Joe  Boyd

Joe Boyd’s Followers (26)

member photo
member photo
member photo
member photo
member photo
member photo
member photo
member photo
member photo
member photo
member photo
member photo
member photo
member photo
member photo
member photo
member photo
member photo
member photo
member photo
member photo
member photo
member photo
member photo
member photo
member photo

Joe Boyd


Born
in Boston MA, The United States
August 05, 1942

Website


Joe Boyd is an American record producer and writer. He formerly owned Witchseason production company and Hannibal Records. Boyd has played a crucial role in the recording careers of Pink Floyd, Fairport Convention, Sandy Denny, Richard Thompson, Nick Drake, The Incredible String Band, Vashti Bunyan, John and Beverley Martyn, Maria Muldaur, Kate and Anna McGarrigle and Muzsikás. (Wikipedia)

Joe Boyd isn't a Goodreads Author (yet), but they do have a blog, so here are some recent posts imported from their feed.

By the Gulf of Mexico

Hello Mailing List,

If it’s “Labor Day” in America, Andrea and I must be in Miami, Florida, where we’re starting a third promotional swing across the US for And the Roots of Rhythm Remain (with the added bonus of a week in Mexico). Labor Day, for those unfamiliar with it, was once America’s answer to May 1st, a celebration of the country’s workers and their unions, which Trump seems determined t

Read more of this blog post »
 •  0 comments  •  flag
Share on Twitter
Published on September 02, 2025 04:26
Average rating: 4.02 · 2,880 ratings · 210 reviews · 8 distinct worksSimilar authors
White Bicycles: Making Musi...

4.01 avg rating — 2,826 ratings — published 2006 — 17 editions
Rate this book
Clear rating
Pink Floyd: Their Mortal Re...

by
4.56 avg rating — 117 ratings — published 2017 — 3 editions
Rate this book
Clear rating
Be Glad: An Incredible Stri...

by
4.69 avg rating — 16 ratings — published 2003 — 2 editions
Rate this book
Clear rating
Sgt. Pepper's Lonely Hearts...

by
4.29 avg rating — 17 ratings
Rate this book
Clear rating
Way to Blue: an Introductio...

by
4.67 avg rating — 9 ratings — published 2000 — 2 editions
Rate this book
Clear rating
Behind the Boards: Nashville

by
3.86 avg rating — 7 ratings5 editions
Rate this book
Clear rating
Hawaiian Steel Guitar

by
really liked it 4.00 avg rating — 4 ratings — published 1996 — 3 editions
Rate this book
Clear rating
World Music

0.00 avg rating — 0 ratings
Rate this book
Clear rating
More books by Joe Boyd…
Quotes by Joe Boyd  (?)
Quotes are added by the Goodreads community and are not verified by Goodreads. (Learn more)

“Cops and Robbers in 1965 England was still a kind of Ealing comedy: crimes rarely involved firearms. The denizens of F-wing were losers in a game they had been playing against the cops. In queues for exercise, the constant questions were 'What you in for, mate?', followed by 'What you reckon you'll get?' When Freddie and I responded with 'Suspicion of drug possession' and 'We're innocent, we'll get off' they would burst into laughter, offering: 'Listen, mate, they wouldn't have you in here if they had any intention of letting you off. You're living in dreamland, you are.”
Joe Boyd, White Bicycles: Making Music in the 1960s

“Beneath the surface, the progressive sixties hid all manner of unpleasantness: sexism, reaction, racism and factionalism. It wasn't surprising, really. The idea that drugs, sex and music could transform the world was always a pretty naive dream. As the counter-culture's effect on the mainstream grew, it's own values and aesthetics decayed. The political setbacks of the coming years grabbed the headlines while the dilution of ideals happened more quietly, but nonetheless vividly for those who noticed.”
Joe Boyd, White Bicycles: Making Music in the 1960s

“I never knew cocaine to improve anything. When the white lines came out, it was time to call it a night: the music could only get worse. If I joined in, the next day's playback would provide clear evidence of the deterioration of both the performances and of my critical ability to judge them. I suspect that the surge in cocaine's popularity explains - at least in part - why so many great sixties artists made such bad records in the following decade.”
Joe Boyd



Is this you? Let us know. If not, help out and invite Joe to Goodreads.