Evelyn > Evelyn's Quotes

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  • #1
    David Foster Wallace
    “The so-called ‘psychotically depressed’ person who tries to kill herself doesn’t do so out of quote ‘hopelessness’ or any abstract conviction that life’s assets and debits do not square. And surely not because death seems suddenly appealing. The person in whom Its invisible agony reaches a certain unendurable level will kill herself the same way a trapped person will eventually jump from the window of a burning high-rise. Make no mistake about people who leap from burning windows. Their terror of falling from a great height is still just as great as it would be for you or me standing speculatively at the same window just checking out the view; i.e. the fear of falling remains a constant. The variable here is the other terror, the fire’s flames: when the flames get close enough, falling to death becomes the slightly less terrible of two terrors. It’s not desiring the fall; it’s terror of the flames. And yet nobody down on the sidewalk, looking up and yelling ‘Don’t!’ and ‘Hang on!’, can understand the jump. Not really. You’d have to have personally been trapped and felt flames to really understand a terror way beyond falling.”
    David Foster Wallace

  • #2
    Sylvia Plath
    “And when at last you find someone to whom you feel you can pour out your soul, you stop in shock at the words you utter— they are so rusty, so ugly, so meaningless and feeble from being kept in the small cramped dark inside you so long.”
    Sylvia Plath, The Unabridged Journals of Sylvia Plath

  • #3
    Albert Camus
    “I opened myself to the gentle indifference of the world.”
    Albert Camus, L'Étranger

  • #4
    Philip Pullman
    “When you look at what C.S. Lewis is saying, his message is so anti-life, so cruel, so unjust. The view that the Narnia books have for the material world is one of almost undisguised contempt. At one point, the old professor says, ‘It’s all in Plato’ — meaning that the physical world we see around us is the crude, shabby, imperfect, second-rate copy of something much better. I want to emphasize the simple physical truth of things, the absolute primacy of the material life, rather than the spiritual or the afterlife.

    [The New York Times interview, 2000]”
    Philip Pullman

  • #5
    Philip Pullman
    “Even if it means oblivion, friends, I'll welcome it, because it won't be nothing. We'll be alive again in a thousand blades of grass, and a million leaves; we'll be falling in the raindrops and blowing in the fresh breeze; we'll be glittering in the dew under the stars and the moon out there in the physical world, which is our true home and always was.”
    Philip Pullman, The Amber Spyglass

  • #6
    Sylvia Plath
    “I shut my eyes and all the world drops dead;
    I lift my lids and all is born again.
    (I think I made you up inside my head.)”
    Sylvia Plath

  • #7
    Sylvia Plath
    “let me live, love, and say it well in good sentences”
    Sylvia Plath, The Unabridged Journals of Sylvia Plath

  • #8
    Sylvia Plath
    “Yes, I was infatuated with you: I am still. No one has ever heightened such a keen capacity of physical sensation in me. I cut you out because I couldn't stand being a passing fancy. Before I give my body, I must give my thoughts, my mind, my dreams. And you weren't having any of those.”
    Sylvia Plath, The Unabridged Journals of Sylvia Plath

  • #9
    Sylvia Plath
    “Can you understand? Someone, somewhere, can you understand me a little, love me a little? For all my despair, for all my ideals, for all that - I love life. But it is hard, and I have so much - so very much to learn.”
    Sylvia Plath, The Journals of Sylvia Plath

  • #10
    Sylvia Plath
    “What horrifies me most is the idea of being useless: well-educated, brilliantly promising, and fading out into an indifferent middle age.”
    Sylvia Plath, The Unabridged Journals of Sylvia Plath

  • #11
    Sylvia Plath
    “I?
    I walk alone;
    The midnight street
    Spins itself from under my feet;
    My eyes shut
    These dreaming houses all snuff out;
    Through a whim of mine
    Over gables the moon's celestial onion
    Hangs high.”
    Sylvia Plath

  • #12
    Sylvia Plath
    “The trouble about jumping was that if you didn't pick the right number of storeys, you might still be alive when you hit bottom.”
    Sylvia Plath, The Bell Jar

  • #13
    Sylvia Plath
    “I know pretty much what I like and dislike; but please, don't ask me who I am.”
    Sylvia Plath, The Unabridged Journals of Sylvia Plath

  • #14
    Sylvia Plath
    “I am jealous of those who think more deeply, who write better, who draw better, who ski better, who look better, who live better, who love better than I.”
    Sylvia Plath, The Unabridged Journals of Sylvia Plath

  • #15
    Sylvia Plath
    “But I wasn't sure. I wasn't sure at all. How did I know that someday―at college, in Europe, somewhere, anywhere―the bell jar, with its stifling distortions, wouldn't descend again?”
    Sylvia Plath, The Bell Jar

  • #16
    Sylvia Plath
    “It is awful to want to go away and to want to go nowhere.”
    Sylvia Plath, The Unabridged Journals of Sylvia Plath

  • #17
    Virginia Woolf
    “I enjoy almost everything. Yet I have some restless searcher in me. Why is there not a discovery in life? Something one can lay hands on and say “This is it”? My depression is a harassed feeling. I’m looking: but that’s not it — that’s not it. What is it? And shall I die before I find it?”
    Virginia Woolf, A Writer's Diary

