David Bordwell

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David Bordwell


Born
in New York, The United States
July 23, 1947

Died
February 29, 2024

Website

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David Bordwell, Jacques Ledoux Professor at the University of Wisconsin, is arguably the most influential scholar of film in the United States. The author, with his wife Kristin Thompson, of the standard textbook Film Art and a series of influential studies of directors (Eisenstein, Ozu, Dreyer) as well as periods and styles (Hong Kong cinema, Classical Hollywood cinema, among others), he has also trained a generation of professors of cinema studies, extending his influence throughout the world. His books have been translated into fifteen languages.

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Average rating: 4.11 · 6,837 ratings · 414 reviews · 62 distinct worksSimilar authors
Film Art: An Introduction

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4.09 avg rating — 2,599 ratings — published 1979 — 120 editions
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Film History: An Introduction

4.11 avg rating — 1,215 ratings — published 1994 — 41 editions
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Narration in the Fiction Film

4.13 avg rating — 301 ratings — published 1985 — 23 editions
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Way Hollywood Tells It: Sto...

3.84 avg rating — 284 ratings — published 2006 — 12 editions
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On the History of Film Style

4.25 avg rating — 193 ratings — published 1979 — 8 editions
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The Classical Hollywood Cin...

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4.19 avg rating — 191 ratings — published 1985 — 18 editions
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Planet Hong Kong: Popular C...

4.26 avg rating — 169 ratings — published 2000 — 8 editions
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Making Meaning: Inference a...

4.18 avg rating — 145 ratings — published 1989 — 11 editions
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Ozu and the Poetics of Cinema

4.25 avg rating — 118 ratings — published 1988 — 9 editions
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Figures Traced in Light: On...

4.23 avg rating — 105 ratings — published 2005 — 5 editions
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More books by David Bordwell…
Quotes by David Bordwell  (?)
Quotes are added by the Goodreads community and are not verified by Goodreads. (Learn more)

“An orgy of words, after all, is still an orgy.”
David Bordwell, The Rhapsodes: How 1940s Critics Changed American Film Culture

“Someone might ask, if the dynamic of innovation consists of schema and revision, where does true originality come from? Is there no single work we can point to as the ultimate source of this or that new storrytelling strategy? I'm inclined to say there is no such source. Artists working in mass art forms find originality by revising schemas in circulation, or by revising ones that have fallen into disuse.”
David Bordwell, Reinventing Hollywood: How 1940s Filmmakers Changed Movie Storytelling

“Each block corresponds to one influence that Whitehead acknowledged: Richard Stark, Elmore Leonard, and Patricia Highsmith.”
David Bordwell, Perplexing Plots: Popular Storytelling and the Poetics of Murder

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