Manuel Arenas
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Born
in Wiesbaden, Germany
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Influences
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January 2021
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I knew nothing about this book and was just drawn by the cover art and the unusual title. It turned out to be one of the most enjoyable reads I have had in a while. It is a very imaginative and whackadoodle story with a lot of heart and some thoughtf ...more | |
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Full disclosure, Erica Ruppert is a friend and colleague, and I wrote this blurb for her book. Just the same, my opinions are genuine and sincere. This is what I had to say about this wonderful book: "Erica Ruppert’s Seven Stars is a collection of ex ...more |
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Full disclosure: I know Mr. Opperman and wrote the blurb for this book. However, I enjoyed it so much that my initial blurb was too long to use on the book cover, so I promised to post it as a review: Like one of his beloved jack-o-lanterns, K. A. Opp ...more |
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“Je sais que j'aurais une envie de pleurer. Non par tristesse, non de bonheur, Mais par beauté, car c'est aussi un sentiment.”
― Les Mondes de Yaxin: Le Jour de la Licorne
― Les Mondes de Yaxin: Le Jour de la Licorne
“Et une fois fermés, ce dont se souviennent tes yeux s'appelle éternité.”
― Les Mondes de Yaxin: Le Jour de la Licorne
― Les Mondes de Yaxin: Le Jour de la Licorne
“From childhood’s hour I have not been
As others were—I have not seen
As others saw—I could not bring
My passions from a common spring—
From the same source I have not taken
My sorrow—I could not awaken
My heart to joy at the same tone—
And all I lov’d—I lov’d alone—”
― Alone
As others were—I have not seen
As others saw—I could not bring
My passions from a common spring—
From the same source I have not taken
My sorrow—I could not awaken
My heart to joy at the same tone—
And all I lov’d—I lov’d alone—”
― Alone
“Let's say it once and for all: Poe and Lovecraft - not to mention a Bruno Schulz or a Franz Kafka - were what the world at large would consider extremely disturbed individuals. And most people who are that disturbed are not able to create works of fiction. These and other names I could mention are people who are just on the cusp of total psychological derangement. Sometimes they cross over and fall into the province of 'outsider artists.' That's where the future development of horror fiction lies - in the next person who is almost too emotionally and psychologically damaged to live in the world but not too damaged to produce fiction.”
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“An isolated person requires correspondence as a means of seeing his ideas as others see them, and thus guarding against the dogmatisms and extravagances of solitary and uncorrected speculation. No man can learn to reason and appraise from a mere perusal of the writing of others. If he live not in the world, where he can observe the public at first hand and be directed toward solid reality by the force of conversation and spoken debate, then he must sharpen his discrimination and regulate his perceptive balance by an equivalent exchange of ideas in epistolary form.”
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“The one test of the really weird (story) is simply this--whether or not there be excited in the reader a profound sense of dread, and of contact with unknown spheres and powers; a subtle attitude of awed listening, as if for the beating of black wings or the scratching of outside shapes and entities on the known universe's utmost rim.”
― Supernatural Horror in Literature
― Supernatural Horror in Literature