Kali Quotes
Quotes tagged as "kali"
Showing 1-19 of 19
“You are a fool to speak of last great battles, Sam, for the last great battle is always the next one.”
― Lord of Light
― Lord of Light
“Na mitologia hindu, o despertar de Kali foi descrito em muitos detalhes. Quando Kali se ergue vermelha de raiva, todos os deuses e demônios ficam aturdidos e todo mundo fica em silêncio. Eles não sabem o que ela vai fazer. Eles pedem ao Senhor Shiva para pacificá-la, mas Kali ruge ferozmente jogando-o para abaixo e de pé sobre seu peito, com sua boca aberta, sedenta por carne e osso. Quando os devas realizam orações para pacificar Kali, ela se torna calma e tranqüila.
...
De acordo com a filosofia do yoga, Kali, a primeira manifestação do inconsciente, é um poder terrível; ela domina completamente a alma individual, representada por sua posição sobre o Senhor Shiva. Às vezes acontece que, pela instabilidade mental, algumas pessoas entram em contato com seu corpo inconsciente e vêem elementos ferozes e pouco auspiciosos – fantasmas, monstros, etc. quando Kali, o poder inconsciente do homem, é despertada, ela eleva-se até encontrar a manifestação mais adiante, o superconsciente, a outorgadora de gloria e perfeição.”
― Kundalini Tantra
...
De acordo com a filosofia do yoga, Kali, a primeira manifestação do inconsciente, é um poder terrível; ela domina completamente a alma individual, representada por sua posição sobre o Senhor Shiva. Às vezes acontece que, pela instabilidade mental, algumas pessoas entram em contato com seu corpo inconsciente e vêem elementos ferozes e pouco auspiciosos – fantasmas, monstros, etc. quando Kali, o poder inconsciente do homem, é despertada, ela eleva-se até encontrar a manifestação mais adiante, o superconsciente, a outorgadora de gloria e perfeição.”
― Kundalini Tantra
“जयति महाकाली जयति, आद्य काली माता
जय कराला वदने जयति, जगाता मातु विख्याता
Victory to you, O Mahakali! - To you Victory,
The primordial source of all beings - Victory!
The formidable-looking goddess - To you Victory,
Renowned as the mother of the world - Victory!”
― Chants of Hindu Gods and Godesses in English Rhyme
जय कराला वदने जयति, जगाता मातु विख्याता
Victory to you, O Mahakali! - To you Victory,
The primordial source of all beings - Victory!
The formidable-looking goddess - To you Victory,
Renowned as the mother of the world - Victory!”
― Chants of Hindu Gods and Godesses in English Rhyme
“Kali. That’s the name I used with clients. Kali is the four-armed Hindu goddess of death. She has been appropriated by hipster flakes as a symbol of feminine power. Maybe that’s fair too. But make no mistake. Kali is a destructress. In one of her hands she holds a severed head.
I know, I know, so fucking dramatic. I’ll admit to a little cultural appropriation for choosing a name like that.”
― The Euthanist
I know, I know, so fucking dramatic. I’ll admit to a little cultural appropriation for choosing a name like that.”
― The Euthanist
“We need to embrace our anger. By that I mean, we want to recognize the sacredness of anger. Many deities from all around the world depict 'anger' in a sacred way. Kali, The Morrigan, Hades, Set, Mars, Minerva, Lugh, Thor, Vulcan, Odin, and Fion Mac Cumhail are all deities that express a divine kind of anger. They are the avengers, hunters, protectors, and warriors; Gods and Goddesses of death and slaughter.”
― Beyond Duality: The Art of Transcendence
― Beyond Duality: The Art of Transcendence
“Sivtatva’ and ‘Saktitatva’ (Lord Shiva and Holy Mother Kali) – Father’s semen in mother’s womb, both combined. Next I am born – ‘Sadasiva’ which means a continuous hilarity within my body. Next comes ‘Iswartatwa’ – Man becomes God and he is so made (One is All); ‘Sadvidyatatva’ – All these I am – All is One – I am all these, which is in action. What is that? Suppose in the spiritual world whatever will reveal within the brain will be flashed among the human race and by such phenomenon the world will get real benefit.”
―
―
“While
motherhood and warship were associated with Parvati and Durga,
Tantra was associated to Kali, food and agriculture to Annapurna,
knowledge and education to Saraswati and, of course, luck and
money to Lakshmi.”
― The Tenth Riddle
motherhood and warship were associated with Parvati and Durga,
Tantra was associated to Kali, food and agriculture to Annapurna,
knowledge and education to Saraswati and, of course, luck and
money to Lakshmi.”
― The Tenth Riddle
“When Kali unfurls her tongue with ferocious expression, she is embarking upon spiritual deliverance.”
