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Quotes tagged as "dark-academia" Showing 1-30 of 394
Micah Nemerever
“It always makes me a little sad when you laugh," Julian went on. "The way it sort of takes you by surprise. I love it, it has that sweet sincerity that's the best part of you, but it still kills me how you never seem to expect it. All I want to do is make you happy, and you're the unhappiest person I've ever met.”
― Micah Nemerever, These Violent Delights

Micah Nemerever
“I hope you looked west while I was looking east, and that for a moment you met my eyes without knowing it. I know you never look away, ever when your eyes are closed, but I'm never certain you can see what's really there.
I miss you to pieces.
Yours Always
- J”
― Micah Nemerever, These Violent Delights

Micah Nemerever
“I always think of a passage from the Symposium, this allegory about people who started off as two halves of a whole, but then something cut them apart, and they spend their whole lives looking for their other half so they can fit themselves back together. And that's how it feels, it hurts, it's like I lost you before I was born.”
― Micah Nemerever, These Violent Delights

Victoria  Lee
“The question isn't whether magic is real. It's whether I can touch it without being consumed by it.”
― Victoria Lee, A Lesson in Vengeance

Adalyn  Grace
“A human life is a beautiful thing," he said. "You humans.... you feel. You feel so deeply that it consumes you. There were humans I kept a watch over, though I would blink and they'd be fifty, sixty
years older—and the time would come for me to meet them. For the longest time, I pitied them for their short lives. And I admit, Signa, that I have grown more callous with my age. But I have also grown to admire humans. They've such a short time to experience their lives, and so they must feel deeply. They must experience in one life-time things it's taken me an eternity to experience. When I see men like Elijah, rather than feel guilt for what I've done, I remember that he feels sorrow because he loved so deeply. And were I not real, Little Bird, were I not Death, he would never have experienced that love. So which is better? To live forever, or to live and love?”
― Adalyn Grace, Belladonna

Adalyn  Grace
“You are not cursed-you are a reaper. You are the night incarnate, the ferrier of souls. You are the bridge between the living and the dead—a caged bird that's ready to fly. So spread your wings, Signa Farrow, because you are limitless. Spread your wings, and oh, how we'll fly.”
― Adalyn Grace, Belladonna

Adalyn  Grace
“Don't resent me when I've only just gotten you, please, for I am what makes this world beautiful.”
― Adalyn Grace, Belladonna

Laura   Steven
“This girl who was soft at heart, who was both the vast, dark woods and the glorious light of a full moon, who was angry at all the thousand tiny ways she’d been hurt in her life.”
― Laura Steven, The Society For Soulless Girls

Adalyn  Grace
“She no longer feared what brewed within her, and
she was done making apologies for who she was. Signa would not just burn; she would ignite.”
― Adalyn Grace, Belladonna

M.L. Rio
“Sleep crawled on top of me like an affectionate, purring pet-”
― M.L. Rio, If We Were Villains

Ava Reid
“What defines a romance? All scholars seem to converge on a single point: it is a story that must have a happy ending. And why is that? I say, it is because a romance is a belief in the impossible: that anything ends happily. For the only true end is death - and in this way, is romance not a rebuke of mortality? When love is here, I am not. When love is not, I am gone. Perhaps a romance is a story with no end at all; where the end is but a wardrobe with a false back, leading to stranger and more merciful words.

From an epistemological theory of romance by Dr. Edmund Huber, collected in the Llyrian Journal of Literary Criticism, 199 AD”
― Ava Reid, A Study in Drowning

Laura Chouette
“We were never supposed to be in love; for everything that exists inside a heart eventually dies.”
― Laura Chouette, Profound Reverie

Victoria  Lee
“She wouldn't understand that magic can be a metaphor, like Ellis said. That magic doesn't have to be magic for it to mean something. That sometimes magic is a salve over a burn, and it's the only way you can heal.”
― Victoria Lee, A Lesson in Vengeance

