Jonfaith

“I lived forever in a dream world. Though I made occasional pilgrimages to temples, I could never bring myself to pray sincerely for what most people want.”
― Lady Sarashina, As I Crossed a Bridge of Dreams

“She has no interest in the composition from ten or twenty feet—that will come later. What she wants is topography, the impasto, the furrows where sable hairs were dragged into tiny painted crests to catch the light. Or the stray line of charcoal or chalk, glimpsed beneath a glaze that’s three hundred years old. She’s been known to take a safety pin and test the porosity of the paint and then bring the point to her tongue. Since old-world grounds contain gesso, glue, and something edible—honey, milk, cheese—the Golden Age has a distinctively sweet or curdled taste. She is always careful to avoid the leads and the cobalts. What”
― Dominic Smith, The Last Painting of Sara de Vos

“The biggest and, outwardly, most trustful banker in history is God, the administrator delegated to eternity. And his credit institute is Paradise. Billions of faithfuls, for centuries, have invested in the hope of God, expecting redemption in eternal life. And since the celestial agency is going bankrupt, nothing is left of its capital, on which the hopes of six billion faithful consumers rely. Capitalism is a project of universal anthropology. Humans primarily are beings who desire. Not in an hedonistic, but in a materialistic sense: in the modern period, Westerners have looked for felicity through the possession of objects and the consumption of commodities.”
― Peter Sloterdijk

“I shall have spent my life in railway stations
Nearly departing
For catastrophes,
All for love
And my heart haloed with the madness of love.
Nothing is quite so beautiful as the trains I’ve missed …”
― Jules Laforgue, Last Verses