Margrét Helgadóttir
Goodreads Author
Born
Yirgalem, Ethiopia
Website
Genre
Influences
Haruki Murakami, Tove Jansson, Ursula le Guin, China Mieville
Member Since
May 2015
Popular Answered Questions
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Nordic Visions: The Best of Nordic Speculative Fiction
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published
2023
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2 editions
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The Stars Seem so Far Away
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published
2015
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4 editions
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African Monsters (Fox Spirit Books of Monsters, #2)
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published
2015
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Winter Tales
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published
2016
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2 editions
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European Monsters (Fox Spirit Books of Monsters, #1)
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published
2014
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3 editions
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Asian Monsters (Fox Spirit Book of Monsters, #3)
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published
2016
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Pacific Monsters (Fox Spirit Books of Monsters, #4)
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published
2017
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American Monsters: Part 1 (Fox Spirit Books of Monsters, #5)
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Eurasian Monsters (Fox Spirit Books of Monsters, #7)
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published
2020
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American Monsters: Part 2 (Fox Spirit Books of Monsters, #6)
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published
2019
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Margrét’s Recent Updates
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Margrét Helgadóttir
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Margrét Helgadóttir
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3 other people
liked
Runalong's review
of
Shigidi and the Brass Head of Obalufon:
"Inventive, fun, frenetic and a great read this books starts a new series exploring a rogue nightmare god and a succubus navigating a world where gods rule magical corporations. For this one the freelancers need to stage a heist - I’m ready for more! "
Read more of this review »
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“Your grandma is a magician. Remember that time when you fell off your bicycle and she lifted you up onto the kitchen counter? She cleaned your bloody knees, washed the tears and snot off your face, told you funny stories and tickled your stomach until you giggled so hard it made you hiccup. The tears, the blood, the pain, your mum’s closed bedroom door—all vanished, as if your grandma had waved a wand—sim sala bim! Hard to keep your smile off your face now, no? She did such things. Still does. A trickster, she is. Always full of pranks and laughter. Like now, looking so wrinkled and pale in her bed, not responding. Bet she opens her eyes any moment now with that mischievous grin of hers, pleased she fooled you. You’ll both double over in laughing fits. Any moment now.
From: "Grandma's Tricks", In-flight literary magazine issue 4 2015”
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From: "Grandma's Tricks", In-flight literary magazine issue 4 2015”
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“The wooden ship objected with loud creaks as the heavy wind strained its sails to the limits, pushing it forwards through the waves. A rather petite vessel, it was the smallest she’d sailed. It was old and worn, too. Nora looked up at the yellowed sails fondly. It was a miracle that they’d lasted this long, cooperating with the buffeting winds without rest for many seasons now. And Nora and the ship had been through some strong gales together. Excellent craftsmanship, Nora thought and, as she often did, pondered the ship’s origins: who’d made it and what waters it’d sailed before she stole it.
She’d been certain that the ship wouldn’t last long on the high seas, and that she’d soon have to find a replacement, but she’d been pleasantly surprised. Her ship might not cover vast distances in as short a time as the bigger, heavier sailing ships she was used to, but Nora could turn Naureen around or change direction in a matter of minutes. She could swiftly put distance between her and the ships she plundered. Sometimes, it seemed as if the ship responded to her thoughts, as if there was a weird invisible bond between the two of them.
‘Naureen. Us sailor gals must stick together,’ she said aloud, as if the ship could hear her. Nora always talked to her ship. Clearly a sign she’d been on the sea for too long, she mused.
Naureen. Nora didn’t know who’d named the ship or what the name meant, but she thought it strangely fitting. It graced the bow of the ship, painted in beautiful calligraphy. Nora saw it whenever she was aboard another vessel, rummaging for furs or bones of extinct animals she could sell, or food. The sight of her ship always made her heart flutter with happiness. There was a time when Nora would steal the ships she plundered, if she liked them and was in the mood for a change. But not after she stole Naureen. Well, not stole, she corrected herself. When she’d come across the tiny ship, she’d found the salt-rimed corpse of the hollow-cheeked owner sprawled face down on the deck. He’d probably starved to death. His body had not been the first one Nora’d found drifting at sea, nor the last.”
