Amber Lashay fee > Amber's Quotes

“Tessa craned her head back to look at Will. “You know that feeling,” she said, “when you are reading a book, and you know that it is going to be a tragedy; you can feel the cold and darkness coming, see the net drawing tight around the characters who live and breathe on the pages. But you are tied to the story as if being dragged behind a carriage and you cannot let go or turn the course aside.” His blue eyes were dark with understanding — of course Will would understand — and she hurried on. “I feel now as if the same is happening, only not to characters on a page but to my own beloved friends and companions. I do not want to sit by while tragedy comes for us. I would turn it aside, only I struggle to discover how that might be done.”
“You fear for Jem,” Will said.
“Yes,” she said. “And I fear for you, too.”
“No,” Will said, hoarsely. “Don’t waste that on me, Tess.”
― Cassandra Clare, Clockwork Princess

“What’s scarier to the world of man than a woman limited only by her imagination?”
― Ryan La Sala, Reverie

“If you look at most female archetypes—the mother, the virgin, the whore—their power comes from their relation to men. But not the Witch. The Witch derives her power from nature. She calls forth her dreams with spells and incantations. With poetry. And I think that’s why we are frightened of them. What’s scarier to the world of men than a woman limited only by her imagination?”
― Ryan La Sala, Reverie

“Sure, I can talk like you, but I choose not to, It's like an art, you know? Picasso had to prove to the world he could paint the right way, before he goes putting both eyes on the side of a face... See if you paint wrong because that's the best you can do, you just a chump. But you do it because you want to? Then you're an artist...You can take that to the grave and dig it up when you need it.”
― Neal Shusterman, Unwind

“It's funny how a flame can only burn your hand if you move too slow, you can tease it all you want and it never gets you, if you're quick enough.”
― Neal Shusterman, Unwind

“I'm scared," he says.
"I know," says the nurse.
"I want you all to go to Hell."
"That's natural.”
― Neal Shusterman, Unwind

“Roland glares at Connor and Connor glares back. Then he says what he always says at moments like this.
"Nice socks."
Although Roland doesn't look down right away, it derails him just enough for him to back off. He doesn't check to see if his socks match until he thinks Connor isn't looking. And the moment he does, Connor snickers. Small victories are bet­ter than none.”
― Neal Shusterman, Unwind

“Unwinds didn't go out with a bang-they didn't even go out with a whimper. they went out with the silence of a candle flame pinched between two fingers.”
― Neal Shusterman, Unwind

“Looks are deceiving," Risa says. "After all, when I first saw you I thought you looked reasonably intelligent.”
― Neal Shusterman, Unwind

“Fight, flight, and screw up royaly.”
― Neal Shusterman, Unwind

“Getting to know someone in blind darkness changes your impression of them.”
― Neal Shusterman, Unwind

“That's what law is: educated guesses at right and wrong.”
― Neal Shusterman, Unwind

“[...] every time he forces himself to think before acting, it's her voice in his head telling him to slow down. He wants to tell her, but she's always so busy in the medical jet—and you don't just go to somebody and say, "I'm a better person because you're in my head.”
― Neal Shusterman, Unwind

“What he's really saying is: Please be a human being. With a life so full of rules and regiments, it's so easy to forget that's what they are. She knows—she sees—how often compassion takes a back seat to expediency.”
― Neal Shusterman, Unwind

“Would you rather die, or be unwound? Now he finally knows the answer. Maybe this is what he wanted. Maybe it's why he stood there and taunted Roland. Because he'd rather be killed with a furious hand than dismembered with cool indifference.”
― Neal Shusterman, Unwind

“You...you lost your faith?"
"No...just my convictions. I still very much believe in God- just not a god who condones human tithing."
Lev begins to feel himself choking up with an unexpected flood of feeling, all the emotions that had been building up throughout their talk- throughout the weeks- arriving all at once like a sonic boom.
"I never knew there was a choice.”
― Neal Shusterman, Unwind

