Christopher Dunn

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Christopher Dunn


Born
in Manchester, The United Kingdom
January 01, 1946

Website

Genre

Influences


Average rating: 4.21 · 1,310 ratings · 106 reviews · 103 distinct worksSimilar authors
The Giza Power Plant: Techn...

4.25 avg rating — 711 ratings — published 1998 — 6 editions
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Lost Technologies of Ancien...

4.17 avg rating — 295 ratings — published 2010 — 6 editions
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Brutality Garden: Tropicali...

4.15 avg rating — 128 ratings — published 2001 — 13 editions
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Giza: The Tesla Connection:...

4.16 avg rating — 80 ratings — published 2024 — 4 editions
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Take Five and Pass First Ti...

4.29 avg rating — 24 ratings — published 1999
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Contracultura

3.73 avg rating — 11 ratings3 editions
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The book of Huntingdon: A p...

it was amazing 5.00 avg rating — 1 rating2 editions
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Save the World Dog and the ...

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liked it 3.00 avg rating — 1 rating — published 2014
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A System For Harmony

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liked it 3.00 avg rating — 1 rating — published 2015 — 2 editions
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Earthly Actions

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it was ok 2.00 avg rating — 1 rating — published 2013
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More books by Christopher Dunn…
Quotes by Christopher Dunn  (?)
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“We cannot fathom technology that is unknown to us, and we seldom consider things that seem impossible to us.”
Christopher Dunn, The Giza Power Plant: Technologies of Ancient Egypt

“For those who may still believe in the "official" chronology of the historical development of metals, identifying copper as the metal the ancient Egyptians used for cutting granite is like saying that aluminum could be cut using a chisel fashioned out of butter.”
Christopher Dunn, The Giza Power Plant: Technologies of Ancient Egypt

“There is a tendency to romanticize the abilities of the ancient Egyptians because they produced structures that were miraculous for their time and certainly would pose a serious challenge to ours. They were somehow immensely more talented with sticks and stones than modern researchers have been able to demonstrate using the same implements. When pondering the theories proffered by Egyptologists, one gets the impression that an ancient Egyptian quarry worker was like a maestro playing a complete symphony on a violin made of a cigar box and a stick and producing the quality of a Stradivarius.
The argument is pleasing and poetic, but the trouble is that, metaphorically speaking, when modern scholars make a violin from a cigar box and a stick, its results are precisely what you would expect from a cigar box and a stick. So the question persists: From what instruments did the symphonic architecture of Egypt materialize?”
Christopher Dunn, Lost Technologies of Ancient Egypt: Advanced Engineering in the Temples of the Pharaohs

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