Aesthetic Quotes
Quotes tagged as "aesthetic"
Showing 1-30 of 89
“The mystery of esthetic like that of material creation is accomplished. The artist, like the god of the creation, remains within or behind or beyond or above his handiwork, invisible, refined out of existence, indifferent, paring his fingernails.”
― A Portrait of the Artist as a Young Man
― A Portrait of the Artist as a Young Man
“Man's first expression, like his first dream, was an aesthetic one. Speech was a poetic outcry rather than a demand for communication. Original man, shouting his consonants, did so in yells of awe and anger at his tragic state, at his own self-awareness and at his own helplessness before the void.”
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“Pragmatically, aesthetic value can be recognized or experienced, but it cannot be conveyed to those who are incapable of grasping its sensations and perceptions. To quarrel on its behalf is always a blunder.”
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“We were never supposed to be in love; for everything that exists inside a heart eventually dies.”
― Profound Reverie
― Profound Reverie
“Great beauty can be found in harmonious contrast variations, and brief uses of extremes.
Vastly.”
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Vastly.”
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“I've got a peculiar weakness for criminals and artists, neither takes life as it is. Any tragic story has to be in conflict with things as they are.”
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“Hidden in the broom cupboard of Rose Cottage are two grand gates that lead to the loveliest little house you've ever seen. Nutmouse Hall. Shh, don't tell anyone... No one knows it's there...not even Arthur and Lucy who live in Rose Cottage.
This is the home of Tumtum and Nutmeg...”
―
This is the home of Tumtum and Nutmeg...”
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“Liminal spaces deserve to be filled with Vaporwave. It's an auditory aesthetic that's fluid like time.”
― Me and memes and memories
― Me and memes and memories
“... shown beneath the map of the galaxy - was an outrageous confection of a planet: a striped marshmallow giant with a necklace of sugary rings, combed and braided by the resonant forces of a dozen glazed and candied moons.”
― House of Suns
― House of Suns
“You don't fail in life because you don't have a good job,
because you don't have the car or house of your dreams,
because you can't buy that outfit, that shoe
or for not doing that aesthetic procedure.
You fail in life only if you consider
that not to achieve these things is to fail in life.”
―
because you don't have the car or house of your dreams,
because you can't buy that outfit, that shoe
or for not doing that aesthetic procedure.
You fail in life only if you consider
that not to achieve these things is to fail in life.”
―
“It was something of a stylistic experiment, pushing the time-tested vaporwave aesthetic more toward stained glass and dark wood.”
― Dreck
― Dreck
“Just to think that you are killing an animal to eat, just the very idea, is unaesthetic.
I am not against it because the animal is killed... because that which is essential in the animal will live, it cannot be killed, and that which is nonessential, whether you kill it or not, is going to die. So that is irrelevant, that is not a point for me to consider.
The question is not that you have killed the animal and killing is not good, no. The question is that you have killed the animal -- you. Just to eat? While beautiful vegetarian food is available? If vegetarian food is not available, that's one thing. But the food IS available. Then why? Then why destroy a body? And if you can kill an animal, then why not be a cannibal? What is wrong with killing a man? The meat derived from a human body will be more in tune with you. Why not start eating human beings? That too is a question of aesthetics.
And the animals are brothers and sisters, because man has come from them. They are our family. To kill a man is only to kill an evolved animal, or to kill an animal is just to kill somebody who is not yet evolved but is on the way. It is the same. Whether you kill the child when he is in the first grade or whether you kill the young man when he has come to his last grade in the university, it does not make much difference. The animals are moving towards human beings, and human beings had once been animals.”
― The Diamond Sutra: The Buddha Also Said...
I am not against it because the animal is killed... because that which is essential in the animal will live, it cannot be killed, and that which is nonessential, whether you kill it or not, is going to die. So that is irrelevant, that is not a point for me to consider.
