When should you introduce your protagonist’s personality flaw?
It’s a question of timing. Because when and how you introduce your protagonist’s principal personality flaw can make or break the emotional impact of your story.
Organically, as Early as Possible
Try to introduce your protagonist’s flaw within the first scene or chapter where they appear. You needn’t spell it out right away, but your readers should get a sense that your protagonist is not perfect, that something needs fixing. You need to plant the seed that their behavior, attitude, or choice is what’s holding them back. It's important to show, not tell, that the flaw is visible through action or dialogue, not exposition.
Go Deeper in the First Act
About a quarter of the way into your novel, the flaw should be clearly established. It should be made plain by way of your protagonist’s choice and the fact that the flaw has begun to create problems for your protagonist or others.
Use Plot to Press the Flaw
As you move into the story's second act, use the various events in your story to stress-test the flaw. Every major challenge should reveal how this flaw short-circuits your protagonist’s goals, creates conflict with your other characters, and denies your protagonist opportunities for intimacy or growth. Each test should reveal the depth of your protagonist’s flaw.
Confrontation Time
By the time your story reaches its climax, your protagonist should ideally overcome their flaw or tragically succumb to it. Because you introduced the flaw early, this emotional payoff—one way or another—will feel earned.
Organically, as Early as Possible
Try to introduce your protagonist’s flaw within the first scene or chapter where they appear. You needn’t spell it out right away, but your readers should get a sense that your protagonist is not perfect, that something needs fixing. You need to plant the seed that their behavior, attitude, or choice is what’s holding them back. It's important to show, not tell, that the flaw is visible through action or dialogue, not exposition.
Go Deeper in the First Act
About a quarter of the way into your novel, the flaw should be clearly established. It should be made plain by way of your protagonist’s choice and the fact that the flaw has begun to create problems for your protagonist or others.
Use Plot to Press the Flaw
As you move into the story's second act, use the various events in your story to stress-test the flaw. Every major challenge should reveal how this flaw short-circuits your protagonist’s goals, creates conflict with your other characters, and denies your protagonist opportunities for intimacy or growth. Each test should reveal the depth of your protagonist’s flaw.
Confrontation Time
By the time your story reaches its climax, your protagonist should ideally overcome their flaw or tragically succumb to it. Because you introduced the flaw early, this emotional payoff—one way or another—will feel earned.
Published on October 14, 2025 15:32
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Tags:
building-a-character, character-flaws, story-hints, writing-advice, writing-hints
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