V. The Resonance of the Concrete - Symbolism and Its Layers

Symbolism is a literary device of profound resonance, allowing poets to convey complex ideas, emotions, and themes by investing a concrete object, color, or image with abstract significance. It operates on a level beyond the literal, inviting the reader to engage in an act of interpretation and reflection, thereby adding depth and complexity to the poetic work. It is a bridge between the tangible world of the senses and the intangible world of ideas, enabling poets to express what might otherwise remain ineffable. Confused yet? Let’s dive deeper.

5.1 Defining the Symbol: An Enduring, Resonant Image

At its core, a symbol is a concrete image that stands for an abstract concept. A heart symbolizes love; a dove symbolizes peace. While it shares a comparative function with metaphor, symbolism operates differently. A metaphor is typically a direct, often singular, comparison that equates two unlike things ("Juliet is the sun"). A symbol, in contrast, tends to be a central, often recurring image within a text, whose meaning accrues and deepens with each appearance. It is an enduring and resonant image that serves as a touchstone for the work's primary themes.

This principle is vibrantly alive in contemporary poetry. Ocean Vuong’s work, both in poetry and prose, is full of symbolic imagery. In his novel On Earth We’re Briefly Gorgeous, the orchid, for instance, appears throughout as a fragile emblem of memory, inheritance, queer beauty, and survival in the face of pain. Vuong doesn’t define the orchid; he lets it gather meaning through repetition and placement, trusting the reader to feel its weight. Similarly, the monarch butterfly, a creature known for its epic, multi-generational migration, becomes a powerful symbol for the immigrant experience, connecting generations across vast distances and historical trauma.

Ocean—if you’re out there reading—I adore your poetry, bravo bravo bravo.

5.2 A Typology of Symbols: Conventional, Contextual, and Personal

Symbols in poetry can be categorized into three main types, each with a different source for its meaning:

Conventional Symbols: These are symbols whose meanings are widely accepted and understood across cultures and time periods. They draw on a shared reservoir of cultural knowledge. Examples include the rose symbolizing love or passion, the snake representing transformation or deceit, and the cross symbolizing Christianity or sacrifice. Poets use conventional symbols to tap into universal themes and ideas, sometimes reinforcing their traditional meaning and other times subverting it for ironic or critical effect.

Contextual Symbols: Also known as literary symbols, these derive their meaning specifically from the context of the poem or the poet's body of work. Their significance is not universal but is established by the unique way they are used within the text. In T.S. Eliot's "The Waste Land," for example, the image of "dry land" or "stony rubbish" is not inherently symbolic, but within the poem's landscape of spiritual decay, it becomes a powerful contextual symbol for sterility and desolation. The meaning is built and contained entirely within the world of the poem.

Personal (or Accidental) Symbols: These symbols are unique to a particular poet's work and often reflect their personal experiences, obsessions, or psychological states. The theorist Erich Fromm termed these "accidental" symbols because their meaning arises from a specific, individual association rather than a universal or conventional one. A prime example is Sylvia Plath's use of the "bell jar" as a recurring personal symbol for her suffocating struggles with mental illness. Exploring these personal symbols often reveals the most about the unique vision of the poet and can create a powerful sense of intimacy with the reader.

5.3 The Symbolist Legacy and the Modernist Mind

The emphasis on suggestive, multi-layered symbolism in modern poetry owes a significant debt to the 19th-century French Symbolist movement. Poets like Charles Baudelaire, Stéphane Mallarmé, and Arthur Rimbaud revolted against the descriptive literalness of Realism and Parnassian poetry. They believed that the purpose of art was not to describe the external world but to express individual emotional experience and evoke the "underlying mystery of existence" through the subtle and suggestive use of highly symbolized language.

The Symbolists championed Baudelaire's concept of correspondances—the idea that the senses are interconnected and that a sound can evoke a color, or a scent a feeling. They combined this with a Wagnerian ideal of synthesizing the arts, leading to a new conception of the "musical qualities of poetry." For them, a poem's theme could be orchestrated through the careful manipulation of the harmonies, tones, and colors inherent in words. This belief in the supremacy of art as a means of glimpsing a deeper, subjective reality, combined with their experiments in vers libre (free verse), had a profound and lasting influence on 20th-century literature. The experimental techniques of the Symbolists directly informed the work of modernists like W.B. Yeats and T.S. Eliot, who prioritized patterns of images and word harmonies over straightforward narrative, fundamentally changing the landscape of English-language poetry.

5.4 Case Study: The Symbolic Landscape of T.S. Eliot's "The Waste Land"

T.S. Eliot's "The Waste Land" is arguably the pinnacle of modernist symbolic poetry, a work where the very method of its construction becomes a symbol for its theme. The poem famously presents the reader with what it calls a "heap of broken images," and this fragmentation is the central symbol for the cultural, spiritual, and psychological decay of the post-World War I Western world.

The poem operates through a series of powerful, recurring contextual symbols that create its bleak and desolate landscape:

Water and Rock/Dry Land: This is the poem's most fundamental symbolic opposition. Water consistently represents the possibility of life, purification, and spiritual rebirth, but it is almost always absent or corrupted. The poem is filled with images of sterility: "the dead tree gives no shelter, the cricket no relief, / And the dry stone no sound of water." The third section is titled "The Fire Sermon," and the fifth, "What the Thunder Said," presents "dry sterile thunder without rain." The inhabitants of the waste land are spiritually thirsty, living in a world of "mountains of rock without water." This symbolic drought represents the loss of faith and meaning in the modern era.

