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Alex Pler
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Born
in Barcelona , Spain
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Genre
Influences
Member Since
February 2014
URL
https://www.goodreads.com/alexpler
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Peldag Atreides
is on page 83 of 176 of Fahrenheit 451
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"El arte de Tawada es una escritura en tonos pastel. Su escritura busca ser agradable, melosa y no desafiar al lector, al que sin duda quiere poner en un cauce humanista y amable. Unas pinceladas distópicas como catalizador de la novela (la desaparici"
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Diego
is on page 333 of 480 of Pentamerón. El cuento de los cuentos.
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| No valoramos lo suficiente la suerte que tenemos de que traduzcan autores japoneses poco conocidos fuera de Japón, como Keishi Nagi. No sabía de su existencia antes de este libro y ahora quiero leer más obras suyas. En esta novela aborda el dejar atr ...more | |
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| Antología de relatos inéditos de Mishima. Muy variados, aunque unidos por protagonistas incapaces de amar, con necesidad de ser admirados y de destruir o someter la belleza. Todos los grandes temas del autor están aquí presentes, con desigual resulta ...more | |
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leire rp wrote: "yo la vi en el teatro hace 10 años y todavía la estoy procesando. no sé por qué la interpretaron…"
El libro incluye entrevistas con Lo ...more " |
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“I keep thinking about this river somewhere, with the water moving really fast. And these two people in the water, trying to hold onto each other, holding on as hard as they can, but in the end it's just too much. The current's too strong. They've got to let go, drift apart. That's how it is with us. It's a shame, Kath, because we've loved each other all our lives. But in the end, we can't stay together forever.”
― Never Let Me Go
― Never Let Me Go
“You'll get used to it. In the end you won't even notice it anymore," he said.
"How is that possible? It will always be there, right before my eyes."
"Exactly," said Mattia. "Which is precisely why you won't see it anymore.”
― The Solitude of Prime Numbers
"How is that possible? It will always be there, right before my eyes."
"Exactly," said Mattia. "Which is precisely why you won't see it anymore.”
― The Solitude of Prime Numbers




















































