Reva Coppersmith > Reva's Quotes

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  • #1
    J.K. Franko
    “You see, there are no pretty pink flowers in the woods at night.”
    J.K. Franko, Eye for Eye

  • #2
    “All the managers I interviewed had the same sense of identity and self-assurance. None of them were arrogant. Instead, they were clear about who they were and what needed accomplishing. They used that sense of self to engage their team and learn each team member’s strengths and contributions. Their courage and confidence were infectious to their team and to anyone who crossed their paths.”
    Raymond Wheeler, Lift: Five Practices Great Managers Do Consistently: Raise Performance and Morale - See Your Employees Thrive

  • #3
    Kirsten Fullmer
    “She gripped the wheel and squared her shoulders. She didn’t have to do any of this alone. All she had to do was notify the society and put out an All Points Bulletin on Adam and she’d know everything there was to know about the man within 24 hours.”
    Kirsten Fullmer

  • #4
    Tim Butcher
    “I had covered wars in Croatia, Bosnia, Kosovo, Sierra Leone, Iraq and elsewhere, but the work had started to feel routine. I wanted to leave the journalistic herd, to find a project that would both daunt and inspire me. Facing down the Congo was just such a project.”
    Tim Butcher, Blood River: A Journey to Africa’s Broken Heart

  • #5
    M.L. Stedman
    “You could still tell at a glance who'd been over there and who'd sat the war out at home. You could smell it on a man.”
    M.L. Stedman, The Light Between Oceans

  • #6
    Dan    Brown
    “اولئك الذين ينشدون الحقيقة هم اكثر من اصدقاء، انهم اخوة.”
    Dan Brown, The Da Vinci Code

  • #7
    Oliver Sacks
    “To what extent are we the authors, the creators of our own experiences? How much are these predetermined by the brains or senses we are born with, and to what extent do we shape our brains through experience? The effects of a profound perceptual deprivation such as blindness may cast an unexpected light on these questions. Going blind, especially later in life, presents one with a huge, potentially overwhelming challenge: to find a new way of living, of ordering one's world, when the old has been destroyed.”
    Oliver Sacks, The Mind's Eye

  • #8
    Ralph Ellison
    “And the mind that has conceived a plan of living must never lose sight of the chaos against which that pattern was conceived.”
    Ralph Ellison, Invisible Man

  • #9
    Sylvia Plath
    “I didn’t want my picture taken because I was going to cry. I didn’t know why I was going to cry, but I knew that if anybody spoke to me or looked at me too closely the tears would fly out of my eyes and the sobs would fly out of my throat and I’d cry for a week. I could feel the tears brimming and sloshing in me like water in a glass that is unsteady and too full.”
    Sylvia Plath

  • #10
    Katherine Dunn
    “Nudity and explicit sex are far more easily available now than are clear images of death. The quasi-violence of movies and television dwells on the lively acts of killing – flying kicks, roaring weapons, crashing cars, flaming explosions. These are the moral equivalents of old-time cinematic sex. The fictional spurting of gun muzzles after flirtation and seduction but stop a titillating instant short of actual copulation. The results of such aggressive vivacity remain a mystery. The corpse itself, riddled and gaping, swelling or dismembered, the action of heat and bacteria, of mummification or decay are the most illicit pornography.”
    Katherine Dunn

  • #11
    Mark Bowden
    “He was afraid a lot, but it had become a discerning fear.”
    Mark Bowden, Hue 1968: A Turning Point of the American War in Vietnam

  • #12
    “He is the greatest whose strength carries up the most hearts by the attraction of his own.”
    R.J. Palacio, Wonder

  • #13
    Dante Alighieri
    “There is no greater sorrow then to recall our times of joy in wretchedness.”
    Dante Alighieri, Inferno

  • #14
    Terry Goodkind
    “Standing for truth is everything. Truth is power. Don't ever forget that.”
    Terry Goodkind, The First Confessor

  • #15
    Tim LaHaye
    “Romans 3:23: “‘For all have sinned and fall short of the glory of God.”
    Tim F. LaHaye, The Rising: Antichrist is Born

  • #16
    Chimamanda Ngozi Adichie
    “We teach girls to shrink themselves, to make themselves smaller. We say to girls, you can have ambition, but not too much. You should aim to be successful, but not too successful. Otherwise, you would threaten the man. Because I am female, I am expected to aspire to marriage. I am expected to make my life choices always keeping in mind that marriage is the most important. Now marriage can be a source of joy and love and mutual support but why do we teach girls to aspire to marriage and we don’t teach boys the same? We raise girls to see each other as competitors not for jobs or accomplishments, which I think can be a good thing, but for the attention of men. We teach girls that they cannot be sexual beings in the way that boys are.”
    Chimamanda Ngozi Adichie, We Should All Be Feminists

  • #17
    Jodi Picoult
    “Do you know how sometimes - when you are riding your bike and you start skidding across sand, or when you miss a step and start tumbling down the stairs - you have those long, long seconds to know that you are going to be hurt, and badly?”
    Jodi Picoult, My Sister's Keeper

  • #18
    John Steinbeck
    “He had said, "I am a man," and that meant certain things to Juana. It meant that he was half insane and half god. It meant that Kino would drive his strength against a mountain and plunge his strength against the sea. Juana, in her woman's soul, knew that the mountain would stand while the man broke himself; that the sea would surge while the man drowned in it. And yet it was this thing that made him a man, half insane and half god, and Juana had need of a man; she could not live without a man.”
    John Steinbeck, The Pearl

  • #19
    John Irving
    “Franny’s Hollywood name, her acting name, is one you know. This is our family’s story, and it’s inappropriate for me to use Franny’s stage name – but I know that you know her. Franny is the one you always desire. She is the best one, even when she’s the villain; she always the real hero, even when she dies, even when she dies for love – or worse, for war. She’s the most beautiful, the most unapproachable, but the most vulnerable too, somehow – and the toughest. (She’s why you go to the movie, or why you stay.)”
    John Irving, The Hotel New Hampshire



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