Moonyy > Moonyy's Quotes

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  • #1
    Fyodor Dostoevsky
    “The Idiot. I have read it once, and find that I don't remember the events of the book very well--or even all the principal characters. But mostly the 'portrait of a truly beautiful person' that dostoevsky supposedly set out to write in that book. And I remember how Myshkin seemed so simple when I began the book, but by the end, I realized how I didn't understand him at all. the things he did. Maybe when I read it again it will be different. But the plot of these dostoevsky books can hold such twists and turns for the first-time reader-- I guess that's b/c he was writing most of these books as serials that had to have cliffhangers and such.
    But I make marks in my books, mostly at parts where I see the author's philosophical points standing in the most stark relief. My copy of Moby Dick is positively full of these marks. The Idiot, I find has a few...
    Part 3, Section 5. The sickly Ippolit is reading from his 'Explanation' or whatever its called. He says his convictions are not tied to him being condemned to death. It's important for him to describe, of happiness: "you may be sure that Columbus was happy not when he had discovered America, but when he was discovering it." That it's the process of life--not the end or accomplished goals in it--that matter. Well. Easier said than lived!
    Part 3, Section 6. more of Ippolit talking--about a christian mindset. He references Jesus's parable of The Word as seeds that grow in men, couched in a description of how people are interrelated over time; its a picture of a multiplicity.
    Later in this section, he relates looking at a painting of Christ being taken down from the cross, at Rogozhin's house. The painting produced in him an intricate metaphor of despair over death "in the form of a huge machine of the most modern construction which, dull and insensible, has aimlessly clutched, crushed, and swallowed up a great priceless Being, a Being worth all nature and its laws, worth the whole earth, which was created perhaps solely for the sake of the advent of this Being." The way Ippolit's ideas are configured, here, reminds me of the writings of Gilles Deleuze. And the phrasing just sort of remidns me of the way everyone feels--many people feel crushed by the incomprehensible machine, in life. Many people feel martyred in their very minor ways. And it makes me think of the concept that a narrative religion like Christianity uniquely allows for a kind of socialized or externalized, shared experience of subjectivity. Like, we all know the story of this man--and it feels like our own stories at the same time.
    Part 4, Section 7. Myshkin's excitement (leading to a seizure) among the Epanchin's dignitary guests when he talks about what the nobility needs to become ("servants in order to be leaders"). I'm drawn to things like this because it's affirming, I guess, for me: "it really is true that we're absurd, that we're shallow, have bad habits, that we're bored, that we don't know how to look at things, that we can't understand; we're all like that." And of course he finds a way to make that into a good thing. which, it's pointed out by scholars, is very important to Dostoevsky philosophy--don't deny the earthly passions and problems in yourself, but accept them and incorporate them into your whole person. Me, I'm still working on that one.”
    Fyodor Dostoyevsky

  • #2
    Richard Siken
    “I wanted to explain myself to myself in an understandable way. I gave shape to my fears and made excuses. I varied my velocities, watched myselves sleep. Something's not right about what I'm doing but I'm still doing it-- living in the worst parts, ruining myself. My inner life is a sheet of black glass. If I fell through the floor I would keep falling.
    The enormity of my desire disgusts me.”
    Richard Siken, War of the Foxes

  • #3
    Henry David Thoreau
    “I went to the woods because I wished to live deliberately, to front only the essential facts of life, and see if I could not learn what it had to teach, and not, when I came to die, discover that I had not lived. I did not wish to live what was not life, living is so dear; nor did I wish to practice resignation, unless it was quite necessary. I wanted to live deep and suck out all the marrow of life, to live so sturdily and Spartan-like as to put to rout all that was not life, to cut a broad swath and shave close, to drive life into a corner, and reduce it to its lowest terms, and, if it proved to be mean, why then to get the whole and genuine meanness of it, and publish its meanness to the world; or if it were sublime, to know it by experience, and be able to give a true account of it in my next excursion.”
    Henry David Thoreau

  • #4
    Therese Doucet
    “I want to see the world without explaining away its mystery by calling things wicked, righteous, sinful, and good. I want to erase in myself the easy explanations, the always mendacious explanations about why things happen the way they do, and in this way, come to know the mystery of being–-not by any approximation in thought, but by being. I want to be and not be ashamed of being.”
    Therese Doucet, A Lost Argument: A Latter-Day Novel

  • #5
    Cornelia Funke
    “Which of us has not felt that the character we are reading in the printed page is more real than the person standing beside us?”
    Cornelia Funke

  • #6
    Fyodor Dostoevsky
    “If you wish to glimpse inside a human soul and get to know a man, don't bother analyzing his ways of being silent, of talking, of weeping, of seeing how much he is moved by noble ideas; you will get better results if you just watch him laugh. If he laughs well, he's a good man.”
    Fyodor Dostoevsky

