Ludo > Ludo's Quotes

Showing 1-30 of 185
« previous 1 3 4 5 6 7
sort by

  • #1
    Kasie West
    “Why entertainment?” I asked. “Why do you like to write reviews?”
    “I love stories. I love watching them play out and trying to guess the endings. I love being surprised and learning new things about people or about myself.”
    “And then you love saying how it could’ve been done so much better?”
    He laughed, a soft, deep laugh that made my stomach flutter. “Or how it was done well. Don’t forget I do write good reviews too.”
    Kasie West, Fame, Fate, and the First Kiss

  • #2
    Holly Black
    “Watching my back is the perfect opportunity to stick a knife in it.”
    Holly Black, The Wicked King

  • #3
    Holly Black
    “Nicasia said that as mortal power grows, land and sea ought to be united. And that they would be, either in the way she hoped or the way I should fear.”

    “Ominous,” I say.

    “It seems I have a singular taste for women who threaten me.”
    Holly Black, The Wicked King

  • #4
    Chimamanda Ngozi Adichie
    “The single story creates stereotypes, and the problem with stereotypes is not that they are untrue, but that they are incomplete. They make one story become the only story.”
    Chimamanda Ngozi Adichie

  • #5
    Nancy Holder
    “Well, I like him. There’s a darkness to him. But does he make it all the way through?”
    She shrugged. “It’s entirely up to him.”
    “What do you mean?” He smiled quizzically at her.
    “Characters talk to you. Transform. Make choices,” she replied.
    “Choices,” he echoed.
    “Of who they become.”
    Nancy Holder, Crimson Peak

  • #6
    Bonnie MacBird
    “He looks a bit mad!’ I remarked. ‘Or perhaps ready to embark on some shady diversion.’
    Holmes turned to me in amusement. ‘Possibly. One never knows with an artist.”
    Bonnie MacBird, Art in the Blood
    tags: artist

  • #7
    Anna Premoli
    “E lo so che è ridicolo pensarlo per due persone immaginarie, ma siamo scrittori. Per noi la gente inventata conta molto più di quella vera.”
    Anna Premoli, È solo una storia d'amore

  • #8
    Laini Taylor
    “It was the only lullaby she would ever sing, and it was sung in Hell.”
    Laini Taylor, Lips Touch: Three Times

  • #9
    Victoria Aveyard
    “There is nothing so terrible as a story untold”
    Victoria Aveyard, Cruel Crown

  • #10
    Sabaa Tahir
    “You are an ember in the ashes, Elias Veturius. You will spark and burn, ravage and destroy. You cannot change it. You cannot stop it.”
    Sabaa Tahir, An Ember in the Ashes

  • #11
    Sabaa Tahir
    “Seeing the enemy as human. A general's ultimate nightmare.”
    Sabaa Tahir, An Ember in the Ashes

  • #12
    Sabaa Tahir
    “Laia is the wild dance of a Tribal campfire, while Helene is the cold blue of an alchemist’s flame.”
    Sabaa Tahir, An Ember in the Ashes

  • #13
    Sabaa Tahir
    “You are full, Laia. Full of life and dark and strength and spirit. You are in our dreams. You will burn, for you are an ember in the ashes. That is your destiny.”
    Sabaa Tahir, An Ember in the Ashes

  • #14
    Sarah J. Maas
    “Because what if you did let someone in? And what if they saw everything, and still walked away? Who could blame them—who would want to bother with that sort of mess?” He flinched. The most powerful High Lord in history flinched.”
    Sarah J. Maas, A Court of Mist and Fury

  • #15
    Beth Revis
    “I had nothing to prove and everything to lose. But it didn’t take love to sacrifice something of yourself for someone else. It just took desperation.”
    Beth Revis, Give the Dark My Love

  • #16
    Beth Revis
    “A few months ago, I would have thrown this book down in disgust and walked away—maybe even returned home, where the only books I knew reminded me of my father. But now…
    My fingers wrapped around the spine of the book.
    Now I was willing to try anything.”
    Beth Revis, Give the Dark My Love

  • #17
    Beth Revis
    “I saw Death itself.
    It was a feral thing, made of smoke and shadow. It was hollow and empty.
    And hungry.
    Starving.
    Beth Revis, Give the Dark My Love
    tags: death

  • #18
    Björn Larsson
    “L’effetto preventivo dei processi e delle punizioni sembrava pari a zero. Le persone oneste restavano oneste, almeno a grandi linee. I disonesti credevano sempre di farla franca e insistevano finché non venivano beccati.”
    Björn Larsson, I poeti morti non scrivono gialli

  • #19
    Neil Gaiman
    “What I say is, a town isn’t a town without a bookstore. It may call itself a town, but unless it’s got a bookstore, it knows it’s not foolin’ a soul.”
    Neil Gaiman, American Gods

