Anna Clement > Anna's Quotes

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  • #1
    Emilie Autumn
    “I cut myself because you wouldn't let me cry.
    I cried because you wouldn't let me speak.
    I spoke because you wouldn't let me shine.
    I shone because I thought you loved me...”
    Emilie Autumn, The Asylum for Wayward Victorian Girls

  • #2
    Richelle Mead
    “I stopped. She was bleeding after all. Perfect lines crossed her wrists, not near any crucial veins, but enough to leave wet red tracks across her skin. She hadn;t hit her veins when she did this; death hadn't been her goal.”
    Richelle Mead, Vampire Academy

  • #3
    “I asked her if she believed in love, and she smiled and said it was her most elaborate method of self-harm.”
    Benedict Smith

  • #4
    Kathleen Glasgow
    “People should know about us. Girls who write their pain on their bodies. ~Louisa”
    Kathleen Glasgow, Girl in Pieces

  • #5
    E. Lockhart
    “Once upon a time there was a king who had three beautiful daughters.
    No, no, wait.
    Once upon a time there were three bears who lived in a wee house in the woods.
    Once upon a time there were three soldiers, tramping together down the road after the war.
    Once upon a time there were three little pigs.
    Once upon a time there were three brothers.
    No, this is it. This is the variation I want.
    Once upon a time there were three Beautiful children, two boys and a girl. When each baby was born, the parents rejoiced, the heavens rejoiced, even the fairies rejoiced. The fairies came to christening parties and gave the babies magical gifts.
    Bounce, effort, and snark.
    Contemplation and enthusiasm. Ambition and strong coffee.
    Sugar, curiosity, and rain.
    And yet, there was a witch.
    There's always a witch.
    This which was the same age as the beautiful children, and as she and they grew, she was jealous of the girl, and jealous of the boys, too. They were blessed with all these fairy gifts, gifts the witch had been denied at her own christening.
    The eldest boy was strong and fast, capable and handsome. Though it's true, he was exceptionally short.
    The next boy was studious and open hearted. Though it's true, he was an outsider.
    And the girl was witty, Generous, and ethical. Though it's true, she felt powerless.
    The witch, she was none of these things, for her parents had angered the fairies. No gifts were ever bestowed upon her. She was lonely. Her only strength was her dark and ugly magic.
    She confuse being spartan with being charitable, and gave away her possessions without truly doing good with them.
    She confuse being sick with being brave, and suffered agonies while imagining she merited praise for it.
    She confused wit with intelligence, and made people laugh rather than lightening their hearts are making them think.
    Hey magic was all she had, and she used it to destroy what she most admired. She visited each young person in turn in their tenth birthday, but did not harm them out right. The protection of some kind fairy - the lilac fairy, perhaps - prevented her from doing so.
    What she did instead was cursed them.
    "When you are sixteen," proclaimed the witch in a rage of jealousy, "you shall prick your finger on a spindle - no, you shall strike a match - yes, you will strike a match and did in its flame."
    The parents of the beautiful children were frightened of the curse, and tried, as people will do, to avoid it. They moved themselves and the children far away, to a castle on a windswept Island. A castle where there were no matches.
    There, surely, they would be safe.
    There, Surely, the witch would never find them.
    But find them she did. And when they were fifteen, these beautiful children, just before their sixteenth birthdays and when they're nervous parents not yet expecting it, the jealous which toxic, hateful self into their lives in the shape of a blonde meeting.
    The maiden befriended the beautiful children. She kissed him and took them on the boat rides and brought them fudge and told them stories.
    Then she gave them a box of matches.
    The children were entranced, for nearly sixteen they have never seen fire.
    Go on, strike, said the witch, smiling. Fire is beautiful. Nothing bad will happen.
    Go on, she said, the flames will cleanse your souls.
    Go on, she said, for you are independent thinkers.
    Go on, she said. What is this life we lead, if you did not take action?
    And they listened.
    They took the matches from her and they struck them. The witch watched their beauty burn,
    Their bounce,
    Their intelligence,
    Their wit,
    Their open hearts,
    Their charm,
    Their dreams for the future.
    She watched it all disappear in smoke.”
    E. Lockhart, We Were Liars

  • #6
    Rupi Kaur
    “people say things
    meant to rip you in half
    but you hold the power to not
    turn their words into a knife
    and cut yourself”
    rupi kaur, Milk and honey

