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Alison McMahan

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Alison McMahan

Goodreads Author


Born
in Los Angeles, The United States
Website

Twitter

Genre

Influences
Michael Connelly, David Morrell, Harlan Coben,
Claire Keegan

Member Since
January 2012


Alison McMahan is an award-winning screenwriter and author. Alice Guy Blaché, Lost Visionary of the Cinema (Bloomsbury 2002), won two awards, was translated into Spanish and Japanese, adapted into a play, and was adapted into the documentary Be Natural (2018).

Alison McMahan’s first novel is Trees Long for Rain available on Amazon Kindle. Two-time Derringer finalist and an Other Distinguished Mystery author, Best American Mystery Stories 2018. FollowAlison on Facebook.
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Average rating: 3.74 · 717 ratings · 115 reviews · 24 distinct works
Scream and Scream Again!

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3.56 avg rating — 886 ratings — published 2018 — 13 editions
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Alice Guy Blaché: Lost Visi...

4.22 avg rating — 36 ratings — published 2003 — 10 editions
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The Saffron Crocus

4.18 avg rating — 22 ratings — published 2014 — 2 editions
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The Films of Tim Burton: An...

3.82 avg rating — 22 ratings — published 2005 — 6 editions
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Busted: Arresting Stories f...

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More books by Alison McMahan…

Loretta Goldberg interviews me about Trees Long for Rain!

The much-lauded historical novelist Loretta Goldberg interviewed me about Trees Long for Rain for her blog. Here is a sample of the interview and link to the full article below.

April 14, 2026 by Loretta Meet the exceptional author Alison McMahan, and plunge with me into her Renaissance thriller set in Venice.

What draws you to Venice in the decade you chose?

I was an adj

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Published on April 24, 2026 03:06
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by Mark Wish (Goodreads Author)
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Dark Sacred Night
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Alison’s Recent Updates

Alison McMahan wrote a new blog post

Loretta Goldberg interviews me about Trees Long for Rain!


The much-lauded historical novelist Loretta Goldberg interviewed me about

Trees Long for Rain

for her blog. Here is a sample of the interview and Read more of this blog post »
Alison McMahan rated a book it was amazing
Sex and Death on the Beach by Elaine Viets
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Elaine Viets was a journalist in St. Louis, which inspired her dark Francesca Vierling series. She switched gears to write the humorous Josie Marcus, Mystery Shopper series, and the cozy Dead End Job series. She brilliantly explored the seamier side
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36 Hours by Allison Brennan
36 Hours
by Allison Brennan (Goodreads Author)
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Joan Didion
“We tell ourselves stories in order to live. We live entirely by the impression of a narrative line upon disparate images, the shifting phantasmagoria, which is our actual experience.”
Joan Didion

H.G. Wells
“He knew clearly enough that his imagination was growing traitor to him, and yet at times it seemed the ship he sailed in, his fellow-passengers, the sailors, the wide sea, were all part of a filmy phantasmagoria that hung, scarcely veiling it, between him and a horrible real world. Then the Porroh man, thrusting his diabolical face through that curtain, was the one real and undeniable thing. At that he would get up and touch things, taste something, gnaw something, burn his hand with a match, or run a needle into himself.

("Pollock And The Porrah Man")”
H.G. Wells, Great Tales of Horror and the Supernatural

Margaret Atwood
“These things are not real. They are phantasmagoria. They were made by dreams, and now that no one is dreaming them any longer they are crumbling away.”
Margaret Atwood

Frank B. Gilbreth Jr.
“Dad took moving pictures of us children washing dishes, so that he could figure out how we could reduce our motions and thus hurry through the task. Irregular jobs, such as painting the back porch or removing a stump from the front lawn, were awarded on a low-bid basis. Each child who wanted extra pocket money submitted a sealed bid saying what he would do the job for. The lowest bidder got the contract.”
Frank B. Gilbreth Jr., Cheaper by the Dozen

Ralph Ellison
“At best Americans give but a limited attention to history. Too much happens too rapidly, and before we can evaluate it, or exhaust its meaning or pleasure, there is something new to concern us. Ours is the tempo of the motion picture, not that of the still camera, and we waste experience as we wasted the forest.”
Ralph Ellison, Shadow and Act

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