Five years ago, I was taken with Tom Campbell’s article in Ugly Things magazine on the Paisleys, a late-1960s Minneapolis-via-Canada psych band whose live shows, musical output, and general aesthetic worldview were, one can say, of the era. (Campbell’s article was reprinted at MinniePaulMusic here.) “To put it cruelly,” Richie Unterberger observed at Allmusic, “the Paisleys were exactly the kind of band roasted by the Mothers of Invention so unmercifully on We’re Only in It for the Money.” To ma...