  • #7
    “The blade sings to me. Faintly, so soft against my ears, its voice calms my worries and tells me that one touch will take it all away. It tells me that I just need to slide a long horizontal cut, and make a clean slice. It tells me the words that I have been begging to hear: this will make it ok.”
    Amanda Steele, The Cliff

  • #8
    Laurie Halse Anderson
    “I want to go to sleep and not wake up, but I don't want to die. I want to eat like a normal person eats, but I need to see my bones or I will hate myself even more and I might cut my heart out or take every pill that was ever made.”
    Laurie Halse Anderson, Wintergirls

  • #9
    Amy Efaw
    “A pattern of raised crisscrossed scars, some old and white, others more recent in various shades of pink and red. Exposing the stress of the structure underneath its paint”
    Amy Efaw, After

  • #10
    “Why do I take a blade and slash my arms? Why do I drink myself into a stupor? Why do I swallow bottles of pills and end up in A&E having my stomach pumped? Am I seeking attention? Showing off? The pain of the cuts releases the mental pain of the memories, but the pain of healing lasts weeks. After every self-harming or overdosing incident I run the risk of being sectioned and returned to a psychiatric institution, a harrowing prospect I would not recommend to anyone.
    So, why do I do it? I don't. If I had power over the alters, I'd stop them. I don't have that power. When they are out, they're out. I experience blank spells and lose time, consciousness, dignity. If I, Alice Jamieson, wanted attention, I would have completed my PhD and started to climb the academic career ladder. Flaunting the label 'doctor' is more attention-grabbing that lying drained of hope in hospital with steri-strips up your arms and the vile taste of liquid charcoal absorbing the chemicals in your stomach.
    In most things we do, we anticipate some reward or payment. We study for status and to get better jobs; we work for money; our children are little mirrors of our social standing; the charity donation and trip to Oxfam make us feel good. Every kindness carries the potential gift of a responding kindness: you reap what you sow. There is no advantage in my harming myself; no reason for me to invent delusional memories of incest and ritual abuse. There is nothing to be gained in an A&E department.”
    Alice Jamieson, Today I'm Alice: Nine Personalities, One Tortured Mind

  • #11
    Alison   Miller
    “Punishments include such things as flashbacks, flooding of unbearable emotions, painful body memories, flooding of memories in which the survivor perpetrated against others, self-harm, and suicide attempts.”
    Alison Miller, Healing the Unimaginable: Treating Ritual Abuse and Mind Control

  • #12
    Emily Giffin
    “Hush little baby, Dont you cry, Dont cut your arms, Dont say goodbye. Put down that razor, Put down that light, It maybe hard but, You'll win this fight.”
    Emily Giffin

  • #13
    Emily Andrews
    “Oh God just look at me now... one night opens words and utters pain... I cannot begin to explain to you... this... I am not here. This is not happening. Oh wait, it is, isn't it?

    I am a ghost. I am not here, not really. You see skin and cuts and frailty...these are symptoms, you known, of a ghost. An unclear image with unclear thoughts whispering vague things...

    If I told you what was really in my head, you''d never let me leave this place. And I have no desire to spend time in hell while I'm still, in theory, alive.”
    Emily Andrews, The Finer Points of Becoming Machine

  • #14
    “Do you know that feeling? When everything you do seems like a struggle. Where you dont wanna leave the house because you know everyone is judging you. Where you cant even ask for directions in fear that they critise you. Where everyone always seems to be picking out your flaws. That feeling where you feel so damn sick for no reason.
    Do you know that feeling where you look in the mirror and completly hate what you see. When you grab handfuls and handfuls of fat and just want to cut it all off. That feeling when you see other beautiful girls and just wish you looked like them. When you compare yourself to everyone you meet. When you realise why no one ever showed intrest in you. That feeling where you become so self conscious you dont even turn up at school. That feeling when you feel so disappointed in who you are and everything you have become. That feeling when every bite makes you wanna be sick. When hunger is more satifying that food. The feeling of failure when you eat a meal.
    Do you know that feeling when you cant run as far as your class. Fear knowing that everyone thinks of you as the"Unfit FAT BITCH" That feeling when you just wanna let it all out but you dont wanna look weak. The fear you have in class when you dont understand something but your too afraid to ask for help. The feeling of being to ashamed to stand up for yourself.
    Do you know the feeling when your deepest fear becomes a reality. Fear that you will NEVER be good enough. When you feel as if you deserve all the pain you give yourself. When you finally understand why everyone hates you. FINALLY realising the harsh truth. Understanding that every cut, every burn, every bruise you have even given yourself, you deserved. In fact you deserved worse. That feeling when you believe you deserve constant and brutal pain.
    Do you know what it feels like to just want to give up. When you just want all the pain to end but you want it to continue? Or am i just insane”
    Anonymous.

