Max Davine

“The difficulty with women in film and literature is similar to the cultural minority, in that they are often a plot device rather than a character unto themselves. For example, even a strong woman may appear alongside a man in a story, but she ultimately is part of the hero's overall goal; something to be won, or an element of his proving himself is winning her affections, or being captured or killed in order to send the hero into overdrive to complete his mission. In a story where she is the main protagonist, she often has to shed her femininity in order to complete the task. The fact that they are women overtakes from their serving the story as a character, rather than an object. Cultural minorities often appear to portray a view of their culture; the Russian will be a Russian and do Russian things. The woman will be contrary, or compensate for her womanhood by being overtly tough and masculine, or sexy and seductive therefore manipulative and ultimately something for the hero to either deny or conquer. A great example of the culture stigma NOT being exploited is in Wentworth: Doreen is an aboriginal, we see that, but being an aboriginal doesn't play as a device. It's a part of her, not the overruling definition of her, and while issues pop up regarding the fact, they are not at the forefront of the character. Women, it seems, are even more ingrained in our minds as elements or objects which only appear in order to have a titillating effect on the audience, or to serve another character's journey as either a challenge or a hindrance. What we want is to see women in stories who's sex is noted, drawn strength from without compromise thereon, but not of consequence to other characters or the evolution of the story.”
― Max Davine