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  • #1
    Doreen Valiente
    “Let my worship be within the heart that rejoices,
    for behold, all acts of love and pleasure are my rituals.
    Therefore, let there be beauty and strength,
    power and compassion, honor and humility,
    mirth and reverence within you.”
    Doreen Valiente, Charge of the Goddess

  • #2
    Doreen Valiente
    “And you who seek to know me,
    know that the seeking and yearning will avail you not,
    unless you know the Mystery:
    For if that which you seek,
    you find not within yourself, you will never find it without.”
    Doreen Valiente, Charge of the Goddess

  • #3
    Desmond Tutu
    “Do your little bit of good where you are; it's those little bits of good put together that overwhelm the world.”
    Desmond Tutu

  • #4
    Desmond Tutu
    “Don't raise your voice, improve your argument."

    [Address at the Nelson Mandela Foundation in Houghton, Johannesburg, South Africa, 23 November 2004]”
    Desmond Tutu

  • #5
    Desmond Tutu
    “We are made for goodness. We are made for love. We are made for friendliness. We are made for togetherness. We are made for all of the beautiful things that you and I know. We are made to tell the world that there are no outsiders. All are welcome: black, white, red, yellow, rich, poor, educated, not educated, male, female, gay, straight, all, all, all. We all belong to this family, this human family, God's family.”
    Archbishop Desmond Tutu

  • #6
    “I think computer viruses should count as life ... I think it says something about human nature that the only form of life we have created so far is purely destructive. We've created life in our own image.”
    Stephen Hawking

  • #7
    Fernando Pessoa
    “Man shouldn’t be able to see his own face--there’s nothing more sinister. Nature gave him the gift of not being able to see it, and of not being able to stare into his own eyes.

    Only in the water of rivers and ponds could he look at his face. And the very posture he had to assume was symbolic. He had to bend over, stoop down, to commit the ignominy of beholding himself.

    The inventor of the mirror poisoned the human heart.”
    Fernando Pessoa, The Book of Disquiet

  • #8
    Emil M. Cioran
    “A zoologist who observed gorillas in their native habitat was amazed by the uniformity of their life and their vast idleness. Hours and hours without doing anything. Was boredom unknown to them? This is indeed a question raised by a human, a busy ape. Far from fleeing monotony, animals crave it, and what they most dread is to see it end. For it ends, only to be replaced by fear, the cause of all activity. Inaction is divine; yet it is against inaction that man has rebelled. Man alone, in nature, is incapable of enduring monotony, man alone wants something to happen at all costs — something, anything.... Thereby he shows himself unworthy of his ancestor: the need for novelty is the characteristic of an alienated gorilla.”
    E. M. Cioran, The Trouble With Being Born
    tags: life

  • #9
    Carl Sagan
    “Fireflies out on a warm summer's night, seeing the urgent, flashing, yellow-white phosphorescence below them, go crazy with desire; moths cast to the winds an enchantment potion that draws the opposite sex, wings beating hurriedly, from kilometers away; peacocks display a devastating corona of blue and green and the peahens are all aflutter; competing pollen grains extrude tiny tubes that race each other down the female flower's orifice to the waiting egg below; luminescent squid present rhapsodic light shows, altering the pattern, brightness and color radiated from their heads, tentacles, and eyeballs; a tapeworm diligently lays a hundred thousand fertilized eggs in a single day; a great whale rumbles through the ocean depths uttering plaintive cries that are understood hundreds of thousands of kilometers away, where another lonely behemoth is attentively listening; bacteria sidle up to one another and merge; cicadas chorus in a collective serenade of love; honeybee couples soar on matrimonial flights from which only one partner returns; male fish spray their spunk over a slimy clutch of eggs laid by God-knows-who; dogs, out cruising, sniff each other's nether parts, seeking erotic stimuli; flowers exude sultry perfumes and decorate their petals with garish ultraviolet advertisements for passing insects, birds, and bats; and men and women sing, dance, dress, adorn, paint, posture, self-mutilate, demand, coerce, dissemble, plead, succumb, and risk their lives.