“They meet in the girls' bathroom. The last time they were forced to meet in a place like this, they took separate, isolated stalls. Now they share one. They hold each other in the tight space, making no excuses for it. There's no time left in their lives for games, or for awkwardness, or for pretending they don't care about each others, and so they kiss as if they've done it forever. As if it is as crucial as the need for oxygen.”
― Neal Shusterman, Unwind

“...the first sign of civilization is always trash.”
― Neal Shusterman, Unwind

“I'm alone. And I'm crying. And no one is coming to the crib. And the nightlight has burned out. And I'm mad. I'm so mad. Left frontal lobe. I...I...I don't feel so good. Left occipital lobe. I... don't remember where...Left parietal lobe. I...I...I can't remember my name,but...but...Right temporal...but I'm still here. Right frontal. I'm still here... Right occipital.I'm still...Right parietal. I'm...Cerebellum. I'm...Thalamus. I...Hypothalamus. I...Hippocampus...Medulla........................”
― Neal Shusterman, Unwind

“I gotta go to the bathroom," Emby mumbles.
"You should have thought of that before you left," says Hayden, putting on his best mother voice. "How many times do we have to tell you? Always use the potty before climbing into a shipping crate.”
― Neal Shusterman, Unwind

“Most people have two emergency modes. Fight and Flight. But Conner always knew he had three. Fight, Flight, and Screw Up Royally.”
― Neal Shusterman, Unwind

“Hey," says Hayden, "I'm Switzerland; neutral as can be, and also with great chocolate."
"Get lost," Roland tells him.
"Already am." And Hayden strolls away.”
― Neal Shusterman, Unwind

“The good thing about being explosive is that no one can beat you.”
― Neal Shusterman, Unwind

“The way I see it, it's got nothing to do with all of that. It has to do with love...A person don't got a soul until that person is loved. If a mother loves her baby--wants her baby--it's got a soul from the moment she knows it's there. The moment you're loved, that's when you got your soul.

--Diego”
― Neal Shusterman, Unwind

“I was asking if unwinding kills you, or if it leaves you alive somehow. C'mon—it's not like we haven't thought about it." (...)
What do you think, Connor?" asks Hayden. "What hap­pens to your soul when you get unwound?"
Who says I even got one?"
For the sake of argument, let's say you do."
Who says I want an argument?”
― Neal Shusterman, Unwind

“The woman wears a floral print blouse with lots of leaves and pink flowers. Risa would like to attack her with a weed whacker.”
― Neal Shusterman, Unwind

“Conner Lassiter. Scheduled to be unwound the 21st of November-until you went AWOL. You caused an accident that killed a bus driver, left dozens of others injured, and shut down an interstate highway for hours. Then, on top of it, you took a hostage AND shot a Juvey-cop with his own tranq gun."
..."He's the Akron AWOL?!”
― Neal Shusterman, Unwind

“Fine," Connor tells him. "Think about stuff until your head explodes. But the only thing I want to think about is surviving to eighteen."

I find your shallowness both refreshing and disappointing at the same time. Do you think that means I need therapy?”
― Neal Shusterman, Unwind

“Which is worse, Risa often wondered, to have tens of thousands of babies that no one wanted or to silently make then go away before they were even born”
― Neal Shusterman, Unwind

“What if . . . what if . . .
"What if it's a harvest camp after all?" says Emby. Connor doesn't tell him to shut up this time, because he's thinking the same thing.
It's Diego who answers him. "If it is, then I want my fin gers to go to a sculptor. So he can use them to craft something that will last forever."
They all think about that. Hayden is the next to speak.
"If I'm unwound," says Hayden, "I want my eyes to go to a photographer — one who shoots supermodels. That's what I want these eyes to see."
"My lips'll go to a rock star," says Connor.
"These legs are definitely going to the Olympics."
"My ears to an orchestra conductor."
"My stomach to a food critic."
"My biceps to a body builder."
"I wouldn't wish my sinuses on anybody."
And they're all laughing as the plane touches down.”
― Neal Shusterman, Unwind