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  • #1
    Epictetus
    “If you ever happen to turn your attention to externals, for the pleasure of any one, be assured that you have ruined your scheme of life. Be contented, then, in everything, with being a philosopher; and if you with to seem so likewise to any one, appear so to yourself, and it will suffice you.”
    Epictetus Epictetus, The Enchiridion of Epictetus

  • #2
    Paul Valéry
    “All our language is composed of brief little dreams; and the wonderful thing is that we sometimes make of them strangely accurate and marvelously reasonable thoughts. What should we be without the help of that which does not exist? Very little. And our unoccupied minds would languish if fables, mistaken notions, abstractions, beliefs, and monsters, hypotheses, and the so-called problems of metaphysics did not people with beings and objectless images our natural depths and darkness. Myths are the souls of our actions and our loves. We cannot act without moving towards a phantom. We can love only what we create.”
    Paul Valéry

  • #3
    Fernando Pessoa
    “يولد الله . الآخرون يفنون. كلمة الحق
    لم تأت ولم تذهب : وما تغيّر
    هو الخطأ. لدينا أبدية جديدة،
    وفي الأخير يكون ما ولى هو الأحسن.
    العِلم الأعمى، ما يحرث هذه الأرض اليباب.
    الإيمان الأحمق، يحيا بالحلم عن عبادته.
    الرب الجديد محض كلمة جديدة أخرى.
    لا تبحثْ ولا تؤمنْ : الظلام يغطي كل شيء.”
    فرناندو پسوا, مختارات فرناندو بيسوا

  • #4
    Paul Valéry
    “His heart is a desert island.... The whole scope, the whole energy of his mind surround and protect him; his depths isolate him and guard him against the truth. He flatters himself that he is entirely alone there.... Patience, dear lady. Perhaps, one day, he will discover some footprint on the sand.... What holy and happy terror, what salutary fright, once he recognizes in that pure sign of grace that his island is mysteriously inhabited!...”
    Paul Valéry, An Anthology

  • #5
    Epictetus
    “Other people's views and troubles can be contagious. Don't sabotage yourself by unwittingly adopting negative, unproductive attitudes through your associations with others.”
    Epictetus

  • #6
    Paul Valéry
    “I am now going to make an admission. I confess, I agree, that all these good people who protested, who laughed, who did not perceive what we perceived, were in a quite legitimate position. Their opinion was quite in order. One must not be afraid to say that the kingdom of letters is only a province of the vast empire of entertainment. One picks up a book, one puts it aside; and even when one cannot put it down one very well understands that this interest is related to the facility of pleasure. That is to say that every effort of a creator of beauty or of fantasy should be bent, by the very essence of his work, on contriving for the public pleasure which demands no effort, or almost none. It is through the public that he should deduce what touches, moves, soothes, animates or enchants the public.

    There are however several publics; amongst whom it is not impossible to find some people who do not conceive of pleasure without pain, who do not like to enjoy themselves without paying, and who are not happy if their happiness is not in some part their own contrivance through which they wish to realize what it costs them.

    Paul Valery, Selected Writings

  • #7
    Leonardo da Vinci
    “The greatest deception men suffer is from their own opinions.”
    Leonardo da Vinci

  • #8
    Friedrich Nietzsche
    “You know these things as thoughts, but your thoughts are not your experiences, they are an echo and after-effect of your experiences: as when your room trembles when a carriage goes past. I however am sitting in the carriage, and often I am the carriage itself.
    Ina man who thinks like this, the dichotomy between thinking and feeling, intellect and passion, has really disappeared. He feels his thoughts. He can fall in love with an idea. An idea can make him ill.”
    Friedrich Nietzsche, Thus Spoke Zarathustra

  • #9
    Baruch Spinoza
    “The more you struggle to live, the less you live. Give up the notion that you must be sure of what you are doing. Instead, surrender to what is real within you, for that alone is sure....you are above everything distressing.”
    Spinoza

  • #10
    Leonardo da Vinci
    “I love those who can smile in trouble, who can gather strength from distress, and grow brave by reflection. 'Tis the business of little minds to shrink, but they whose heart is firm, and whose conscience approves their conduct, will pursue their principles unto death”
    Leonardo da Vinci

  • #11
    Hermann Hesse
    “I want to tell you something today, something that I have known for a long while, and you know it too; but perhaps you have never said it to yourself. I am going to tell you now what it is that I know about you and me and our fate. You, Harry, have been an artist and a thinker, a man full of joy and faith, always on the track of what is great and eternal, never content with the trivial and petty. But the more life has awakened you and brought you back to yourself, the greater has you need been and the deeper the sufferings and dread and despair that have overtaken you, till you were up to your neck in them. And all that you once knew and loved and revered as beautiful and sacred, all the belief you once had in mankind and our high destiny, has been of no avail and has lost its worth and gone to pieces. Your faith found no more air to breathe. And suffocation is a hard death. Is that true, Harry? Is that your fate?”
    Hermann Hesse, Steppenwolf

