Edward L. Lanner

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William...
26,753 books | 1,991 friends

Jessica
22 books | 13 friends


Edward L. Lanner

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July 2015


Edward L. Lanner is a writer living in Suffolk, England. Before he turned to creative writing, his career had been in research and development, mostly undertaken within multinational companies.

The only common element in his writing is that his stories are inhabited by unusual characters, upon whom life's problems fall a little harder - and a lot weirder - than for most of us, fortunately.
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Edward L. Lanner I don’t plot a novel in advance, preferring to discover the story through the characters. This approach results in my suffering a loss of momentum abo…moreI don’t plot a novel in advance, preferring to discover the story through the characters. This approach results in my suffering a loss of momentum about halfway into the story, requiring me to work out how to reach the end (which I usually know in general terms).

At this point, I will layout (using PowerPoint slides) those scenes I know lie ahead and consider what is necessary to bridge those scenes. If I’m particularly stuck, I might work on writing some of the future scenes or return to my Characterisation and Setting notes. The source of difficulty might lie in my not knowing enough about the motivations of one character, say, or not be knowledgeable enough about location details.

It is also good at this stage to carefully re-read the work so far and look for thematic contradictions or tonal problems. (For example, in the novel I am working on, I am trying to incorporate comedic elements of the characterisation within what is a nightmarish storyline.)
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Edward L. Lanner There is delight in finding the right narrative form to express an idea, and in the crafting and shaping of prose into something imbued with the Truth…moreThere is delight in finding the right narrative form to express an idea, and in the crafting and shaping of prose into something imbued with the Truth of that idea. (I have posted about the idea of Truth in literature on my Goodreads blog.)(less)
Average rating: 4.11 · 19 ratings · 7 reviews · 4 distinct works
An Evening with Nicholas an...

4.31 avg rating — 13 ratings2 editions
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The Leap into Sunlight

really liked it 4.00 avg rating — 5 ratings — published 2014 — 2 editions
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The Brilliance of Matt White

it was ok 2.00 avg rating — 1 rating — published 2011
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THE UNTHINKABLE BURIAL: A c...

0.00 avg rating — 0 ratings2 editions
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* Note: these are all the books on Goodreads for this author. To add more, click here.

Paperback release.

The paperback edition of The Unthinkable Burial has just been published and is available on Amazon. Many thanks to the team at FeedARead for their great work on the cover.
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Published on September 14, 2025 05:04 Tags: feedaread, political-thrillers
What We Can Know
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What We Can Know by Ian McEwan
“I’d like to shout down through a hole in the ceiling of time and advise the people of a hundred years ago: If you want your secrets kept, whisper them into the ear of your dearest, most trusted friend. Do not trust the keyboard and screen. If you do, we’ll know everything.”
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The ODESSA File by Frederick Forsyth
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The Quiet American by Graham Greene
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Shaken by John Grisham
"The wrongful conviction of Robert Roberson has been an ongoing tragedy for over twenty years. If it now becomes a wrongful execution, it will live in infamy. We don’t know its final chapter, but I’ll be there to record the outcome."
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The Day of the Jackal by Frederick Forsyth
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Camino Ghosts by John Grisham
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THE OUTSIDER by Frederick Forsyth
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Quotes by Edward L. Lanner  (?)
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“If buildings had memories, perhaps it would be best if they never changed into something else. There was a lot to be said, it now seemed, for the Racetrack pub and its permanent "Joe's not in" sign in the window. The Racetrack didn't have to have a memory - it lived its history endlessly. This place though... this place was schizophrenic, and I'd seen inside its mind.”
Edward L. Lanner, An Evening with Nicholas and Martin

“Opposite the off-licence on Dockers Road, a car was parked on double-yellow lines. Hidden within the sunlight bouncing from its roof was the source of a frail tapping that defeated the din of the city. Squinting into that diamond of light, I discerned a blue tit crystallising from the glare. The little bird was pecking at its reflection. I wanted to tell it to stop.”
Edward L. Lanner, The Leap into Sunlight

“When someone you love dies, and you're not expecting it, you don't lose her all at once; you lose her in pieces over a long time—the way the mail stops coming, and her scent fades from the pillows and even from the clothes in her closet and drawers. Gradually, you accumulate the parts of her that are gone. Just when the day comes—when there's a particular missing part that overwhelms you with the feeling that she's gone, forever—there comes another day, and another specifically missing part.”
John Irving, A Prayer for Owen Meany

“What we, or at any rate what I, refer to confidently as memory--meaning a moment, a scene, a fact that has been subjected to a fixative and thereby rescued from oblivion--is really a form of storytelling that goes on continually in the mind and often changes with the telling. Too many conflicting emotional interests are involved for life ever to be wholly acceptable, and possibly it is the work of the storyteller to rearrange things so that they conform to this end. In any case, in talking about the past we lie with every breath we draw.”
William Maxwell, So Long, See You Tomorrow

“Loneliness, I've read, is like being in a long line, waiting to reach the front where it's promised something good will happen. Only the line never moves, and other people are always coming in ahead of you, and the front, the place where you want to be, is always farther and farther away until you no longer believe it has anything to offer you.”
Richard Ford, Canada

“We don't always have a choice how we get to know one another. Sometimes, people fall into our lives cleanly--as if out of the sky, or as if there were a direct flight from Heaven to Earth--the same sudden way we lose people, who once seemed they would always be part of our lives”
John Irving, Last Night in Twisted River

“And there are words, significant words, you do not want to say, words that account for busted-up lives, words that try to fix something ruined that shouldn’t be ruined and no one wanted ruined, and that words can’t fix anyway. Telling”
Richard Ford, Wildlife

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