  • #18
    Virginia Woolf
    “What if I told you I’m incapable of tolerating my own heart?”
    Virginia Woolf, Night and Day

  • #19
    Virginia Woolf
    “Dearest, I feel certain that I am going mad again. I feel we can't go through another of those terrible times. And I shan't recover this time. I begin to hear voices, and I can't concentrate. So I am doing what seems the best thing to do. You have given me the greatest possible happiness. You have been in every way all that anyone could be. I don't think two people could have been happier 'til this terrible disease came. I can't fight any longer. I know that I am spoiling your life, that without me you could work. And you will I know. You see I can't even write this properly. I can't read. What I want to say is I owe all the happiness of my life to you. You have been entirely patient with me and incredibly good. I want to say that – everybody knows it. If anybody could have saved me it would have been you. Everything has gone from me but the certainty of your goodness. I can't go on spoiling your life any longer. I don't think two people could have been happier than we have been. V.”
    Virginia Woolf

  • #20
    Søren Kierkegaard
    “In addition to my other numerous acquaintances, I have one more intimate confidant… My depression is the most faithful mistress I have known — no wonder, then, that I return the love.”
    Soren Kierkegaard, Either/Or: A Fragment of Life

  • #21
    Ursula K. Le Guin
    “I am living in a nightmare, from which from time to time I wake in sleep.”
    Ursula K. Le Guin

  • #22
    Sylvia Plath
    “I told him I believed in hell, and that certain people, like me, had to live in hell before they died, to make up for missing out on it after death, since they didn't believe in life after death, and what each person believed happened to him when he died.”
    Sylvia Plath, The Bell Jar

  • #23
    Pablo Neruda
    “Tonight I can write the saddest lines
    I loved her, and sometimes she loved me too.”
    Pablo Neruda, Twenty Love Poems and a Song of Despair

  • #24
    Anaïs Nin
    “I am the most tired woman in the world. I am tired when I get up. Life requires an effort I cannot make. Please give me that heavy book. I need to put something heavy like that on top of my head. I have to place my feet under the pillows always, so as to be able to stay on earth. Otherwise I feel myself going away, going away at a tremendous speed, on account of my lightness. I know that I am dead. As soon as I utter a phrase my sincerity dies, becomes a lie whose coldness chills me. Don't say anything, because I see that you understand me, and I am afraid of your understanding. I have such a fear of finding another like myself, and such a desire to find one! I am so utterly lonely, but I also have such a fear that my isolation be broken through, and I no longer be the head and ruler of my universe. I am in great terror of your understanding by which you penetrate into my world; and then I stand revealed and I have to share my kingdom with you.”
    Anais Nin

  • #25
    Virginia Woolf
    “What is the meaning of life? That was all- a simple question; one that tended to close in on one with years, the great revelation had never come. The great revelation perhaps never did come. Instead, there were little daily miracles, illuminations, matches struck unexpectedly in the dark; here was one.”
    Virginia Woolf, To the Lighthouse

  • #26
    Gwendolyn Brooks
    “Live not for Battles Won.
    Live not for The-End-of-the-Song.
    Live in the along.”
    Gwendolyn Brooks, Report from Part One

  • #27
    R.F. Kuang
    “Violence shows them how much we’re willing to give up,’ said Griffin. ‘Violence is the only language they understand, because their system of extraction is inherently violent. Violence shocks the system. And the system cannot survive the shock. You have no idea what you’re capable of, truly. You can’t imagine how the world might shift unless you pull the trigger.”
    R.F. Kuang, Babel

  • #28
    R.F. Kuang
    “The poet is free to say whatever he likes, you see – he can choose from any number of linguistic tricks in the language he’s composing in. Word choice, word order, sound – they all matter, and without any one of them the whole thing falls apart. […] So the translator needs to be translator, literary critic, and poet all at once – he must read the original well enough to understand all the machinery at play, to convey its meaning with as much accuracy as possible, then rearrange the translated meaning into an aesthetically pleasing structure in the target language that, by his judgment, matches the original. The poet runs untrammelled across the meadow. The translator dances in shackles.”
    R.F. Kuang, Babel

  • #29
    R.F. Kuang
    “This is how colonialism works. It convinces us that the fallout from resistance is entirely our fault, that the immoral choice is resistance itself rather than the circumstances that demanded it.”
    R.F. Kuang, Babel

  • #30
    Virginia Woolf
    “Did it matter then, she asked herself, walking towards Bond Street, did it matter that she must inevitably cease completely; all this must go on without her; did she resent it; or did it not become consoling to believe that death ended absolutely? but that somehow in the streets of London, on the ebb and flow of things, here, there, she survived, Peter survived, lived in each other, she being part, she was positive, of the trees at home; of the house there, ugly rambling all to bits and pieces as it was; part of people she had never met; being laid out like a mist between the people she knew best, who lifted her on their branches as she had seen the trees lift the mist, but it spread ever so far, her life, herself.”
    Virginia Woolf, Mrs Dalloway



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