Victoria  Lee
“I still feel ghosts around me: the ghosts of the five Dalloway girls who defied the boxes and coffins the world tried to put them in. The ghosts of other women who attended or worked at this school, but whose legacies were forgotten instead of deified. The ghosts of every girl who came here and felt history beneath her feet. But I'm not haunted anymore. Maybe I never was.”
― Victoria Lee, A Lesson in Vengeance

Elizabeth Kostova
“I felt sure…that these creatures were never threatened by the grimness of history, either.”
― Elizabeth Kostova, The Historian

Ezgi Yücebaş
“...that means we’re in love,” His eyes were never leaving her lips, “madly so.”
The spirits waltzed across the leaves, enclosing two lovers, singing their own melody as the bodies became one.”
― Ezgi Yücebaş, Curse of the Stars

“An act of translation is always an act of betrayal.”
― R. F. Kuang

Ketley Allison
“You'll fight him. You'll hate him. And you'll still be his.”
― Ketley Allison, Resonance

Keshe Chow
“My hand shakes, and I jerk the blade away from his throat. He must have been a little tense, even though he hid it well, because he actually loosens a breath in relief.
But his relief is short-lived when he sees what I’m doing instead.
“Would you prefer an open or closed castration?” I say evenly, my eyes narrowed, now pointing the scalpel squarely at his crotch. “A scrotal or pre-scrotal incision? Take your pick, Briggs— I’m well trained in all the methods.”
He swallows hard, and I give him a smile as falsely sweet as sugar-free syrup. “I guess I’ve discovered what you truly value, huh?” I say. Typical.”
― Keshe Chow, Strange Familiars

Jean Thesquare
“My world was very fond of telling young women that any room where desire stopped hiding must be crude, dangerous, desperate — or all three — and because my world lied often but with excellent diction, I had believed at least the outline.”
― Jean Thesquare, Re:Claim - A Sultryverse Story: A Dark Academia Thriller

Jean Thesquare
“She preferred appearing, like a draft under a locked door or a crime with good tailoring.”
― Jean Thesquare, Re:Claim - A Sultryverse Story: A Dark Academia Thriller

Jean Thesquare
“But I would remember sooner that a beautiful story can become a locked room.”
― Jean Thesquare, Re:Claim - A Sultryverse Story: A Dark Academia Thriller

Arabella Sveinsdottir
“Safety was an illusion constructed by men who only valued women as long as they were silent, obedient, or dead.”
― Arabella Sveinsdottir, Sisters of Northern Biri: A Gritty Dark Fantasy About Three Rogue Nuns, a Hungry Mimic, and the Bloody Truth of a Holy Lie

Arabella Sveinsdottir
“A woman who has nothing left to lose is the most dangerous monster this church will ever face.”
― Arabella Sveinsdottir, Sisters of Northern Biri: A Gritty Dark Fantasy About Three Rogue Nuns, a Hungry Mimic, and the Bloody Truth of a Holy Lie

Arabella Sveinsdottir
“They told you that magic belongs only to women so they could turn you into their weapons.”
― Arabella Sveinsdottir, Sisters of Northern Biri: A Gritty Dark Fantasy About Three Rogue Nuns, a Hungry Mimic, and the Bloody Truth of a Holy Lie

Arabella Sveinsdottir
“If we shed the blood of innocent sisters who are merely blinded by the same veil we once wore, we become the monsters.”
― Arabella Sveinsdottir, Sisters of Northern Biri: A Gritty Dark Fantasy About Three Rogue Nuns, a Hungry Mimic, and the Bloody Truth of a Holy Lie

Arabella Sveinsdottir
“You call him a monster because you only understand things you can whip, cage, or buy with silver.”
― Arabella Sveinsdottir, Sisters of Northern Biri: A Gritty Dark Fantasy About Three Rogue Nuns, a Hungry Mimic, and the Bloody Truth of a Holy Lie

Ann Liang
“Because I don't want a quiet life, I want a brilliant one,”
― Ann Liang, I Am Not Jessica Chen

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