The Unreal City: Eliot uses this phrase to describe a vision of London that is both physically real and spiritually dead. The image of a crowd flowing over London Bridge is populated by the damned from Dante's Inferno: "A crowd flowed over London Bridge, so many, / I had not thought death had undone so many." This city is a symbol of the hollow, alienated nature of modern urban life, a place of mechanical existence devoid of genuine human connection.

Fragmentation: The poem's very structure—its collage of different voices, its abrupt shifts in time and place, its inclusion of multiple languages and literary allusions—is itself a symbol. The "heap of broken images" is not just a description of the waste land; it is the waste land, rendered in poetic form. The fragmentation symbolizes the collapse of traditional cultural narratives, the loss of a shared system of belief, and the disjointed nature of modern consciousness.

In "The Waste Land," symbolism and theme are inextricably intertwined. Eliot does not tell the reader that the modern world is spiritually bankrupt; he constructs a symbolic landscape where every image—from the "dead tree" to the "empty chapel"—embodies that bankruptcy. The poem is a powerful testament to how a sophisticated system of contextual and conventional symbols can be used to diagnose the spiritual condition of an entire civilization.

5.5 The Symbol in Contemporary Poetry: Nature, Body, and Identity

While the influence of modernism remains, contemporary poets have expanded the use of symbolism to explore urgent themes of identity, ecology, and social justice. They often ground their symbols in the tangible, the bodily, and the natural world, creating work that is both intensely personal and politically resonant.

Ada Limón: As the current U.S. Poet Laureate, Limón frequently turns to the natural world to forge her symbols. In her collection The Carrying, the horse becomes a complex personal symbol. It represents not just raw power and nature, but also bodily frailty, the desire for connection, and the struggle to carry on amidst grief and infertility. For Limón, an animal or a plant is never just a backdrop; it is an active participant in the poet's emotional life, becoming a vessel for complex, often contradictory, feelings.

Natalie Diaz: In her Pulitzer Prize-winning collection Postcolonial Love Poem, Diaz uses the Colorado River as a profound contextual symbol. She revitalizes the conventional symbol of water as life, infusing it with her perspective as an Indigenous Mojave woman. The river, endangered by American development, becomes a symbol for the wounded but enduring body of her people, for language, for desire, and for a love that resists colonial erasure. Her lines, "The river runs through me, not the other way around," assert a deep, symbolic connection between body, land, and identity. The water is not just a symbol for these things; it is these things, inseparable and sacred. (I’m obsessed, Natalie).

These poets demonstrate how symbolism continues to be a vital tool. They take conventional symbols and filter them through personal and cultural lenses, creating new layers of meaning that speak directly to the complexities of our current moment.

An Exercise on Cultivating Your Own Symbols

This exercise is intended to help you move from understanding symbolism to using it in your own work. The goal is to create a short poem where a symbol's meaning is revealed through context, not explanation.

Step 1: Brainstorming Your Symbolic “Inventory”

Take 10 minutes to brainstorm in three categories, based on the typology above. Don't overthink it or judge what inventory is in your mind today at this moment; just list what comes to mind.

Conventional Symbols: List 5-10 common symbols you know (e.g., a key, a chain, a road, a storm, a seed, a window).

Personal Objects: List 5-10 concrete objects that hold personal meaning for you. Think specific! Not just "a car," but "my grandfather's rusted Ford pickup." Not "a cup," but "the chipped blue mug I use every morning."

Memorable Places/Images: List 5-10 specific places or images from your memory (e.g., the streetlight outside your childhood bedroom, a dead tree in a field, the pattern of a tiled floor).

Step 2: Choose Your Core

Review your lists. Now, select one abstract concept you want to write about (e.g., nostalgia, freedom, grief, connection, anxiety).

Next, choose one concrete image from your "Personal Objects" or "Memorable Places" list that you feel could connect to this abstract concept, even if you don't know exactly how yet. The less obvious the connection, the more interesting it might be.

Example: Concept = Grief. Image = The chipped blue mug.

Step 3: Develop the Symbol Through Sensory Detail

Instead of telling the reader what your symbol means, you're going to show it. On a separate page, describe your chosen object or image using at least four of the five senses.

What does it look like? (Color, texture, light, shadow)

What does it sound like? (Or what is the sound of the silence around it?)

What does it feel like? (Temperature, weight, texture)

What does it smell or taste like? (English is highly deficient in these adjectives, use metaphor freely)

What actions are associated with it? (Being held, being watched, being opened, rusting away)

Step 4: Draft the Poem

Write a short poem (10-20 lines) that includes your symbol. Follow these guidelines:

NEVER explain what the symbol means. Do not use phrases like "the mug represents my sadness."

Mention the symbol at least twice.

In its first appearance, just describe it or place it in the scene.

In its second appearance, try to show its connection to the abstract concept through action, memory, or feeling.

Example Draft:


The kitchen is cold this morning. My hands wrap around the chipped blue mug, feeling the crack near the handle like a familiar scar.


Later, I see it on the drainboard, empty, holding the quiet echoes of steam.


Read your poem aloud. How did the meaning of your symbol change or deepen from the first mention to the second? By focusing on concrete details and allowing the symbol to exist without explanation, you invite the reader into the act of discovery, creating a more powerful and resonant poem. And—my favorite piece of writing poetry—you’ll be building a new world you invite any reader into, a stanza of your own, if you will allow me the bad pun.

Subscribe to get Part VI, The Heart of the Matter - Uncovering and Analyzing Theme, delivered to your inbox next week.

 •  0 comments  •  flag
Share on Twitter
Published on September 21, 2025 03:45
No comments have been added yet.