“THE 1920’S, IT IS SAID, WERE A TIME OF “DISILLUSIONMENT.” Progressivism had failed. The war for democracy had ended in the debacle of Versailles; idealism gave way to “normalcy.” Defeated, intellectuals turned away from reform. Following H. L. Mencken, they now ridiculed “the people,” whom they had once idolized. Many of them fled to Europe. Others cultivated the personal life, transferring their search for salvation from society to the individual. Still others turned to Communism. In the general confusion, only one thing was certain: the old ideals, the old standards, were dead, and liberal democracy was part of the wreckage. Such is the standard picture of the twenties; but it is a gross distortion, a caricature, of the period. It has the unfortunate effect, moreover, of isolating the twenties from the rest of American history, of making them seem a mere interval between two periods of reform, and thus of obscuring the continuity between the twenties and the “progressive era” on the one hand and the period of the New Deal on the other. The idea of historical “periods” is misleading in itself. It exercises a subtle tyranny over the historical imagination. Essentially a verbal and pedagogical convenience, it tends to become a principle of historical interpretation as well; and as such it leads people to think of history not as the development of social organisms far too complicated to be depicted in simple linear terms but as a succession of neatly defined epochs, happily corresponding, moreover, to the divisions of the calendar, each century, each decade even, having its own distinctive “spirit of the age.” Thus the Zeitgeist of the twenties, it is assumed, must have been “disillusionment,” just as that of the thirties was reform. The”
―
Christopher Lasch,
The New Radicalism in America
