally broke and rolled back.”
― Fear and Loathing in Las Vegas: A Savage Journey to the Heart of the American Dream
“Hello babies. Welcome to Earth. It's hot in the summer and cold in the winter. It's round and wet and crowded. On the outside, babies, you've got a hundred years here. There's only one rule that I know of, babies-"God damn it, you've got to be kind.”
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“But I don't want comfort. I want God, I want poetry, I want real danger, I want freedom, I want goodness. I want sin.”
― Brave New World
― Brave New World
“Actual happiness always looks pretty squalid in comparison with the overcompensations for misery. And, of course, stability isn't nearly so spectacular as instability. And being contented has none of the glamour of a good fight against misfortune, none of the picturesqueness of a struggle with temptation, or a fatal overthrow by passion or doubt. Happiness is never grand.”
― Brave New World
― Brave New World
“I am I, and I wish I weren't.”
― Brave New World
― Brave New World
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