  • #15
    Madeleine Kuderick
    “I made the first cut razor thin. A gentle kiss on virgin skin.”
    Madeleine Kuderick, Kiss of Broken Glass

  • #16
    “That's when I wanted to cut. I cut to quiet the cacophony. I cut to end this abstracted agony, to reel my selves back to one present and physical whole, whose blood was the proof of her tangibility.”
    Caroline Kettlewell, Skin Game

  • #17
    Carrie Hope Fletcher
    “One of the things that strikes me most though is how some people don't realise they're self-harming. The phrase 'self-harm' brings up thoughts of 'cutting', but that's only a small portion of it. When you drink excessively to drown your sorrows to the point you throw up and can't see straight and/or, like a girl at my school, ended up being driven to hospital to have her stomach pumped, you've brought harm to yourself. If you take drugs to feel numb and it becomes an addiction that you can't break, you've self-harmed. When you starve yourself or binge eat to fit the latest fashions, you're pushing your body further than it can go.
    We need to start treating ourselves how we deserve to be treated, even if you feel that no one else does. Prove to the world you ARE worth something by treating yourself with the utmost respect and hope that other people will follow your example. And even if they don't, at least one person in the world is treating you well: YOU.”
    Carrie Hope Fletcher, All I Know Now: Wonderings and Reflections on Growing Up Gracefully

  • #18
    Kathleen Glasgow
    “... it's remembering what it's like to cut, and cut hard. The way you have to dig the glass in, deeply, right away, to break the skin and then drag, and drag fiercely, to make a river worth drowning in.”
    Kathleen Glasgow, Girl in Pieces

  • #19
    Laurie Halse Anderson
    “Why?’ She nods. ‘She had everything: a family who loved her, friends, activities. Her mother wants to know why she threw it all away?’ Why you want to know why? Step into a tanning booth and fry yourself for two or three days. After your skin bubbles and falls off, roll in coarse salt, then put on long underwear woven from spun glass and razor wire. Over that goes your regular clothes, as long as they are tight.
    Smoke gunpowder and go to school to jump through hoops, sit up and beg, and roll over on command. Listen to the whispers that curl into your head at night, calling you ugly and fat and stupid and bitch and whore and worst of all ‘A disappointment.’ Puke and starve and cut and drink because you need an anesthetic and it works. For a while. But then the anesthetic turns into poison and by then it’s too late because you are mainlining it now, straight into your soul. It is rotting you and you can’t stop. Look in a mirror and find a ghost. Hear every heartbeat scream that everythingsinglething is wrong with you. ‘Why?’ is the wrong question. Ask ‘Why not?”
    Laurie Halse Anderson, Wintergirls

  • #20
  • #21
    S.M. Koz
    “That night I did it. I used a utility knife from our garage. It was amazing. For that brief moment, all the tension, anxiety, stress I put on myself disappeared. It went up in a cloud of smoke and my head was finally clear after months of endless internal battles.”
    SM KOZ

  • #22
    S.M. Koz
    “The result was unreal. The most incredible feeling came over me. Weightlessness. Like the vise that engulfed me had evaporated. There was no more tightness. I could breathe freely. My head didn’t hurt. My stomach didn’t hurt. After a few moments, the only thing that hurt was the cut on my arm. I sat there and closed my eyes, reveling in the physical pain that was a hundred times easier to handle than what I had been dealing with.”
    SM KOZ

  • #23
    Melissa C. Water
    “We both knew what it was to hurt our bodies. It's a strange reason to bond with someone, but I think we both needed to feel understood, and, even though we couldn't love ourselves, we could love each other.”
    Melissa C. Water, Lady Injury

  • #24
    “The nerves of the skin send pain signals to the brain to warn us of the danger from and impending injury. In the case of self-inflicted wounding, this pain acts as the body's own defense mechanism to stop one from proceeding in the effort at physical injury. If a person proceeds despite the pain, that means that he or she is motivated by something stronger than the pain, something that makes him or her capable of ignoring or enduring it.”
    Steven Levenkron



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