  • #12
    Epictetus
    “How long are you going to wait before you demand the best for yourself and in no instance bypass the discriminations of reason? You have been given the principles that you ought to endorse, and you have endorsed them. What kind of teacher, then, are you still waiting for in order to refer your self-improvement to him? You are no longer a boy, but a full-grown man. If you are careless and lazy now and keep putting things off and always deferring the day after which you will attend to yourself, you will not notice that you are making no progress, but you will live and die as someone quite ordinary.
    From now on, then, resolve to live as a grown-up who is making progress, and make whatever you think best a law that you never set aside. And whenever you encounter anything that is difficult or pleasurable, or highly or lowly regarded, remember that the contest is now: you are at the Olympic Games, you cannot wait any longer, and that your progress is wrecked or preserved by a single day and a single event. That is how Socrates fulfilled himself by attending to nothing except reason in everything he encountered. And you, although you are not yet a Socrates, should live as someone who at least wants to be a Socrates.”
    Epictetus (From Manual 51)

  • #13
    Plato
    “Character is simply habit long continued.”
    Plato

  • #14
    Leonardo da Vinci
    “One has no right to love or hate anything if one has not acquired a thorough knowledge of its nature. Great love springs from great knowledge of the beloved object, and if you know it but little you will be able to love it only a little or not at all.”
    Leonardo DaVinci

  • #15
    Leonardo da Vinci
    “An average human looks without seeing, listens without hearing, touches without feeling, eats without tasting, moves without physical awareness, inhales without awareness of odour or fragrance, and talks without thinking.”
    Leonardo da Vinci

  • #16
    Leonardo da Vinci
    “Anyone who conducts an argument by appealing to authority is not using his intelligence; he is just using his memory.”
    Leonardo da Vinci

  • #17
    Fernando Pessoa
    “To live is to be other. It’s not even possible to feel, if one feels today what he felt yesterday. To feel today what one felt yesterday isn’t to feel – it’s to remember today what was felt yesterday, to be today’s living corpse of what yesterday was lived and lost.

    To erase everything from the slate from one day to the next, to be new with each new morning, in a perpetual revival of our emotional virginity – this, and only this, is worth being or having, to be or have what we imperfectly are.

    This dawn is the first dawn of the world. Never did this pink colour yellowing to a warm white so tinge, towards the west, the face of the buildings whose windowpane eyes gaze upon the silence brought by the growing light. There was never this hour, nor this light, nor this person that’s me. What will be tomorrow will be something else, and what I see will be seen by reconstituted eyes, full of a new vision.

    High city hills! Great marvels of architecture that the steep slopes secure and make even greater, motley chaos of heaped up buildings that the daylight weaves together with bright spots and shadows – you are today, you are me, because I see you, you are what [I’ll be] tomorrow, and I love you from the deck rail as when two ships pass, and there’s a mysterious longing and regret in their passing.”
    Fernando Pessoa, The Book of Disquiet

  • #18
    George Orwell
    “To write or even speak English is not a science but an art. There are no reliable words. Whoever writes English is involved in a struggle that never lets up even for a sentence. He is struggling against vagueness, against obscurity, against the lure of the decorative adjective, against the encroachment of Latin and Greek, and, above all, against the worn-out phrases and dead metaphors with which the language is cluttered up.”
    George Orwell

  • #19
    Leonardo da Vinci
    “Study without desire spoils the memory, and it retains nothing that it takes in.”
    Leonardo da Vinci

  • #20
    Fernando Pessoa
    “All of life’s unpleasant experiences – when we make fools of ourselves, act thoughtlessly, or lapse in our observance of some virtue – should be regarded as mere external accidents which can’t affect the substance of our soul. We should see them as toothaches or calluses of life, as things that bother us but remain outside us (even though they’re ours), or that only our organic existence need consider and our vital functions worry about.

    When we achieve this attitude, which in essence is that of the mystics, we’re protected not only from the world but also from ourselves, for we’ve conquered what is foreign in us, contrary and external to us, and therefore our enemy.

    Horace said* that the just man will remain undaunted, even if the world crumbles all around him. Although the image is absurd, the point is valid. Even if what we pretend to be (because we coexist with others) crumbles around us, we should remain undaunted – not because we’re just, but because we’re ourselves, and to be ourselves means having nothing to do with external things that crumble, even if they crumble right on top of what for them we are.

    For superior men, life should, life should be a dream that spurns confrontations.”
    Fernando Pessoa, The Book of Disquiet

  • #21
    Leonardo da Vinci
    “If you are alone you belong entirely to yourself. If you are accompanied by even one companion you belong only half to yourself or even less in proportion to the thoughtlessness of his conduct and if you have more than one companion you will fall more deeply into the same plight.”
    Leonardo da Vinci

  • #22
    Fernando Pessoa
    “Masquerades disclose the reality of souls. As long as no one sees who we are, we can tell the most intimate details of our life. I sometimes muse over this sketch of a story about a man afflicted by one of those personal tragedies born of extreme shyness who one day, while wearing a mask I don’t know where, told another mask all the most personal, most secret, most unthinkable things that could be told about his tragic and serene life. And since no outward detail would give him away, he having disguised even his voice, and since he didn’t take careful note of whoever had listened to him, he could enjoy the ample sensation of knowing that somewhere in the world there was someone who knew him as not even his closest and finest friend did. When he walked down the street he would ask himself if this person, or that one, or that person over there might not be the one to whom he’d once, wearing a mask, told his most private life. Thus would be born in him a new interest in each person, since each person might be his only, unknown confidant.”
    Fernando Pessoa

  • #23
    Fernando Pessoa
    “Happy the creators of pessimistic systems! Besides taking refuge in the fact of having made something, they can exult in their explanation of universal suffering, and include themselves in it.