  • #20
    Neil Gaiman
    “The TV's the altar. I'm what people are sacrificing to.'
    'What do they sacrifice?' asked Shadow.
    'Their time, mostly,' said Lucy. 'Sometimes each other.”
    Neil Gaiman, American Gods

  • #21
    Neil Gaiman
    “I have as many names as there are winds, as many titles as there are ways to die.”
    Neil Gaiman, American Gods: Tenth Anniversary
    tags: names

  • #22
    Mary  Weber
    “Until at some point I realize he’s not just holding up my body—I think maybe he’s holding my heart in place as well.”
    Mary Weber, To Best the Boys

  • #23
    Marie Rutkoski
    “Your mother played beautifully.”
    “And I?”
    “You, even more so.”
    “I was glad that you listened to me play.”
    He sighed. “That watch.”
    “I like your watch. You must continue to wear it. It’ll keep you honest.”
    Marie Rutkoski, The Winner's Crime

  • #24
    Jacquelyn Middleton
    “Just look at tonight—London is yours. I’m not surprised, not at all. It may have taken you a while to realize it, but you can do anything you put your beautiful mind to.”
    Jacquelyn Middleton, London Belongs to Me

  • #25
    Holly Black
    “And yet, I don’t regret it now. Having stepped off the edge, what I want to do is fall.”
    Holly Black, The Cruel Prince

  • #26
    Marie Rutkoski
    “Kestrel.”
    She discarded a tile and drew another. She didn’t look at him. He’d noticed--of course he had--how she avoided looking at him now. And no wonder. Arin’s face stung. The stitches itched. He was tempted to rip them out. “Look at me,” he said. She did, and Arin suddenly wished she hadn’t. He cleared his throat. He said, “I won’t try anymore to convince you not to marry him.”
    She slowly added the new tile to her hand. She stared at it, and said nothing.
    “I don’t understand your choice,” Arin said. “Or maybe I do. It doesn’t matter. You want it. That’s clear. You’ve always done exactly what you wanted.”
    “Have I.” Her voice was flat and dull.
    He plunged ahead. “I was wondering…” Arin had an idea. He’d had it for some time now. He didn’t like it. The words lay bitter on his tongue, but he had thought about it, and thought about it, and if he said nothing…
    Arin made himself study his tiles again. He tried to think which Sting tile would profit Kestrel least. He discarded a bee. The instant he set the tile down, he regretted it.
    He pulled a high Bite tile. This should have encouraged him, yet Arin had the sense of flying toward the inevitable moment when Kestrel won and he asked her what she wanted.
    “I thought…”
    “Arin?”
    She looked concerned. That decided him. Arin took a deep breath. His stomach changed to iron. His body was girding itself in a way he knew well. Arin was tightening the muscles needed before a plunge into deep water. A punch to the gut. The lift of the hardest, lowest, highest notes he could possibly sing. His stomach knew what he’d have to sustain.
    “Marry him,” Arin said, “but be mine in secret.”
    Her hand lifted from the tiles as if scorched. She sat back in her chair. She rubbed at her inner elbow. She drank the dregs of her wine and was silent. Finally, she said, “I can’t do that.”
    “Why?” Arin was hot with humiliation, hating himself for having asked. The cut burned in his cheek. “It’s not so different than what you would have chosen before. When you kissed me in your carriage on Firstwinter, you thought to keep me your secret. If you thought of anything. I would have been one of those special slaves, the ones called for at night when the rest of the house is sleeping. Well? Isn’t that how it was?”
    “No.” She spoke low. “It wasn’t.”
    “Then tell me.” Arin was damning himself with every word. “Tell me how it was.”
    Slowly, Kestrel said, “Things have changed.”
    Arin jerked his head to the side, chin up, stitched left cheek tilted to catch the light. “Because of this?”
    She replied as if the answer was obvious. “Yes.”
    He shoved back from the table. “I think I’ll have that drink.”
    Arin began to walk away, then glanced back over his shoulder. He made sure his words were an insult. “Don’t touch the tiles.”
    Marie Rutkoski, The Winner's Crime

  • #27
    Marie Rutkoski
    “You can't see both sides of one coin at once, can you, child? The god of money always keeps a secret.
    The god of money was also the god of spies.”
    Marie Rutkoski, The Winner's Crime
    tags: gods

  • #28
    Marie Rutkoski
    “If you won’t be my friend, you’ll regret being my enemy.”
    Marie Rutkoski, The Winner's Crime

  • #29
    “Il fatto è che in tutte noi, anche nelle più incallite femministe, si nasconde una fanciulla romantica che ogni tanto desidera essere ammirata e corteggiata da un bell’uomo. Non sei d’accordo?”
    Joanne Bonny, Ho sposato un maschilista

  • #30
    Neil Gaiman
    “An Angel who did not so much Fall as Saunter Vaguely Downwards.”
    Neil Gaiman & Terry Pratchett, Good Omens: The Nice and Accurate Prophecies of Agnes Nutter, Witch



Rss
« previous 1 3 4 5 6 7