Masha > Masha's Quotes

Showing 1-30 of 35
« previous 1
sort by

  • #1
    Kurt Vonnegut Jr.
    “Everything was beautiful and nothing hurt.”
    Kurt Vonnegut, Slaughterhouse-Five

  • #2
    Kurt Vonnegut Jr.
    “Like so many Americans, she was trying to construct a life that made sense from things she found in gift shops.”
    Kurt Vonnegut, Slaughterhouse-Five

  • #3
    Kurt Vonnegut Jr.
    “- Why me?
    - That is a very Earthling question to ask, Mr. Pilgrim. Why you? Why us for that matter? Why anything? Because this moment simply is. Have you ever seen bugs trapped in amber?
    - Yes.
    - Well, here we are, Mr. Pilgrim, trapped in the amber of this moment. There is no why.”
    Kurt Vonnegut Jr., Slaughterhouse-Five

  • #4
    Kurt Vonnegut Jr.
    “All moments, past, present and future, always have existed, always will exist.”
    Kurt Vonnegut, Slaughterhouse-Five

  • #5
    Kurt Vonnegut Jr.
    “There is no beginning, no middle, no end, no suspense, no moral, no causes, no effects. What we love in our books are the depths of many marvelous moments seen all at one time.”
    Kurt Vonnegut, Slaughterhouse-Five

  • #6
    Kurt Vonnegut Jr.
    “People aren’t supposed to look back. I’m certainly not going to do it anymore.”
    Kurt Vonnegut, Slaughterhouse-Five

  • #7
    Kurt Vonnegut Jr.
    “I think you guys are going to have to come up with a lot of wonderful new lies, or people just aren't going to want to go on living.”
    Kurt Vonnegut, Slaughterhouse-Five

  • #8
    Kurt Vonnegut Jr.
    “Everything is nothing, with a twist.”
    Kurt Vonnegut, Slaughterhouse-Five

  • #9
    Kurt Vonnegut Jr.
    “The letter said that they were two feet high, and green, and shaped like plumber's friends. Their suction cups were on the ground, and their shafts, which were extremely flexible, usually pointed to the sky. At the top of each shaft was a little hand with a green eye in its palm. The creatures were friendly, and they could see in four dimensions. They pitied Earthlings for being able to see only three. They had many wonderful things to teach Earthlings, especially about time. Billy promised to tell what some of those wonderful things were in his next letter.
    Billy was working on his second letter when the first letter was published. The second letter started out like this:
    The most important thing I learned on Tralfamadore was that when a person dies he only appears to die. He is still very much alive in the past, so it is very silly for people to cry at his funeral. All moments, past, present and future, always have existed, always will exist. The Tralfamadorians can look at all the different moments just that way we can look at a stretch of the Rocky Mountains, for instance. They can see how permanent all the moments are, and they can look at any moment that interests them. It is just an illusion we have here on Earth that one moment follows another one, like beads on a string, and that once a moment is gone it is gone forever.
    When a Tralfamadorian sees a corpse, all he thinks is that the dead person is in a bad condition in that particular moment, but that the same person is just fine in plenty of other moments. Now, when I myself hear that somebody is dead, I simply shrug and say what the Tralfamadorians say about dead people, which is "so it goes.”
    Kurt Vonnegut, Slaughterhouse-Five

  • #10
    Kurt Vonnegut Jr.
    “All time is all time. It does not change. It does not lend itself to warnings or explanations. It simply is. Take it moment by moment, and you will find that we are all, as I've said before, bugs in amber.”
    Kurt Vonnegut, Slaughterhouse-Five

  • #11
    Kurt Vonnegut Jr.
    “It is so short and jumbled and jangled, Sam, because there is nothing intelligent to say about a massacre. Everybody is supposed to be dead, to never say anything or want anything ever again. Everything is supposed to be very quiet after a massacre, and it always is, except for the birds. And what do the birds say? All there is to say about a massacre, things like "Poo-tee-weet?”
    Kurt Vonnegut, Slaughterhouse-Five

  • #12
    Kurt Vonnegut Jr.
    “Billy had a framed prayer on his office wall which expressed his method for keeping going, even though he was unenthusiastic about living. A lot of patients who saw the prayer on Billy’s wall told him that it helped them to keep going, too. It went like this: “God grant me the serenity to accept the things I cannot change, courage to change the things I can, and wisdom always to tell the difference.” Among the things Billy Pilgrim could not change were the past, the present, and the future.”
    Kurt Vonnegut, Slaughterhouse-Five

  • #13
    Kurt Vonnegut Jr.
    “Billy covered his head with his blanket. He always covered his head when his mother came to see him in the mental ward - always got much sicker until she went away. It wasn’t that she was ugly, or had bad breath or a bad personality. She was a perfectly nice, standard-issue, brown-haired, white woman with a high school education.
    She upset Billy simply by being his mother. She made him feel embarrassed and ungrateful and weak because she had gone through so much trouble to give him life, and to keep that life going, and Billy didn’t really like life at all.”
    Kurt Vonnegut, Slaughterhouse-Five

  • #14
    Kurt Vonnegut Jr.
    “He had supposed for years that he had no secrets from himself. Here was proof that he had a great big secret somewhere inside, and he could not imagine what it was.”
    Kurt Vonnegut, Slaughterhouse-Five

  • #15
    Kurt Vonnegut Jr.
    “Billy coughed when the door was opened, and when he coughed he shit thin gruel. This was in accordance with the Third Law of Motion according to Sir Isaac Newton. This law tells us that for every action there is a reaction and opposite in direction.

