Michelle Browne
Goodreads Author
Born
in Saskatoon, Canada
December 08
Website
Twitter
Genre
Influences
Member Since
March 2014
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Popular Answered Questions
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...And the Stars Will Sing
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published
2012
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2 editions
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The Stolen: Two Short Stories
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published
2012
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4 editions
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Cult Classics for the Modern Cult
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published
2014
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2 editions
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The Underlighters
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published
2013
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5 editions
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The Loved, The Lost, The Dreaming
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published
2013
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4 editions
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Cult Classics for the Modern Cult 2: Heartbreakers for the Modern Cult
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published
2015
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2 editions
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Euphoria/Dysphoria
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published
2014
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2 editions
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After the Garden (The Memory Bearers Saga #1)
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published
2014
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8 editions
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The Meaning Wars Complete Omnibus: A Queer Space Opera
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Frost and Other Stories
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published
2013
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2 editions
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Michelle’s Recent Updates
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Michelle Browne
rated a book it was amazing
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Deeply satisfying romantic horror This went exactly where I wanted it to and hit all the notes I was hoping for. An aesthetically rich tale with lush descriptions and atmosphere and a dark, twisted wit, Dawson nails the vibe she's going for perfectly ...more |
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Michelle Browne
rated a book really liked it
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I don't really think anything is wrong with this book, but I was hoping it would have more bite. Good slow burn, excellent character relationships, and a really fun rivals to lovers transition. I didn't cry, but I did smile. Prose as edible as a perf ...more |
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Michelle Browne
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| I had loved Blanca y Roja, which was an incredible fairy tale transformation, and this was a treat as well. A little body horror, tons of gems, examinations of the prison of strict gender roles, a bit of sapphic romance, and did I mention the outfits ...more | |
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Michelle Browne
rated a book did not like it
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I had to mock my way through this read to get through it. I hope Walpole was a better writer than this in other cases, because every poor conceit of 19th century writing is on display here. This is like someone read Alexandre Dumas and tried to copy ...more |
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Michelle Browne
rated a book it was amazing
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Amazing, gripping, raw story Similar to "The Woods All Black", "All the Bad Apples," and "Model Home," this tale of horror and suspense dives deep into a personal tale of marginalization and uses it as the rich soil for narrative to grow. I was worri ...more |
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Michelle Browne
rated a book really liked it
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| After all the horror I've been reading, this was a very relaxing break. I enjoyed all the Canadian content and the settings, and it was nice to just read about a queer person making friends and trying to navigate her life with her disabilities. Defin ...more | |
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Michelle Browne
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A gripping, fantastic Lovecraftian and fey horror At first I thought this book was going to pull some horror punches, but no, it went pretty hard. I'm trying so hard not to spoil anything, but I definitely shuddered a few times. There's some elements ...more |
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Michelle Browne
rated a book it was amazing
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Blew my socks off Okay, so this is a classic for a reason. It is a dense read, and challenging, but the tension is first-rate. It isn't really a criticism, but this is some hard prose, in the sense that it's very very rich and thick. Lots of layers. D ...more |
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Michelle Browne
rated a book really liked it
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A compelling tale of early gothic lesbians You have to be in the right headspace to read this properly, for the heavy velvet of it to settle properly on your shoulders, but if you are, it's a mysterious and rewarding read. And pretty undeniably sapphi ...more |
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Michelle Browne
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Topics Mentioning This Author
| topics | posts | views | last activity | |
|---|---|---|---|---|
| Womankind Worldwi...: Feminist Novel | 77 | 188 | Aug 25, 2013 09:42PM | |
| David Estes Fans ...: R&R # 42 - THE UNDERLIGHTERS by Michelle Browne | 30 | 47 | Nov 18, 2013 10:15PM | |
| The Next Best Boo...: Dystopian novels | 60 | 1154 | Sep 28, 2016 10:51AM | |
Space Opera Fans :
Nov 2022 LIMITED Nominations
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9 | 32 | Oct 22, 2022 03:34AM |
“Strange memories on this nervous night in Las Vegas. Five years later? Six? It seems like a lifetime, or at least a Main Era—the kind of peak that never comes again. San Francisco in the middle sixties was a very special time and place to be a part of. Maybe it meant something. Maybe not, in the long run . . . but no explanation, no mix of words or music or memories can touch that sense of knowing that you were there and alive in that corner of time and the world. Whatever it meant. . . .