The question is not that you have killed the animal and killing is not good, no. The question is that you have killed the animal -- you. Just to eat? While beautiful vegetarian food is available? If vegetarian food is not available, that's one thing. But the food IS available. Then why? Then why destroy a body? And if you can kill an animal, then why not be a cannibal? What is wrong with killing a man? The meat derived from a human body will be more in tune with you. Why not start eating human beings? That too is a question of aesthetics.
And the animals are brothers and sisters, because man has come from them. They are our family. To kill a man is only to kill an evolved animal, or to kill an animal is just to kill somebody who is not yet evolved but is on the way. It is the same. Whether you kill the child when he is in the first grade or whether you kill the young man when he has come to his last grade in the university, it does not make much difference. The animals are moving towards human beings, and human beings had once been animals.”
― The Diamond Sutra: The Buddha Also Said...
“We don't live in a world in which a cover can reflect the sense and style of the book. Today more than ever the cover shoulders an additional weight. Its function is more commercial than aesthetic. It succeeds or fails in the market.”
― The Clothing of Books: An Essay
― The Clothing of Books: An Essay
“Aesthetic pleasure needs no justification, because a life without such pleasure is one not worth living.”
― Can Poetry Matter?: Essays on Poetry and American Culture
― Can Poetry Matter?: Essays on Poetry and American Culture
“Alles Schöne, von welcher Art es auch sein mag, ist an und für sich schön und in sich selbst vollendet. Das Lob bildet keinen Bestandteil seines Wesens, und es wird mithin durch dasselbe weder schlechter noch besser.”
― Meditations
― Meditations
“The dream clung to her ribs like ivy, wrapping around her lungs, her thoughts.”
― In My Dreams: A Haunting Romantic Fantasy About Star-Crossed Lovers Lost in Dreams and Hunted in the Real World
― In My Dreams: A Haunting Romantic Fantasy About Star-Crossed Lovers Lost in Dreams and Hunted in the Real World
“She had belonged there. In that life. With him.”
― In My Dreams: A Haunting Romantic Fantasy About Star-Crossed Lovers Lost in Dreams and Hunted in the Real World
― In My Dreams: A Haunting Romantic Fantasy About Star-Crossed Lovers Lost in Dreams and Hunted in the Real World
“My reflection--- or Zelda's reflection--- stared back at me.
Technically speaking, my body and my face were essentially the same as they'd always been. I still had the same smattering of freckles across the bridge of my nose, that same star-shaped birthmark just beneath my right ear that no amount of concealer--- or magic--- had ever been able to completely hide. I'd stopped dyeing my hair garish colors a few years back to let my natural auburn shine through, but my hair itself was the still the same wavy texture and thickness it had been in the seventeenth century and every decade since.
Yet despite everything about me that had not changed, the person I used to be would hardly recognize the person staring back at her now.”
― Road Trip With a Vampire
Technically speaking, my body and my face were essentially the same as they'd always been. I still had the same smattering of freckles across the bridge of my nose, that same star-shaped birthmark just beneath my right ear that no amount of concealer--- or magic--- had ever been able to completely hide. I'd stopped dyeing my hair garish colors a few years back to let my natural auburn shine through, but my hair itself was the still the same wavy texture and thickness it had been in the seventeenth century and every decade since.
Yet despite everything about me that had not changed, the person I used to be would hardly recognize the person staring back at her now.”
― Road Trip With a Vampire
“Carswell's novels, Open the Door! (1920) and The Camomile (1922) sit both inside and outside the school of urban fiction. While the spaces of Glasgow thrum in their pages and are - as is frequent in other urban fiction - characterised by their contrast with alternative locales, interest in the city is also aesthetic. Glasgow here is also a city of artistic sensibilities and aspirations, of the avant-garde”
― The International Companion to the Scottish Novel
― The International Companion to the Scottish Novel
“El viento de otoño silbó su inestable cancioncilla y ella, abstraída, comenzó a bailar.”
― Momentos que se esfuman para crear otros
― Momentos que se esfuman para crear otros
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