Alison McMahan
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in Los Angeles, The United States
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Anne Perry, Michael Connelly,
Claire Keegan
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Claire Keegan
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January 2012
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Elaine Viets was a journalist in St. Louis, which inspired her dark Francesca Vierling series. She switched gears to write the humorous Josie Marcus, Mystery Shopper series, and the cozy Dead End Job series. She brilliantly explored the seamier side ...more |
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Alison McMahan
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Desert Star (Renée Ballard, #5; Harry Bosch, #24; Harry Bosch Universe, #37)
by Michael Connelly (Goodreads Author) |
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Alison McMahan
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Alison McMahan
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Two Kinds of Truth (Harry Bosch, #20; Harry Bosch Universe, #31)
by Michael Connelly (Goodreads Author) |
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Alison McMahan
is currently reading
Two Kinds of Truth (Harry Bosch, #20; Harry Bosch Universe, #31)
by Michael Connelly (Goodreads Author) |
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Alison McMahan
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Alison McMahan
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“We tell ourselves stories in order to live. We live entirely by the impression of a narrative line upon disparate images, the shifting phantasmagoria, which is our actual experience.”
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“He knew clearly enough that his imagination was growing traitor to him, and yet at times it seemed the ship he sailed in, his fellow-passengers, the sailors, the wide sea, were all part of a filmy phantasmagoria that hung, scarcely veiling it, between him and a horrible real world. Then the Porroh man, thrusting his diabolical face through that curtain, was the one real and undeniable thing. At that he would get up and touch things, taste something, gnaw something, burn his hand with a match, or run a needle into himself.
("Pollock And The Porrah Man")”
― Great Tales of Horror and the Supernatural
("Pollock And The Porrah Man")”
― Great Tales of Horror and the Supernatural
“These things are not real. They are phantasmagoria. They were made by dreams, and now that no one is dreaming them any longer they are crumbling away.”
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“Dad took moving pictures of us children washing dishes, so that he could figure out how we could reduce our motions and thus hurry through the task. Irregular jobs, such as painting the back porch or removing a stump from the front lawn, were awarded on a low-bid basis. Each child who wanted extra pocket money submitted a sealed bid saying what he would do the job for. The lowest bidder got the contract.”
― Cheaper by the Dozen
― Cheaper by the Dozen
“At best Americans give but a limited attention to history. Too much happens too rapidly, and before we can evaluate it, or exhaust its meaning or pleasure, there is something new to concern us. Ours is the tempo of the motion picture, not that of the still camera, and we waste experience as we wasted the forest.”
― Shadow and Act
― Shadow and Act













































