In his history of the time-travel genre as a “narratological laboratory,” David Wittenberg curiously argues that H.G. Wells’s The Time Machine articulates time by referencing the cinema: “the mere press of a lever accomplishes the task of advancing, reversing, or modulating temporal movement, as it would, for instance, in a kinetoscope, a protocinematic device with which Wells was very familiar” (86). The parallel between media and time machine is invoked in the field of media archaeolog...