W.D. Clarke [at] protonmail [dot] com
Goodreads Author
Born
in SW of Letterkenny, Ontario, Canada
Website
Twitter
Genre
Influences
The Knight of the Sorrowful Countenance, Uncle Toby, Zoyd Wheeler, Bar
...more
Member Since
September 2012
URL
https://www.goodreads.com/wdclarke
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W.D. Clarke [at] protonmail [dot] com
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103
ratings
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29
reviews
· 3 distinct works
• Similar authors
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White Mythology
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published
2022
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9 editions
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She Sang to Them, She Sang
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published
2021
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Against the Grain: Reading Pynchon’s Counternarratives (Dialogue, 8)
by
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published
2010
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3 editions
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* Note: these are all the books on Goodreads for this author. To add more, click here.
W.D.’s Recent Updates
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W.D. Clarke
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| Miss Austen & I got along a lot better than we did back in Grade 7 Reading Lab, for sure (where my lack of enthusiasm for this was only superseded the animus I misdirected at Thomas Hardy's The Mayor of Casterbridge...R.L. Stevenson's exciting advent ...more | |
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W.D. Clarke
rated a book it was amazing
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| [TLDR: 4.5 very enthusiastic stars...in a couple of the longer pieces she over-eggs a bit of the pudd, but so what? Had a lot of fun reading this, but more importantly it stimulated a heckuva lot of what I used to think I had more of, thoughts—and of ...more | |
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W.D. Clarke
rated a book really liked it
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I don't really have time to write in depth about this just now, but: (i) I would like to, (ii) I almost enjoyed this as much as The Ask, though it did drag a bit after the climax (as denouements oft alas do, &, with Burns, “gang aft aglay”) (iii) I thi ...more |
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W.D. Clarke
rated a book it was amazing
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“We’ve got to stick together,” said Predrag, lifted his face to the sun....more |
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W.D. Clarke
marked as abandoned-luncheonette
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A rare DNF for me (hey! I somehow just managed to finish the Whole of Defoe's ~800pp "Tour" of the Whole of Great Britain!) ...at p56 Cos: it NOT what it sez on the tin... wanted something to prepare me to grapple with the fantasia and obscurantism of ...more |
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“The novel has accompanied man uninterruptedly and faithfully since the beginning of the Modern Era. It was then that the "passion to know," which Husserl considered the essence of European spirituality, seized the novel and led it to scrutinize man's concrete life and protect it against "the forgetting of being"; to hold "the world of life" under a permanent light. That is the sense in which I understand and share Hermann Broch's insistence in repeating: The sole raison d'etre of a novel is to discover what only the novel can discover. A novel that does not discover a hitherto unknown segment of existence is immoral. Knowledge is the novel's only morality.”
― The Art of the Novel
― The Art of the Novel
“The bourgeoisie cannot exist without constantly revolutionizing the instruments of production, and thereby the relations of production, and with them the whole relations of society. Conservation of the old modes of production in unaltered forms, was, on the contrary, the first condition of existence for all earlier industrial classes. Constant revolutionizing of production, uninterrupted disturbance of all social conditions, everlasting uncertainty and agitation, distinguish the bourgeois epoch from all earlier ones. All fixed, fast-frozen relations, with their train of ancient and venerable prejudices and opinions, are swept away; all new-formed ones become antiquated before they can ossify. All that is solid melts into air, all that is holy is profaned, and man is at last compelled to face with sober senses his real conditions of life and his relations with his kind.”
― The Communist Manifesto
― The Communist Manifesto
“The novel’s not dead, it’s not even seriously injured, but I do think we’re working in the margins, working in the shadows of the novel’s greatness and influence. There’s plenty of impressive talent around, and there’s strong evidence that younger writers are moving into history, finding broader themes. But when we talk about the novel we have to consider the culture in which it operates. Everything in the culture argues against the novel, particularly the novel that tries to be equal to the complexities and excesses of the culture. This is why books such as JR and Harlot’s Ghost and Gravity’s Rainbow and The Public Burning are important—to name just four. They offer many pleasures without making concessions to the middle-range reader, and they absorb and incorporate the culture instead of catering to it. And there’s the work of Robert Stone and Joan Didion, who are both writers of conscience and painstaking workers of the sentence and paragraph. I don’t want to list names because lists are a form of cultural hysteria, but I have to mention Blood Meridian for its beauty and its honor. These books and writers show us that the novel is still spacious enough and brave enough to encompass enormous areas of experience. We have a rich literature. But sometimes it’s a literature too ready to be neutralized, to be incorporated into the ambient noise. This is why we need the writer in opposition, the novelist who writes against power, who writes against the corporation or the state or the whole apparatus of assimilation. We’re all one beat away from becoming elevator music.”
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“Don't forget the real business of war is buying and selling. The murdering and violence are self-policing, and can be entrusted to non-professionals. The mass nature of wartime death is useful in many ways. It serves as spectacle, as diversion from the real movements of the War. It provides raw material to be recorded into History, so that children may be taught History as sequences of violence, battle after battle, and be more prepared for the adult world. Best of all, mass death's a stimolous to just ordinary folks, little fellows, to try 'n' grab a piece of that Pie while they're still here to gobble it up. The true war is a celebration of markets.”
― Gravity’s Rainbow
― Gravity’s Rainbow
“Cities at night, I feel, contain men who cry in their sleep and then say Nothing. It's nothing. Just sad dreams. Or something like that...Swing low in your weep ship, with your tear scans and sob probes, and you would mark them. Women--and they can be wives, lovers, gaunt muses, fat nurses, obsessions, devourers, exes, nemeses--will wake and turn to these men and ask, with female need-to-know, "What is it?" And the men will say, "Nothing. No it isn't anything really. Just sad dreams.”
― The Information
― The Information
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Nov 20, 2023 04:11PM · flag