    This can be useful in rocketry.”
    Kurt Vonnegut, Slaughterhouse-Five

  • #16
    Kurt Vonnegut Jr.
    “One of the main effects of war, after all, is that people are discouraged from being characters.”
    Kurt Vonnegut, Slaughterhouse-Five
    tags: war

  • #17
    Kurt Vonnegut Jr.
    “It is so short and jumbled and jangled because there is nothing intelligent to say after a massacre. Everybody is supposed to be dead...everything is supposed to be very quiet...and it always is, except for the birds.”
    Kurt Vonnegut, Slaughterhouse-five

  • #18
    Kurt Vonnegut Jr.
    “They were adored by the Germans, who thought they were exactly what Englishmen ought to be. They made war look stylish and reasonable, and fun...
    They were dressed half for battle, half for tennis or croquet.”
    Kurt Vonnegut Jr., Slaughterhouse-Five

  • #19
    Kurt Vonnegut Jr.
    “And what do the birds say? All there is to say about a massacre, things like "Poo-tee-weet?”
    Kurt Vonnegut, Slaughterhouse-Five

  • #20
    Kurt Vonnegut Jr.
    “When food came in, the human beings were quiet and trusting and beautiful. They shared.”
    Kurt Vonnegut, Slaughterhouse-Five

  • #21
    Kurt Vonnegut Jr.
    “And Lot’s wife, of course, was told not to look back where all those people and their homes had been. But she did look back, and I love her for that, because it was so human.”
    Kurt Vonnegut, Slaughterhouse-Five

  • #22
    Rutger Bregman
    “Besides being blind to lots of good things, the GDP also benefits from all manner of human suffering. Gridlock, drug abuse, adultery? Goldmines for gas stations, rehab centers, and divorce attorneys. If you were the GDP, your ideal citizen would be a compulsive gambler with cancer who’s going through a drawn-out divorce that he copes with by popping fistfuls of Prozac and going berserk on Black Friday. Environmental pollution even does double duty: One company makes a mint by cutting corners while another is paid to clean up the mess. By contrast, a centuries-old tree doesn’t count until you chop it down and sell it as lumber.”
    Rutger Bregman, Utopia for Realists: And How We Can Get There – from the presenter of the 2025 BBC ‘Moral Revolution’ Reith lectures

  • #23
    Mariam Petrosyan
    “Трудно отказаться от мечты. Легче усложнить путь к ней, чем поверить, что задуманному не осуществиться.”
    Mariam Petrosyan, Дом, в котором...

  • #24
    Mariam Petrosyan
    “Никогда — это слишком долгое слово.”
    Mariam Petrosyan, Дом, в котором...

  • #25
    Mariam Petrosyan
    “Они как содержимое этой урны. Тебе не нравится ее запах, а мне не нравится запах мертвых слов. Ты ведь не стал бы вытряхивать на меня все эти вонючие окурки и плевки? Но ты засыпаешь меня гнилыми словами-пустышками, ни на секунду не задумываясь, приятно мне это или нет. Ты вообще об этом не думаешь.”
    Mariam Petrosyan, Дом, в котором...

  • #26
    Mariam Petrosyan
    “Но еще Седой говорил: слова, которые сказаны, что-то означают, даже если ты ничего не имел в виду.”
    Mariam Petrosyan, Дом, в котором...

  • #27
    Mariam Petrosyan
    “— Это вопрос свободы, — говорит он. — О которой можно спорить бесконечно с перерывами на чай, сон и празднование юбилеев.”
    Mariam Petrosyan, Дом, в котором...

  • #28
    “- В этом вся разница между мной и тобой: в том, что во мне чуть больше собаки.
    - В тебе до хрена чуть больше всего, - бормочет Горбач. - И чуть меньше человека, который уже не умещается там, где столько всего понапихано.”
    Мариам Петросян, Дом, в котором...

  • #29
    Mariam Petrosyan
    “All right,” he said. “Let’s forget about that you, the one living in the mirror.” “Are you saying he is not me?” “He is. But not quite. He is you seen through the lens of your image of yourself. We all look worse in the mirror than we actually are, didn’t you know that?”
    Mariam Petrosyan, The Gray House

  • #30
    Mariam Petrosyan
    “— Свитера на случай холода. Еда на случай голода. Оружие на случай внезапностей, — объясняет Табаки. — В ночную жизнь налегке не уходят, дурачок!”
    Mariam Petrosyan, Дом, в котором...



Rss
« previous 1