    I don't complain about the world. I don't protest in the name of the universe. I'm not a pessimist. I suffer and complain, but I don't know if suffering is the norm, nor do I know if it's human to suffer. Why should I care to know?

    I suffer, without knowing if I deserve to. (A hunted doe.)
    I'm not a pessimist. I'm sad.”
    Fernando Pessoa, The Book of Disquiet

  • #24
    Fernando Pessoa
    “If only, I feel now, if only I could be someone able to see all this as if he had no other relation with it than that of seeing it, someone able to observe everything as if he were an adult traveler newly arrived today on the surface of life! If only one had not learned, from birth onwards, to give certain accepted meanings to everything, but instead was able to see the meaning inherent in each thing rather than that imposed on it from without. If only one could know the human reality of the woman selling fish and go beyond just labeling her a fishwife and the known fact that she exists and sells fish. If only one could see the policeman as God sees him. If only one could notice everything for the first time, not apocalyptically, as if they were revelations of the Mystery, but directly as the flowerings of Reality.”
    Fernando Pessoa

  • #25
    Leonardo da Vinci
    “Experience is never at fault; it is only your judgment that is in error, in promising itself such results from experience as are not caused by our experiments. For having given a beginning, what follows from it must necessarily be a natural development of such a beginning, unless it has been subject to a contrary influence, while, if it is affected by any contrary influence, the result which ought to follow from the aforesaid beginning, will be found to partake of this contrary influence in a greater or lesser degree in proportion as the said influence is more or less powerful than the aforesaid beginning.”
    Leonardo da Vinci

  • #26
    Fernando Pessoa
    “Life is an experimental journey undertaken involuntarily. It is a journey of the spirit through the material world and, since it is the spirit that travels, it is the spirit that is experienced. That is why there exist contemplative souls who have lived more intensely, more widely, more tumultuously than others who have lived their lives purely externally.”
    Fernando Pessoa, The Book of Disquiet

  • #27
    Leonardo da Vinci
    “The acquisition of knowledge is always of use to the intellect, because it may thus drive out useless things and retain the good. For nothing can be loved or hated unless it is first known.”
    Leonardo da Vinci

  • #28
    Fernando Pessoa
    “Most people are afflicted with an inability to say what they see or think. They say there’s nothing more difficult than to define a spiral in words; they claim it is necessary to use the unliterary hand, twirling it in a steadily upward direction, so that human eyes will perceive the abstract figure immanent in wire spring and a certain type of staircase. But if we remember that to say is to renew, we will have no trouble defining a spiral; it’s a circle that rises without ever closing. I realize that most people would never dare to define it this way, for they suppose that defining is to say what others want us to say rather than what’s required for the definition. I’ll say it more accurately: a spiral is a potential circle that winds round as it rises, without ever completing itself. But no, the definition is still abstract. I’ll resort to the concrete, and all will become clear: a spiral is a snake without a snake, vertically wound around nothing.

    All literature is an attempt to make life real. All of us know, even when we act on what we don’t know, life is absolutely unreal in its directly real form; the country, the city and our ideas are absolutely fictitious things, the offspring of our complex sensation of our own selves. Impressions are incommunicable unless we make them literary. Children are particularly literary, for they say what they feel not what someone has taught them to feel. Once I heard a child, who wished to say that he was on the verge of tears, say not ‘I feel like crying’, which is what an adult, i.e., an idiot, would say but rather, ’ I feel like tears.’ And this phrase -so literary it would seem affected in a well-known poet, if he could ever invent it - decisively refers to the warm presence of tears about to burst from eyelids that feel the liquid bitterness. ‘I feel like tears’! The small child aptly defined his spiral.

    To say! To know how to say! To know how to exist via the written voice and the intellectual image! This is all that matters in life; the rest is men and women, imagined loves and factitious vanities, the wiles of our digestion and forgetfulness, people squirming- like worms when a rock is lifted - under the huge abstract boulder of the meaningless blue sky.”
    Fernando Pessoa, The Book of Disquiet

  • #29
    Leonardo da Vinci
    “And you who wish to represent by words the form of man and all the aspects of his membrification, relinquish that idea. For the more minutely you describe the more you will confine the mind of the reader, and the more you will keep him from the knowledge of the thing described. And so it is necessary to draw and to describe.”
    Leonardo da Vinci

  • #30
    Leonardo da Vinci
    “You will never have a greater or lesser dominion than that over yourself...the height of a man's success is gauged by his self-mastery; the depth of his failure by his self-abandonment. ...And this law is the expression of eternal justice. He who cannot establish dominion over himself will have no dominion over others.”
    Leonardo da Vinci



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