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Roselle Angwin

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Roselle Angwin

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Roselle Angwin What a lovely comment, Margaret. Thank you so much. I wrote that book 25 years ago, so I'd write it differently now, no doubt, but I still stand behin…moreWhat a lovely comment, Margaret. Thank you so much. I wrote that book 25 years ago, so I'd write it differently now, no doubt, but I still stand behind it.

I'm working on another couple of books similar in theme/s to that - myth and the inner journey - but also quite different.

Watch this space!

Warm wishes(less)
Roselle Angwin Working for oneself! And working with the imagination on a daily basis.
Average rating: 4.03 · 63 ratings · 19 reviews · 20 distinct works
A Spell in the Forest – ton...

4.25 avg rating — 16 ratings2 editions
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Creative Novel Writing

3.73 avg rating — 15 ratings — published 1999 — 3 editions
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Riding the Dragon: Myth and...

3.86 avg rating — 7 ratings — published 1994 — 3 editions
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Imago

4.20 avg rating — 5 ratings — published 2008 — 4 editions
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The Burning Ground

3.17 avg rating — 6 ratings — published 2013 — 3 editions
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A Trick of the Light: Poems...

4.75 avg rating — 4 ratings
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Bardo

4.67 avg rating — 3 ratings — published 2011
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Writing the Bright Moment: ...

it was amazing 5.00 avg rating — 2 ratings — published 2005 — 2 editions
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All the Missing Names of Love

it was amazing 5.00 avg rating — 2 ratings — published 2012
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Looking For Icarus

really liked it 4.00 avg rating — 1 rating
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More books by Roselle Angwin…

Samhain, squash soup & Substack



My dear friends, I began this blog in 2010. I've loved writing it, and I've loved knowing how many of you read it.

Over the years, partly for life reasons, partly because my computer and its operating system are old and there are glitches, and partly as a result of some material being 'borrowed' several years ago, the content and depth of what I wrote diminished. You will have of course have no

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Published on October 31, 2023 11:35
Quotes by Roselle Angwin  (?)
Quotes are added by the Goodreads community and are not verified by Goodreads. (Learn more)

“If you want to write you need to be able to take risks – in your life and in your writing. If you only want to stay where you are, safe and secure, then you will only ever be a mediocre writer. You have to be prepared to stretch yourself; to look into the dark places, to be moved to tears and laughter, to be honest and truthful [...].”
Roselle Angwin, Creative Novel Writing

“The secret of happiness is freedom, the secret of freedom is courage.”
Carrie Jones, Need

“You live like this, sheltered, in a delicate world, and you believe you are living. Then you read a book… or you take a trip… and you discover that you are not living, that you are hibernating. The symptoms of hibernating are easily detectable: first, restlessness. The second symptom (when hibernating becomes dangerous and might degenerate into death): absence of pleasure. That is all. It appears like an innocuous illness. Monotony, boredom, death. Millions live like this (or die like this) without knowing it. They work in offices. They drive a car. They picnic with their families. They raise children. And then some shock treatment takes place, a person, a book, a song, and it awakens them and saves them from death. Some never awaken.”
Anaïs Nin, The Diary of Anaïs Nin, Vol. 1: 1931-1934

“The half-circle of blinding turquoise ocean is this love’s primal scene. That this blue exists makes my life a remarkable one, just to have seen it. To have seen such beautiful things. To find oneself placed in their midst. Choiceless. I returned there yesterday and stood again upon the mountain.”
Maggie Nelson, Bluets

“These two poles, the unconditional and the conditional, are absolutely heterogeneous, and must remain irreducible to one another. They are nonetheless indissociable: if one wants, and it is necessary, forgiveness to become effective, concrete, historic; if one wants it to arrive, to happen by changing things, it is necessary that this purity engage itself in a series of conditions of all kinds (psychosociological, political, etc.). It is between these two poles, irreconcilable but indissociable, that decisions and responsibilities are to be taken. Yet despite all the confusions which reduce forgiveness to amnesty or to amnesia, to acquittal or prescription, to the work of mourning or some political therapy of reconciliation, in short to some historical ecology, it must never be forgotten, nevertheless, that all of that refers to a certain idea of pure and unconditional forgiveness, without which this discourse would not have the least meaning. What complicates the question of ‘meaning’ is again what I suggested a moment ago: pure and unconditional forgiveness, in order to have its own meaning, must have no ‘meaning’, no finality, even no intelligibility. It is a madness of the impossible.”
Jacques Derrida, On Cosmopolitanism and Forgiveness

“There are stories told to him only at this time of year. Fantastic, magical stories, the old Hollier in the woods finding only three red berries, which peel back in the night to reveal gifts of frankincense, gold and myrrh, Christmas in hot deserts, dust-blown countries, the necklace of tears, and the story of the robin.”
Sarah Hall, Haweswater

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