Moeen > Moeen's Quotes

“Stories are for joining the past to the future. Stories are for those late hours in the night when you can't remember how you got from where you were to where you are. Stories are for eternity, when memory is erased, when there is nothing to remember except the story.”
― Tim O'Brien, The Things They Carried

“اصفهان آزارم می‌داد. من کاری به تهران نداشتم. نه دوستش داشتم و نه کاری به کارش. او هم به من همین‌طور. اما اصفهان نه. به من کار داشت. من هم به او. هر جا که پا می‌گذاشتم، چیزی بود که آزارم می‌داد. چه چیزی که به همان صورتی که از بچگی دیده بودم هنوز مانده بود و چه چیزی که از آن صورت درآمده بود و چیز دیگر شده بود. و همه‌ی چیزهایی که در اصفهان بود یکی از این دوتا چیز بود. خیابان‌های پهنی که به جای کوچه‌های باریکِ سابق کشیده بودند همان‌قدر غم‌انگیز بود که کوچه‌های باریک و محله‌های قدیمی دست‌نخورده.”
― جعفر مدرس صادقي / Jafar Modarres Sadeghi, گاوخونی

“...If he failed the first time he took his driver's licence test, it was mainly because he started an argument with the examiner in an ill-timed effort to prove that nothing could be more humiliating to a rational creature than being required to encourage the development of a base conditional reflex by stopping at a red light when there was not an earthly soul around, heeled or wheeled. He was more circumspect the next time, and passed...”
― Vladimir Nabokov, Pnin

“Some people—and I am one of them—hate happy ends. We feel cheated. Harm is the norm. Doom should not jam. The avalanche stopping in its tracks a few feet above the cowering village behaves not only unnaturally but unethically.”
― Vladimir Nabokov, Pnin

“All you have to do is write one true sentence. Write the truest sentence that you know.”
― Ernest Hemingway

“It was love at first sight, at last sight, at ever and ever sight.”
― Vladimir Nabokov, Lolita

“The past is never dead. It's not even past.”
― William Faulkner, Requiem for a Nun

“Our imagination flies -- we are its shadow on the earth.”
― Vladimir Nabokov

“I need you, the reader, to imagine us, for we don't really exist if you don't.”
― Nabokov Vladimi, Lolita

“Don't be 'a writer'. Be writing.”
― William Faulkner

“The first draft of anything is shit.”
― Ernest Hemingway

“More tears are shed over answered prayers than unanswered ones.”
― Truman Capote, Answered Prayers

“It ought to make us feel ashamed when we talk like we know what we're talking about when we talk about love.”
― Raymond Carver

“Then I said something. I said, Suppose, just suppose, nothing had ever happened. Suppose this was for the first time. Just suppose. It doesn't hurt to suppose. Say none of the other had ever happened. You know what I mean? Then what? I said.”
― Raymond Carver, Where I'm Calling From: New and Selected Stories

“این باور که کسی زندگی ناشناسی دارد که با دل‌بستن به او به آن راه توانیم یافت برای عشق از همه‌ی شرط‌هایی که دارد تا پدید آید مهم‌تر است، که اگر این باشد از بقیه به آسانی خواهد گذشت”
― Marcel Proust, Swann’s Way

“To the person in the bell jar, blank and stopped as a dead baby, the world itself is a bad dream.”
― Sylvia Plath, The Bell Jar

“If you want to understand a society, take a good look at the drugs it uses. And what can this tell you about American culture? Well, look at the drugs we use. Except for pharmaceutical poison, there are essentially only two drugs that Western civilization tolerates: Caffeine from Monday to Friday to energize you enough to make you a productive member of society, and alcohol from Friday to Monday to keep you too stupid to figure out the prison that you are living in.”
― Bill Hicks

“And that's when I know it's over. As soon as you start thinking about the beginning, it's the end.”
― Junot Díaz, This Is How You Lose Her

“Literature was not born the day when a boy crying "wolf, wolf" came running out of the Neanderthal valley with a big gray wolf at his heels; literature was born on the day when a boy came crying "wolf, wolf" and there was no wolf behind him.”
― Vladimir Nabokov, Lectures on Literature

“Curiously enough, one cannot read a book; one can only reread it. A good reader, a major reader, and active and creative reader is a rereader.”
― Vladimir Nabokov, Lectures on Literature

“The thing about a story is that you dream it as you tell it, hoping that others might then dream along with you, and in this way memory and imagination and language combine to make spirits in the head. There is the illusion of aliveness.”
― Tim O'Brien, The Things They Carried

