Linh Trinh > Linh's Quotes

“The first of the
line is tied to a tree and the last is being eaten by the ants .”
― Gabriel García Márquez, One Hundred Years of Solitude

“Tell him,' the colonel said, smiling, 'that a person doesn’t die when he should but when he can.”
― Gabriel García Márquez, One Hundred Years of Solitude

“because races condemned to one hundred years of solitude did not have a second opportunity on earth”
― Gabriel García Márquez, One Hundred Years of Solitude

“The secret of a good old age is simply an honorable pact with solitude.”
― Gabriel García Márquez, One Hundred Years of Solitude

“He really had been through death, but he had returned because he could not bear the solitude.”
― Gabriel García Márquez, One Hundred Years of Solitude

“The most important kind of freedom is to be what you really are. You trade in your reality for a role. You trade in your sense for an act. You give up your ability to feel, and in exchange, put on a mask. There can't be any large-scale revolution until there's a personal revolution, on an individual level. It's got to happen inside first.”
― Jim MORRISON

“Reality is myself, reality is only the perception of this instant and it can't be related to another person.”
― Gao Xingjian

“You say 'I' and you are proud of this word. But greater than this- although you will not believe in it - is your body and its great intelligence, which does not say 'I' but performs 'I'.”
― Friedrich Nietzsche, Thus Spoke Zarathustra

“To predict the behavior of ordinary people in advance, you only have to assume that they will always try to escape a disagreeable situation with the smallest possible expenditure of intelligence.”
― Friedrich Nietzsche

“I hate who steals my solitude, without really offer me in exchange company.”
― Friedrich Nietzsche

“My solitude doesn’t depend on the presence or absence of people; on the contrary, I hate who steals my solitude without, in exchange, offering me true company.”
― Friedrich Nietzsche

“Can you not see," I said, "that fairy tales in their essence are quite solid and straightforward; but that this everlasting fiction about modern life is in its nature essentially incredible? Folk-lore means that the soul is sane, but that the universe is wild and full of marvels. Realism means that the world is dull and full of routine, but that the soul is sick and screaming. The problem of the fairy tale is—what will a healthy man do with a fantastic world? The problem of the modern novel is—what will a madman do with a dull world? In the fairy tales the cosmos goes mad; but the hero does not go mad. In the modern novels the hero is mad before the book begins, and suffers from the harsh steadiness and cruel sanity of the cosmos.”
― G.K. Chesterton

“Without craftsmanship, inspiration is a mere reed shaken in the wind.”
― Johannes Brahms

“I'm against the picture of the artist as a starry-eyed visionary not really in control or knowing what he does. I'd almost prefer the word 'craftsman'. He's like one of those old-fashioned ship builders who conceived the build of the boat in their mind and after that touched every single piece that went into the boat.”
― William Golding

“It is quite certain that the skirt means female dignity, not female submission; it can be proved by the simplest of all tests. No ruler would deliberately dress up in the recognized fetters of a slave; no judge would would appear covered with broad arrows. But when men wish to be safely impressive, as judges, priests or kings, they do wear skirts, the long, trailing robes of female dignity. The whole world is under petticoat government; for even men wear petticoats when they wish to govern.”
― G.K. Chesterton, What's Wrong with the World