History is hard to know, because of all the hired bullshit, but even without being sure of “history” it seems entirely reasonable to think that every now and then the energy of a whole generation comes to a head in a long fine flash, for reasons that nobody really understands at the time—and which never explain, in retrospect, what actually happened.
My central memory of that time seems to hang on one or five or maybe forty nights—or very early mornings—when I left the Fillmore half-crazy and, instead of going home, aimed the big 650 Lightning across the Bay Bridge at a hundred miles an hour wearing L. L. Bean shorts and a Butte sheepherder's jacket . . . booming through the Treasure Island tunnel at the lights of Oakland and Berkeley and Richmond, not quite sure which turn-off to take when I got to the other end (always stalling at the toll-gate, too twisted to find neutral while I fumbled for change) . . . but being absolutely certain that no matter which way I went I would come to a place where people were just as high and wild as I was: No doubt at all about that. . . .
There was madness in any direction, at any hour. If not across the Bay, then up the Golden Gate or down 101 to Los Altos or La Honda. . . . You could strike sparks anywhere. There was a fantastic universal sense that whatever we were doing was right, that we were winning. . . .
And that, I think, was the handle—that sense of inevitable victory over the forces of Old and Evil. Not in any mean or military sense; we didn’t need that. Our energy would simply prevail. There was no point in fighting—on our side or theirs. We had all the momentum; we were riding the crest of a high and beautiful wave. . . .
So now, less than five years later, you can go up on a steep hill in Las Vegas and look West, and with the right kind of eyes you can almost see the high-water mark—that place where the wave finally broke and rolled back.”
― Fear and Loathing in Las Vegas: A Savage Journey to the Heart of the American Dream
History is hard to know, because of all the hired bullshit, but even without being sure of “history” it seems entirely reasonable to think that every now and then the energy of a whole generation comes to a head in a long fine flash, for reasons that nobody really understands at the time—and which never explain, in retrospect, what actually happened.
My central memory of that time seems to hang on one or five or maybe forty nights—or very early mornings—when I left the Fillmore half-crazy and, instead of going home, aimed the big 650 Lightning across the Bay Bridge at a hundred miles an hour wearing L. L. Bean shorts and a Butte sheepherder's jacket . . . booming through the Treasure Island tunnel at the lights of Oakland and Berkeley and Richmond, not quite sure which turn-off to take when I got to the other end (always stalling at the toll-gate, too twisted to find neutral while I fumbled for change) . . . but being absolutely certain that no matter which way I went I would come to a place where people were just as high and wild as I was: No doubt at all about that. . . .
There was madness in any direction, at any hour. If not across the Bay, then up the Golden Gate or down 101 to Los Altos or La Honda. . . . You could strike sparks anywhere. There was a fantastic universal sense that whatever we were doing was right, that we were winning. . . .
And that, I think, was the handle—that sense of inevitable victory over the forces of Old and Evil. Not in any mean or military sense; we didn’t need that. Our energy would simply prevail. There was no point in fighting—on our side or theirs. We had all the momentum; we were riding the crest of a high and beautiful wave. . . .
So now, less than five years later, you can go up on a steep hill in Las Vegas and look West, and with the right kind of eyes you can almost see the high-water mark—that place where the wave finally broke and rolled back.”
― Fear and Loathing in Las Vegas: A Savage Journey to the Heart of the American Dream
“Hello babies. Welcome to Earth. It's hot in the summer and cold in the winter. It's round and wet and crowded. On the outside, babies, you've got a hundred years here. There's only one rule that I know of, babies-"God damn it, you've got to be kind.”
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“But I don't want comfort. I want God, I want poetry, I want real danger, I want freedom, I want goodness. I want sin.”
― Brave New World
― Brave New World
“Actual happiness always looks pretty squalid in comparison with the overcompensations for misery. And, of course, stability isn't nearly so spectacular as instability. And being contented has none of the glamour of a good fight against misfortune, none of the picturesqueness of a struggle with temptation, or a fatal overthrow by passion or doubt. Happiness is never grand.”
― Brave New World
― Brave New World
“I am I, and I wish I weren't.”
― Brave New World
― Brave New World
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