Shōhei Ōoka

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Shōhei Ōoka


Born
in Tokyo, Japan
March 06, 1909

Died
December 25, 1988

Genre


Shōhei Ōoka (Ōoka Shōhei / 大岡 昇平) was a Japanese novelist, literary critic, and translator of French literature active in Shōwa period Japan. He graduated from Kyoto University in 1932 and majored in French literature, publishing a series of essays on Stendhal and translating some of the French writer's novels. Called to arms in 1944 he was sent to the Philippines where he was taken prisoner by the Americans. During that time he set out to write a series of fiction and nonfiction works focusing on the condition of captivity. Indeed, Ōoka belongs to the group of postwar writers whose World War II experiences at home and abroad figure prominently in their works. Over his lifetime, he contributed short stories and critical essays to almost eve ...more

Average rating: 3.98 · 1,946 ratings · 214 reviews · 28 distinct worksSimilar authors
Fires on the Plain

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really liked it 4.00 avg rating — 1,768 ratings — published 1951 — 52 editions
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Taken Captive: A Japanese P...

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3.88 avg rating — 40 ratings — published 1996 — 3 editions
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A Wife in Musashino (Volume...

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3.20 avg rating — 30 ratings — published 2002 — 10 editions
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The Shade of Blossoms (Volu...

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3.63 avg rating — 24 ratings — published 1997 — 5 editions
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俘虜記

3.33 avg rating — 3 ratings — published 1948
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Mga Apoy sa Kapatagan

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it was amazing 5.00 avg rating — 1 rating
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MON STENDHAL

it was amazing 5.00 avg rating — 1 rating
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Sakai-kō jōi shimatsu

0.00 avg rating — 0 ratings — published 1989 — 2 editions
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Nakahara Chuya [Japanese Ed...

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Journal d'un prisonnier de ...

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More books by Shōhei Ōoka…
Quotes by Shōhei Ōoka  (?)
Quotes are added by the Goodreads community and are not verified by Goodreads. (Learn more)

“People seem unable to admit this principle of chance. Our spirits are not strong enough to stand the idea of life being a mere succession of chances—the idea, that is, of infinity. Each of us in his individual existence, which is contained between the chance of his birth and the chance of his death, identifies those few incidents that have arisen through what he styles his “will”; and the thing that emerges consistently from this he calls his “character” or again his “life.” Thus we contrive to comfort ourselves; there is, in fact, no other way for us to think.”
Shohei Ooka, Fires on the Plain

“Again, was it not this same presentiment of death that made it seem so strange to me now that I should never again walk along this path in the Philippine forest? In our own country, even in the most distant or inaccessible part, this feeling of strangeness never comes to us, because subconsciously we know that there is always a possibility of our returning there in the future. Does not our entire life-feeling depend upon this inherent assumption that we can repeat indefinitely what we are doing at the moment?”
Shohei Ooka, Fires on the Plain

“When I felt ill and was on the way to becoming a burden to the other men, I noticed a growing chill in their attitude toward me. For people like us, living day and night on the brink of danger, the normal instinct of survival seems to strike inward, like a disease, distorting the personality and removing all motives other than those of sheer self-interest. That is why this afternoon I did not wait to go and tell my former comrades-in-arms what had happened to me. For one thing, they probably already knew; besides, it seemed unfair to risk awakening their dormant sense of humanity.”
Shōhei Ōoka, Fires on the Plain

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