    To say that love makes the world go around is to go too far. The Earth spins because it did so as it was formed and there has been nothing to stop it since. But the nearly maniacal devotion to sex and love by most of the plants, animals, and microbes with which we are familiar is a pervasive and striking aspect of life on Earth. It cries out for explanation. What is all this in aid of? What is the torrent of passion and obsession about? Why will organisms go without sleep, without food, gladly put themselves in mortal danger for sex? ... For more than half the history of life on Earth organisms seem to have done perfectly well without it. What good is sex?... Through 4 billion years of natural selection, instructions have been honed and fine-tuned...sequences of As, Cs, Gs, and Ts, manuals written out in the alphabet of life in competition with other similar manuals published by other firms. The organisms become the means through which the instructions flow and copy themselves, by which new instructions are tried out, on which selection operates.

    'The hen,' said Samuel Butler, 'is the egg's way of making another egg.' It is on this level that we must understand what sex is for. ... The sockeye salmon exhaust themselves swimming up the mighty Columbia River to spawn, heroically hurdling cataracts, in a single-minded effort that works to propagate their DNA sequences into future generation. The moment their work is done, they fall to pieces. Scales flake off, fins drop, and soon--often within hours of spawning--they are dead and becoming distinctly aromatic.

    They've served their purpose.

    Nature is unsentimental.

    Death is built in.”
    Carl Sagan, Shadows of Forgotten Ancestors: Earth Before Human

  • #10
    Susan Cain
    “If you're an introvert, you also know that the bias against quiet can cause deep psychic pain. As a child you might have overheard your parents apologize for your shyness. Or at school you might have been prodded to come "out of your shell" -that noxious expression which fails to appreciate that some animals naturally carry shelter everywhere they go, and some humans are just the same.”
    Susan Cain, Quiet: The Power of Introverts in a World That Can't Stop Talking

  • #11
    Robert A. Heinlein
    “Liberty is never unalienable; it must be redeemed regularly with the blood of patriots or it always vanishes. Of all the so-called natural human rights that have ever been invented, liberty is least likely to be cheap and is never free of cost.”
    Robert A. Heinlein, Starship Troopers

  • #12
    E.M. Forster
    “What is wonderful about great literature is that it transforms the man who reads it towards the condition of the man who wrote.”
    E. M. Forster, Two Cheers for Democracy

  • #13
    Emily Post
    “Manners are a sensitive awareness of the feelings of others. If you have that awareness, you have good manners, no matter what fork you use.”
    Emily Post

  • #14
    Knut Hamsun
    “The intelligent poor individual was a much finer observer than the intelligent rich one. The poor individual looks around him at every step, listens suspiciously to every word he hears from the people he meets; thus, every step he takes presents a problem, a task, for his thoughts and feelings. He is alert and sensitive, he is experienced, his soul has been burned...”
    Knut Hamsun, Hunger

  • #15
    Fyodor Dostoevsky
    “That's just the point: an honest and sensitive man opens his heart, and the man of business goes on eating - and then he eats you up.”
    Fyodor Dostoyevsky, Crime and Punishment

  • #16
    Carl Sagan
    “There are no forbidden questions in science, no matters too sensitive or delicate to be probed, no sacred truths.”
    Carl Sagan

  • #17
    Rollo May
    “Creative people, as I see them, are distinguished by the fact that they can live with anxiety, even though a high price may be paid in terms of insecurity, sensitivity, and defenselessness for the gift of the “divine madness,” to borrow the term used by the classical Greeks. They do not run away from non-being, but by encountering and wrestling with it, force it to produce being. They knock on silence for an answering music; they pursue meaninglessness until they can force it to mean.”
    Rollo May, The Courage to Create

  • #18
    Rollo May
    “Recall how often in human history the saint and the rebel have be the same person. (p. 35)”
    Rollo May, The Courage to Create

  • #19
    Rollo May
    “Dogmatism of all kinds--scientific, economic, moral, as well as political--are threatened by the creative freedom of the artist. This is necessarily and inevitably so. We cannot escape our anxiety over the fact that the artists together with creative persons of all sorts, are the possible destroyer of our nicely ordered systems. (p. 76)”
    Rollo May, The Courage to Create

  • #20
    Rollo May
    “It is highly significant and indeed almost a rule, that moral courage has its source in such identification through one's own sensitivity with suffering of one's fellow human beings." (p. 16-17)”
    Rollo May, The Courage to Create

  • #21
    Rollo May
    “Poets may be delightful creatures in the meadow or the garret, but they are menaces on the assembly line.”
    Rollo May, The Courage to Create