  • #7
    Leila S. Chudori
    “Dan bibirnya adalah sepotong puisi yang belum selesai. Aku yakin, hanya bibirku yang bisa menyelesaikannya menjadi sebuah puisi yang lengkap.”
    Leila S. Chudori, Pulang

  • #8
    Helvy Tiana Rosa

    Puisi bisa menjadi semacam magnet yang melekatkan kita pada seseorang, bahkan bila kita membencinya. Puisi yang kita tak tulis tak akan perah mati, bahkan bila kita mati.”
    Helvy Tiana Rosa, Risalah Cinta

  • #9
    Goenawan Mohamad
    “Mereka yang terbiasa dengan kekuasaan dan aturan memang umumnya sulit memahami puisi.”
    Goenawan Mohamad, CATATAN PINGGIR 3

  • #10
    Robert Frost
    “The Road Not Taken

    Two roads diverged in a yellow wood,
    And sorry I could not travel both
    And be one traveler, long I stood
    And looked down one as far as I could
    To where it bent in the undergrowth;

    Then took the other, as just as fair,
    And having perhaps the better claim,
    Because it was grassy and wanted wear;
    Though as for that the passing there
    Had worn them really about the same,

    And both that morning equally lay
    In leaves no step had trodden black.
    Oh, I kept the first for another day!
    Yet knowing how way leads on to way,
    I doubted if I should ever come back.

    I shall be telling this with a sigh
    Somewhere ages and ages hence:
    Two roads diverged in a wood, and I—
    I took the one less traveled by,
    And that has made all the difference.”
    Robert Frost

  • #11
    Ray Bradbury
    “You must stay drunk on writing so reality cannot destroy you.”
    Ray Bradbury, Zen in the Art of Writing: Releasing the Creative Genius Within You

  • #12
    Nora Ephron
    “Reading is escape, and the opposite of escape; it's a way to make contact with reality after a day of making things up, and it's a way of making contact with someone else's imagination after a day that's all too real.”
    Nora Ephron

  • #13
    Eric Jorgenson
    “The reality is life is a single-player game. You’re born alone. You’re going to die alone. All of your interpretations are alone. All your memories are alone. You’re gone in three generations, and nobody cares. Before you showed up, nobody cared. It’s all single player.”
    Eric Jorgenson, The Almanack of Naval Ravikant: A Guide to Wealth and Happiness

  • #14
    Todd Strasser
    “The story you are about to read is a work of fiction. Nothing - and everything - about it is real.”
    Todd Strasser

  • #15
    Sean  Gibson
    “Some people call reading an escape, but it's not - it's embracing the true reality of the best parts of who we are. It's not running away; it's running toward the thing we wish we could be, the thing we strive to be, the thing we never can be, but the thing which we always must try to become if we want to be something more than we are.”
    Sean Gibson

  • #16
    J.D. Salinger
    “What really knocks me out is a book that, when you're all done reading it, you wish the author that wrote it was a terrific friend of yours and you could call him up on the phone whenever you felt like it. That doesn't happen much, though.”
    J.D. Salinger, The Catcher in the Rye

  • #17
    Ernest Hemingway
    “There is nothing to writing. All you do is sit down at a typewriter and bleed.”
    Ernest Hemingway

  • #18
    Anaïs Nin
    “We write to taste life twice, in the moment and in retrospect.”
    Anais Nin

  • #19
    Jack Kerouac
    “One day I will find the right words, and they will be simple.”
    Jack Kerouac, The Dharma Bums

  • #20
    Lloyd Alexander
    “Fantasy is hardly an escape from reality. It's a way of understanding it.”
    Lloyd Alexander

  • #21
    William Faulkner
    “Read, read, read. Read everything -- trash, classics, good and bad, and see how they do it. Just like a carpenter who works as an apprentice and studies the master. Read! You'll absorb it.
    Then write. If it's good, you'll find out. If it's not, throw it out of the window.”
    William Faulkner

  • #22
    Leonardo da Vinci
    “While human ingenuity may devise various inventions to the same ends, it will never devise anything more beautiful, nor more simple, nor more to the purpose than nature does, because in her inventions nothing is lacking and nothing is superfluous.”
    Leonardo da Vinci

  • #23
    Patrick Süskind
    “Moonlight knew no colors and traced the contours of the terrain only very softly. It covered the land a dirty gray, strangling life all night long. This world molded in lead, where nothing moved but the wind that fell sometimes like a shadow over the gray forests, and where nothing lived but the scent of the naked earth, was the only world he accepted, for it was much like the world of his soul.”
    Patrick Süskind, Perfume: The Story of a Murderer
    tags: night



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