Charlsie > Charlsie's Quotes

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  • #1
    Alan    Bradley
    “What seemed at first like an act of incandescent self-destruction turned out to be the onramp to a bleak treadmill, one that felt designed to eradicate my personality and identity. It didn’t end my self-recrimination and misery. Instead, it illustrated just how good I’d had it living on the street.”
    Alan Bradley, The Sixth Borough

  • #2
    Robert         Reid
    “Footfalls in the hallway, outside the door, alerted Audun to the fact that they had company. The steps were light, a woman’s step, Audun suddenly thought. A moment later the woman entered the room. Her light brown hair was tinged with grey, and the rich black velvet gown she wore spoke to her status. The hazel eyes swept the room. In that instant Audun knew with certainty the identity of his visitor.
    “Good morning, grandmother. Have you come to offer me my crown?”
    Robert Reid – The Son”
    Robert Reid, The Son

  • #3
    Max Nowaz
    “Every night I dream a lot. Every day I live a little.”
    Max Nowaz, Get Rich or Get Lucky

  • #4
    K.  Ritz
    “Snake Street is an area I should avoid. Yet that night I was drawn there as surely as if I had an appointment. 
    The Snake House is shabby on the outside to hide the wealth within. Everyone knows of the wealth, but facades, like the park’s wall, must be maintained. A lantern hung from the porch eaves. A sign, written in Utte, read ‘Kinship of the Serpent’. I stared at that sign, at that porch, at the door with its twisted handle, and wondered what the people inside would do if I entered. Would they remember me? Greet me as Kin? Or drive me out and curse me for faking my death?  Worse, would they expect me to redon the life I’ve shed? Staring at that sign, I pissed in the street like the Mearan savage I’ve become.
    As I started to leave, I saw a woman sitting in the gutter. Her lamp attracted me. A memsa’s lamp, three tiny flames to signify the Holy Trinity of Faith, Purity, and Knowledge.  The woman wasn’t a memsa. Her young face was bruised and a gash on her throat had bloodied her clothing. Had she not been calmly assessing me, I would have believed the wound to be mortal. I offered her a copper. 
    She refused, “I take naught for naught,” and began to remove trinkets from a cloth bag, displaying them for sale.
    Her Utte accent had been enough to earn my coin. But to assuage her pride I commented on each of her worthless treasures, fighting the urge to speak Utte. (I spoke Universal with the accent of an upper class Mearan though I wondered if she had seen me wetting the cobblestones like a shameless commoner.) After she had arranged her wares, she looked up at me. “What do you desire, O Noble Born?”
    I laughed, certain now that she had seen my act in front of the Snake House and, letting my accent match the coarseness of my dress, I again offered the copper.
     “Nay, Noble One. You must choose.” She lifted a strand of red beads. “These to adorn your lady’s bosom?”
                I shook my head. I wanted her lamp. But to steal the light from this woman ... I couldn’t ask for it. She reached into her bag once more and withdrew a book, leather-bound, the pages gilded on the edges. “Be this worthy of desire, Noble Born?”
     I stood stunned a moment, then touched the crescent stamped into the leather and asked if she’d stolen the book. She denied it. I’ve had the Training; she spoke truth. Yet how could she have come by a book bearing the Royal Seal of the Haesyl Line? I opened it. The pages were blank.
    “Take it,” she urged. “Record your deeds for study. Lo, the steps of your life mark the journey of your soul.”
      I told her I couldn’t afford the book, but she smiled as if poverty were a blessing and said, “The price be one copper. Tis a wee price for salvation, Noble One.”
      So I bought this journal. I hide it under my mattress. When I lie awake at night, I feel the journal beneath my back and think of the woman who sold it to me. Damn her. She plagues my soul. I promised to return the next night, but I didn’t. I promised to record my deeds. But I can’t. The price is too high.”
    K. Ritz, Sheever's Journal, Diary of a Poison Master

  • #5
    “She was aware of how much she was degrading herself. Yet at the same time, she had no motivation to care.”
    Cade Mengler, The Companions

  • #6
    “We were left with nothing because of a love like acid that ate its way through our entire family.”
    R.D. Ronald, The Elephant Tree

  • #7
    Michael G. Kramer
    “Cung said, “I have researched Vietnamese People fleeing to the land of the Uc da Loi! On the 26th of April 1976, the first boat carrying Vietnamese refugees arrived in Darwin. (Uc da Loi means Big Red Rat. The Vietnamese People named Australians as such because of the red kangaroo painted on the sides of Australian military vehicles. They did not know what a kangaroo was and so, they thought it was a rat. Hence the name of Uc da Loi.)

    (A Gracious Enemy & After the War Volume Two)”
    Michael G. Kramer

  • #8
    Sybrina Durant
    “123”
    Sybrina Durant, 123 Count With Me: Fun With Numbers and Animals

  • #9
    Rohinton Mistry
    “But how firm to stand, how much to bend? Where was the line between compassion and foolishness, kindness and weakness? And that was from her position. From theirs, it might be a line between mercy and cruelty, consideration and callousness. She could draw it on this side, but they might see it on that side.”
    Rohinton Mistry, A Fine Balance

  • #10
    Jacob Grimm
    “Once upon a time in the middle of winter, when the flakes of snow were falling like feathers from the sky, a queen sat at a window sewing, and the frame of the window”
    Jacob Grimm, Snow White and the Seven Dwarfs

  • #11
    Henri Charrière
    “Life is based on comparisons”
    Henri Charrière
    tags: life

  • #12
    Mary Ann Shaffer
    “Ви часом не біля річки живете? Сподіваюсь, що так. Адже що ближче до плинної води живе людина, то приємніший характер має.”
    Mary Ann Shaffer, The Guernsey Literary and Potato Peel Pie Society

  • #13
    Jon Scieszka
    “Minecraft”
    Jon Scieszka, Terrifying Tales

  • #14
    Max Brooks
    “it’s not failure that matters, but how you recover from it.”
    Max Brooks, Minecraft: The Island



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