  • #22
    Rollo May
    “What genuine painters do is to reveal the underlying psychological and spiritual conditions of their relationship to their world; thus in the works of a great painter we have a reflection of the emotional and spiritual condition of human beings in that period of history. If you wish to understand the psychological and spiritual temper of any historical period, you can do no better than to look long and searchingly at its art. For in the art the underlying spiritual meaning of the period is expressed directly in symbols. This is not because artists are didactic or set out to teach or to make propaganda; to the extend that they do, their power of expression is broken; their direct relations to the inarticulate, or, if you will, 'unconscious' levels of the culture is destroyed. They have the power to reveal the underlying meaning of any period precisely because the essence of art is the powerful and alive encounter between the artist and his or her world." (pg 52)”
    Rollo May, The Courage to Create

  • #23
    Rollo May
    “Opposites though they are, both solitude and solidarity are essential if the artist is to produce works that are not only significant to his or her age, but that will also speak to future generations.”
    Rollo May, The Courage to Create

  • #24
    Rollo May
    “When I use the word rebel for the artist, I do not refer to revolutionary or to such things as taking over the dean’s office; that is a different matter. Artists are generally soft-spoken persons who are concerned with their inner visions and images. But that is precisely what makes them feared by any coercive society. For they are the bearers of the human being’s age-old capacity to be insurgent.”
    Rollo May, The Courage to Create

  • #25
    Knut Hamsun
    “I suffered no pain, my hunger had taken the edge off; instead I felt pleasantly empty, untouched by everything around me and happy to be unseen by all. I put my legs up on the bench and leaned back, the best way to feel the true well-being of seclusion. There wasn't a cloud in my mind, nor did I feel any discomfort, and I hadn't a single unfulfilled desire or craving as far as my thought could reach. I lay with open eyes in a state of utter absence from myself and felt deliciously out of it.”
    Knut Hamsun, Hunger

  • #26
    Knut Hamsun
    “Keep it, keep it!" I answered. "You are very welcome to it! It is only a couple of small things, doesn't amount to anything—about everything I own in the world.”
    Knut Hamsun, Hunger

  • #27
    Knut Hamsun
    “I was on the verge of crying with grief at still being alive.”
    Knut Hamsun, Hunger

  • #28
    Knut Hamsun
    “The heavy red roses smoldering in the foggy morning, blood-colored and uninhibited, made me greedy, and tempted me powerfully to steal one--I asked the prices merely so I could come as near them as possible.”
    Knut Hamsun, Hunger

  • #29
    Knut Hamsun
    “I sat looking at her with rapt attention. My heart was thumping, the blood coursing warmly through my veins. What a wonderful pleasure to be sitting in a human dwelling again, hear a clock ticking, and talk with a lively young girl instead of with myself!
    Why don't you say something?"
    Ah, how sweet you are!" I said. "I'm sitting here getting fascinated by you, at this moment I'm thoroughly fascinated. I can't help it. You are the strangest person that... Sometimes your eyes are so radiant, I've never seen anything like it, they look like flowers. Eh? No, no, maybe not like flowers but... I'm madly in love with you, and it won't do me a bit of good. What's your name? Really, you must tell me what your name is..."
    No, what's your name? Goodness, I almost forgot again! I was thinking all day yesterday that I must ask you. Well, that is, not all day yesterday, I certainly didn't think about you all day yesterday."
    Do you know what I've called you? I have called you Ylajali. How do you like it? Such a gliding sound-"
    Ylajali?"
    Yes."
    Is it a foreign language?"
    Hmm. No, it's not."
    Well, it isn't ugly.”
    Knut Hamsun, Hunger

  • #30
    Knut Hamsun
    “I began running so as to punish myself, left street after street behind me, pushed myself on with inward jeers, and screeched silently and furiously at myself whenever I felt like stopping. With the help of these exertions I ended up far along Pile Street. When I finally did stop, almost weeping with anger that I couldn’t run any farther, my whole body trembled, and I threw myself down on a house stoop. “Not so fast!” I said. And to torture myself right, I stood up again and forced myself to stand there, laughing at myself and gloating over my own fatigue. Finally, after a few minutes I nodded and so gave myself permission to sit down; however, I chose the most uncomfortable spot on the stoop.”
    Knut Hamsun, Hunger



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