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Naomi Libicki
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in Columbus, The United States
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Second Contacts
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published
2015
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4 editions
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The King Is Dead
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In Sunlight and in Shadow
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published
2017
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Apex Magazine, Issue 13, June 2010
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2010
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2 editions
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Pioneers & Pathfinders
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published
2019
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3 editions
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Kuemo of the Masks
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published
2021
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The Firstborn of Death: Stories and Poems
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The Firstborn of Death
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Bards and Sages Quarterly (January 2022)
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Naomi’s Recent Updates
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Naomi
and
6 other people
liked
Laika's review
of
A Long and Speaking Silence (The Singing Hills Cycle, #7):
"This is this year’s Singing Hills novella, which have been released with admirable consistency every year so far this decade (though I think this is the first time I’ve actually remembered this fact early enough to read one the year it comes out). Wh"
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Naomi
liked
Hannah Trower's review
of
Oathbreakers: The War of Brothers That Shattered an Empire and Made Medieval Europe:
"Written by the authors that cowrote The Bright Ages, we have another history that seeks to unravel older narrativized depictions and restore choices and agency to the people of the past. The outcome of the Carolingian Civil War was, after all, no mor"
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"Historical fiction that takes the world of faith—all spectrums, from sincere pure devotion to longing and doubt to full on worldly cynicism—seriously. The mystics and the beguines, like so many other movements of female religious empowerment, should "
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"The setting of this gritty fantasy novella is a city with walls and divisions both physically and socially,and it's richly developed and interestingly explored through the story which in its turn is engaging if fairly straightforward. I think the plo"
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| I came into possession of this book by chance, and I guess I can see why the recommenders of old-timey queer science fiction have passed it over; it's slow to start and a bit cold/emotionally-distanced throughout, and the plot takes several sharp tur ...more | |
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“A late yellow butterfly hovering past caught at his attention, and he watched it dance downward and settle on a dusty stem of shepherd's purse beside the way. And for a sort of gleam of time, he seemed to see it not only with his eyes, but with all of himself, the delicate veining of the yellow wings that quivered and half-closed and fanned open again, the dark velvety nap on the butterfly's slender body, the gray-green heart-shaped seedpods of the shepherd's purse, stirring in the stray breath of wind, sharing with the butterfly the last warmth of the autumn sun, and the shadow of both tangled in the hillside grass. Part of him longed to catch the butterfly, to hold it very carefully prisoned in his cupped hands and feel the life of it there and the flutter of its wings against his hollowed palms, as though in that way he could keep the small, shining moment from escaping. He had tried that once, when he was much younger, but the butterfly had turned broken and dead in his hands, and he had killed the moment and the shine and the beauty instead of keeping it, and been left with nothing but an empty feeling of desolation in his stomach because he could not mend the butterfly again.”
― The Witch's Brat
― The Witch's Brat
“Adaon smiled gravely. “Is there not glory enough in living the days given to us? You should know there is adventure in simply being among those we love and the things we love, and beauty, too.”
― The Chronicles of Prydain
― The Chronicles of Prydain
“Craftsmanship isn't like water in an earthen pot, to be taken out by the dipperful until it's empty. No, the more drawn out the more remains.”
― Taran Wanderer
― Taran Wanderer
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