― The Stars Seem so Far Away
She’d been certain that the ship wouldn’t last long on the high seas, and that she’d soon have to find a replacement, but she’d been pleasantly surprised. Her ship might not cover vast distances in as short a time as the bigger, heavier sailing ships she was used to, but Nora could turn Naureen around or change direction in a matter of minutes. She could swiftly put distance between her and the ships she plundered. Sometimes, it seemed as if the ship responded to her thoughts, as if there was a weird invisible bond between the two of them.
‘Naureen. Us sailor gals must stick together,’ she said aloud, as if the ship could hear her. Nora always talked to her ship. Clearly a sign she’d been on the sea for too long, she mused.
Naureen. Nora didn’t know who’d named the ship or what the name meant, but she thought it strangely fitting. It graced the bow of the ship, painted in beautiful calligraphy. Nora saw it whenever she was aboard another vessel, rummaging for furs or bones of extinct animals she could sell, or food. The sight of her ship always made her heart flutter with happiness. There was a time when Nora would steal the ships she plundered, if she liked them and was in the mood for a change. But not after she stole Naureen. Well, not stole, she corrected herself. When she’d come across the tiny ship, she’d found the salt-rimed corpse of the hollow-cheeked owner sprawled face down on the deck. He’d probably starved to death. His body had not been the first one Nora’d found drifting at sea, nor the last.”
― The Stars Seem so Far Away
“«Zaki never grew tired of looking at the whiteness of Roar’s hair. It was as if the moon and the stars had taken root in it. And perhaps they had, so long ago when Roar travelled amongst them in his space shuttle.»
From "The Stars Seem So Far Away”
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From "The Stars Seem So Far Away”
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Topics Mentioning This Author
| topics | posts | views | last activity | |
|---|---|---|---|---|
| English Translati...: * Norway | 52 | 797 | Aug 28, 2017 05:46AM | |
| English Translati...: Margrét Helgadóttir - Nordic Visions - Scandinavia | 1 | 7 | Aug 11, 2023 01:22PM | |
| English Translati...: October 2023 - read-along | 7 | 16 | Nov 09, 2023 12:36PM | |
| Norsk fabelprosa: 2010-tallet | 8 | 28 | Nov 21, 2025 02:30PM |
“Sometimes fate is like a small sandstorm that keeps changing directions. You change direction but the sandstorm chases you. You turn again, but the storm adjusts. Over and over you play this out, like some ominous dance with death just before dawn. Why? Because this storm isn't something that blew in from far away, something that has nothing to do with you. This storm is you. Something inside of you. So all you can do is give in to it, step right inside the storm, closing your eyes and plugging up your ears so the sand doesn't get in, and walk through it, step by step. There's no sun there, no moon, no direction, no sense of time. Just fine white sand swirling up into the sky like pulverized bones. That's the kind of sandstorm you need to imagine.
And you really will have to make it through that violent, metaphysical, symbolic storm. No matter how metaphysical or symbolic it might be, make no mistake about it: it will cut through flesh like a thousand razor blades. People will bleed there, and you will bleed too. Hot, red blood. You'll catch that blood in your hands, your own blood and the blood of others.
And once the storm is over you won't remember how you made it through, how you managed to survive. You won't even be sure, in fact, whether the storm is really over. But one thing is certain. When you come out of the storm you won't be the same person who walked in. That's what this storm's all about.”
― Kafka on the Shore
And you really will have to make it through that violent, metaphysical, symbolic storm. No matter how metaphysical or symbolic it might be, make no mistake about it: it will cut through flesh like a thousand razor blades. People will bleed there, and you will bleed too. Hot, red blood. You'll catch that blood in your hands, your own blood and the blood of others.
And once the storm is over you won't remember how you made it through, how you managed to survive. You won't even be sure, in fact, whether the storm is really over. But one thing is certain. When you come out of the storm you won't be the same person who walked in. That's what this storm's all about.”
― Kafka on the Shore
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