“I was weeping again, drunk on the impossible past.”
― Vladimir Nabokov

“That sometimes human beings have to just sit in one place and, like, hurt. That you will become way less concerned with what other people think of you when you realize how seldom they do. That there is such a thing as raw, unalloyed, agendaless kindness. That it is possible to fall asleep during an anxiety attack. That concentrating on anything is very hard work.”
― David Foster Wallace, Infinite Jest

“It had rained, she said, and I imagined the beads of small water on the windshield like a thousand eyes, or each drop a small imperfect reflection of a perfect moment.”
― Simon Van Booy, The Secret Lives of People in Love

“Ana Iris once asked me if I loved him and I told her about the lights in my old home in the capital, how they flickered and you never knew if they would go out or not. You put down your things and you waited and couldn't do anything really until the lights decided. This, I told her, is how I feel.”
― Junot Diaz, This Is How You Lose Her

“Responding to a moderator at the Sydney Writers Festival in 2008 (video), about the Spanish words in his book:

When all of us are communicating and talking when we’re out in the world, we’ll be lucky if we can understand 20 percent of what people say to us. A whole range of clues, of words, of languages escape us. I mean we’re not perfect, we’re not gods. But on top of that people mis-speak, sometimes you mis-hear, sometimes you don’t have attention, sometimes people use words you don’t know. Sometimes people use languages you don’t know. On a daily basis, human beings are very comfortable with a large component of communication, which is incomprehensibility, incomprehension. We tend to be comfortable with it. But for an immigrant, it becomes very different. What most of us consider normative comprehension an immigrant fears that they’re not getting it because of their lack of mastery in the language.

And what’s a normal component in communication, incomprehension, in some ways for an immigrant becomes a source of deep anxiety because you’re not sure if it’s just incomprehension or your own failures. My sense of writing a book where there is an enormous amount of language that perhaps everyone doesn’t have access to was less to communicate the experience of the immigrant than to communicate the experience that for an immigrant causes much discomfort but that is normative for people. which is that we tend to not understand, not grasp a large part of the language around us. What’s funny is, will Ramona accept incomprehension in our everyday lives and will greet that in a book with enormous fury. In other words what we’re comfortable with out in the outside world, we do not want to encounter in our books.

So I’m constantly, people have come to me and asked me… is this, are you trying to lock out your non-Dominican reader, you know? And I’m like, no? I assume any gaps in a story and words people don’t understand, whether it’s the nerdish stuff, whether it’s the Elvish, whether it’s the character going on about Dungeons and Dragons, whether it’s the Dominican Spanish, whether it’s the sort of high level graduate language, I assume if people don’t get it that this is not an attempt for the writer to be aggressive. This is an attempt for the writer to encourage the reader to build community, to go out and ask somebody else. For me, words that you can’t understand in a book aren’t there to torture or remind people that they don’t know. I always felt they were to remind people that part of the experience of reading has always been collective. You learn to read with someone else. Yeah you may currently practice it in a solitary fashion, but reading is a collective enterprise. And what the unintelligible in a book does is to remind you how our whole, lives we’ve always needed someone else to help us with reading.”
― Junot Diaz

“And certain things around us will change, become easier or harder, one thing or the other, but nothing will ever really be any different. I believe that. We have made our decisions, our lives have been set in motion, and they will go on and on until they stop. But if that is true, then what? I mean, what if you believe that, but you keep it covered up, until one day something happens that should change something, but then you see nothing is going to change after all. What then? Meanwhile, the people around you continue to talk and act as if you were the same person as yesterday, or last night, or five minutes before, but you are really undergoing a crisis, your heart feels damaged…”
― Raymond Carver, Short Cuts: Selected Stories

“He could never reconcile the strange fact of Kimiko's attraction with what he saw in the mirror. At best, it was related to her natural stoicism, as if Jashua were a kind of bonsai tree she trimmed and watered lovingly. "I enjoy being with you" was her preferred mode of expressing her affection. At worst, she kept him around so he could make her feel better when she needed it, a winner combination of a pet and a dildo. Somewhere along the range between the best and the worst, there was the possibility of her deep love.”
― Aleksandar Hemon, The Making of Zombie Wars

“Man reaches a point in his life when unchanging becomes a matter of pride; the habits and remnants of youth are thereafter kept in the museum of the self.”
― Aleksandar Hemon, The Making of Zombie Wars

“Right now, it didn’t look good, the life. What doesn’t kill you makes you horny.”
― Aleksandar Hemon, The Making of Zombie Wars