Jemma > Jemma's Quotes

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  • #1
    Guillaume Apollinaire
    “How slow life is, how violent hope is.”
    Guillaume Apollinaire

  • #2
    Milan Kundera
    “The brain appears to possess a special area which we might call poetic memory and which records everything that charms or touches us, that makes our lives beautiful ... Love begins with a metaphor. Which is to say, love begins at the point when a woman enters her first word into our poetic memory.”
    Milan Kundera, The Unbearable Lightness of Being

  • #3
    Celeste Ng
    “Parents, she thought, learned to survive touching their children less and less. As a baby Pearl had clung to her; she’d worn Pearl in a sling because whenever she’d set her down, Pearl would cry. There’d scarcely been a moment in the day when they had not been pressed together. As she got older, Pearl would still cling to her mother’s leg, then her waist, then her hand, as if there was something in her mother she needed to absorb through the skin. Even when she had her own bed, she would often crawl into Mia’s in the middle of the night and burrow under the old patchwork quilt, and in the morning they would wake up tangled, Mia’s arm pinned beneath Pearl’s head, or Pearl’s legs thrown across Mia’s belly. Now, as a teenager, Pearl’s caresses had become rare—a peck on the cheek, a one-armed, half-hearted hug—and all the more precious because of that. It was the way of things, Mia thought to herself, but how hard it was. The occasional embrace, a head leaned for just a moment on your shoulder, when what you really wanted more than anything was to press them to you and hold them so tight you fused together and could never be taken apart. It was like training yourself to live on the smell of an apple alone, when what you really wanted was to devour it, to sink your teeth into it and consume it, seeds, core, and all.”
    Celeste Ng, Little Fires Everywhere

  • #4
    Charlotte Brontë
    “I am no bird; and no net ensnares me: I am a free human being with an independent will.”
    Charlotte Brontë, Jane Eyre

  • #5
    Evelyn Waugh
    “Sometimes, I feel the past and the future pressing so hard on either side that there's no room for the present at all.”
    Evelyn Waugh, Brideshead Revisited

  • #6
    Evelyn Waugh
    “Perhaps all our loves are merely hints and symbols; vagabond-language scrawled on gate-posts and paving-stones along the weary road that others have tramped before us; perhaps you and I are types and this sadness which sometimes falls between us springs from disappointment in our search, each straining through and beyond the other, snatching a glimpse now and then of the shadow which turns the corner always a pace or two ahead of us.”
    Evelyn Waugh, Brideshead Revisited

  • #7
    John Banville
    “The past beats inside me like a second heart.”
    John Banville, The Sea

  • #8
    James Baldwin
    “Neither love nor terror makes one blind: indifference makes one blind.”
    James Baldwin, If Beale Street Could Talk

  • #9
    Arundhati Roy
    “They had always fitted together like pieces of an unsolved (and perhaps unsolvable) puzzle- the smoke of her into the solidness of him, the solitariness of her into the gathering of him, the strangeness of her into the straightforwardness of him, the insouciance of her into the restraint of him. The quietness of her into the quietness of him.”
    Arundhati Roy, The Ministry of Utmost Happiness

  • #10
    Sigrid Nunez
    “Consider rereading, how risky it is, especially when the book is one that you loved. Always the chance that it won't hold up, that you might, for whatever reason, not love it as much. When this happens, and to me it happens all the time (and more and more as I get older), the effect is so disheartening that I now open old favorites warily.”
    Sigrid Nunez, The Friend

  • #11
    Ocean Vuong
    “Is that what art is? To be touched thinking what we feel is ours when, in the end, it was someone else, in longing, who finds us?”
    Ocean Vuong, On Earth We're Briefly Gorgeous

  • #12
    Ocean Vuong
    “Remember: The rules, like streets, can only take you to known places.”
    Ocean Vuong, On Earth We're Briefly Gorgeous

  • #13
    Jonathan Safran Foer
    “It's the tragedy of loving, you can't love anything more than something you miss.”
    Jonathan Safran Foer

  • #14
    Arundhati Roy
    “...the secret of the Great Stories is that they have no secrets. The Great Stories are the ones you have heard and want to hear again. The ones you can enter anywhere and inhabit comfortably. They don’t deceive you with thrills and trick endings. They don’t surprise you with the unforeseen. They are as familiar as the house you live in. Or the smell of your lover’s skin. You know how they end, yet you listen as though you don’t. In the way that although you know that one day you will die, you live as though you won’t. In the Great Stories you know who lives, who dies, who finds love, who doesn’t. And yet you want to know again.

    That is their mystery and their magic.”
    Arundhati Roy, The God of Small Things

  • #15
    Philip K. Dick
    “Empathy, he once had decided, must be limited to herbivores or anyhow omnivores who could depart from a meat diet. Because, ultimately, the empathic gift blurred the boundaries between hunter and victim, between the successful and the defeated.”
    Philip K. Dick, Do Androids Dream of Electric Sheep?

  • #16
    Stephen  King
    “The most important things are the hardest to say. They are the things you get ashamed of, because words diminish them -- words shrink things that seemed limitless when they were in your head to no more than living size when they're brought out. But it's more than that, isn't it? The most important things lie too close to wherever your secret heart is buried, like landmarks to a treasure your enemies would love to steal away. And you may make revelations that cost you dearly only to have people look at you in a funny way, not understanding what you've said at all, or why you thought it was so important that you almost cried while you were saying it. That's the worst, I think. When the secret stays locked within not for want of a teller but for want of an understanding ear.”
    Stephen King, Different Seasons

  • #17
    Yaa Gyasi
    “It took me many years to realize that it’s hard to live in this world. I don’t mean the mechanics of living, because for most of us, our hearts will beat, our lungs will take in oxygen, without us doing anything at all to tell them to. For most of us, mechanically, physically, it’s harder to die than it is to live. But still we try to die. We drive too fast down winding roads, we have sex with strangers without wearing protection, we drink, we use drugs. We try to squeeze a little more life out of our lives. It’s natural to want to do that. But to be alive in the world, every day, as we are given more and more and more, as the nature of “what we can handle” changes and our methods for how we handle it change, too, that’s something of a miracle.”
    Yaa Gyasi, Transcendent Kingdom

  • #18
    Ramona Ausubel
    “Love's job is to make a safe place. Not to deny that the spiny forest exists, but to live hidden inside it, tunneled into the soft undergrasses.”
    Ramona Ausubel, Awayland

  • #19
    Robinne Lee
    “It’s art. And it makes people happy. And that’s a very good thing. We have this problem in our culture. We take art that appeals to women—film, books, music—and we undervalue it. We assume it can’t be high art. Especially if it’s not dark and tortured and wailing. And it follows that much of that art is created by other women, and so we undervalue them as well. We wrap it up in a pretty pink package and resist calling it art.”
    Robinne Lee, The Idea of You

  • #20
    Fyodor Dostoevsky
    “To love someone means to see them as God intended them.”
    Fyodor Dostoyevsky



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