― Kali Oracle
― Kali Oracle
“Zane," I piped up quickly, hoping not to lose my nerve. "You can do whatever you want, but the truth is, I want you to come along. And not because I feel sorry for you. I do feel sorry for you-I'd be a total jerk if I didn't. But I want you to come because I enjoy your company, and if you don't come, I'll miss you. But I realize that's totally selfish of me, and I don't want you to come just because I asked you to." I paused for a breath, my heart racing. "Am I making any sense?”
― Wraith
― Wraith
“Zane," I whispered breathlessly, knowing it was wrong, but powerless to stop myself. "If things were different... if you were alive... and I was alive-" "Yes," he said immediately, interrupting me. He leaned in closer. His voice was no more than a whisper. "Absolutely, yes. Don't ever doubt it, Kail.”
― Wraith
― Wraith
“Spiritual aspiration, hunger for God, is the most important blessing one can have. Spiritual hunger leads to sincere sadhana, and sincere sadhana leads to a progressive spiritual life. By regular repetition of the diksha mantra, our mind becomes more and more stable and a gradual transformation of consciousness unfolds. Japa is the foundation. Keep the current of Divine Remembrance flowing at all times. There is a river of rapturous bliss ever flowing just underneath our fluctuating thoughts. Sadhana allows us to feel, hear, see and bathe in this celestial stream. It flows in the center of our spine. It flows in the center of our being. It flows from the infinite ocean of satchitananda from which we come, in which we live and into which we will eventually return. The faint intuitive fragrance of this stream is love, happiness, joy and satisfaction. To drink from it directly is mind-blowing ecstasy. To drown in it is immortality, transcending the limitations of time, space and form in the Eternal One: the One we call Kali, the One we call Ramakrishna.”
― Return to the Source: Collected Writings on Spiritual Life
― Return to the Source: Collected Writings on Spiritual Life
“That the goddess comes to town with her children, leaving her reluctant-householder husband behind on Mount Kailash, makes Pujo a singular celebration of family values and domesticity, unlike the Kill Bill independence of Kali.”
― Grand Delusions: A Short Biography Of Kolkata
― Grand Delusions: A Short Biography Of Kolkata
“The fear of God is necessary to trigger inner growth until the love of God is enough to motivate our hearts.”
― Kali Oracle
― Kali Oracle
“No, Princess," whispered her lover, wishing she would hear and understand, "you are neither Kali, the eater of human flesh, nor Durga, the fighter of battles. On the contrary, you are Shakti, the custodian of sexuality.”
― The Royal Regiment
― The Royal Regiment
“The womb is where babies are created, and grown, and from where they are birthed. It is the home of our creativity, the wellspring of our vital feminine energies. The womb is the matrix from which our life force rises and to which it returns. It is the hub of our energetic and physical bodies. The womb is also where we experience death. Our moon blood, our menstruation, is a sign that an ovum (...) has died without being fertilized by the sperm (...); it passes out of our bodies with the now unneeded uterine lining that the womb created for the possibility of growing a baby. Without fertilization, this living-nourishing matrix dies and leaves our bodies in our monthly flow (which by the way is one of the most concentrated forms of śakti in our bodies).”
― In Praise of Adya Kali: Approaching the Primordial Dark Goddess Through the Song of Her Hundred Names
― In Praise of Adya Kali: Approaching the Primordial Dark Goddess Through the Song of Her Hundred Names
“All beautiful grew, subtle and high and strange.
Here on a boulder carved like a huge throne
A Woman sat in gold and purple sheen,
Armed with the trident and the thunderbolt,
Her feet upon a couchant lion’s back.
A formidable smile curved round her lips,
Heaven-fire laughed in the corners of her eyes;
Her body a mass of courage and heavenly strength,
She menaced the triumph of the nether gods.
A halo of lightnings flamed around her head
And sovereignty a great cestus zoned her robe
And majesty and victory sat with her
Guarding in the wide cosmic battle-field
Against the flat equality of Death
And the all-levelling insurgent Night
The hierarchy of the ordered Powers,
The high changeless values, the peaked eminences,
The privileged aristocracy of Truth,
And in the governing Ideal’s sun
The triumvirate of wisdom, love and bliss
And the sole autocracy of the absolute Light.
August on her seat in the inner world of Mind,
The Mother of Might looked down on passing things,
Listened to the advancing tread of Time,
Saw the irresistible wheeling of the suns
And heard the thunder of the march of God.
07.04_123:003-007”
― Savitri: A Legend and a Symbol
Here on a boulder carved like a huge throne
A Woman sat in gold and purple sheen,
Armed with the trident and the thunderbolt,
Her feet upon a couchant lion’s back.
A formidable smile curved round her lips,
Heaven-fire laughed in the corners of her eyes;
Her body a mass of courage and heavenly strength,
She menaced the triumph of the nether gods.
A halo of lightnings flamed around her head
And sovereignty a great cestus zoned her robe
And majesty and victory sat with her
Guarding in the wide cosmic battle-field
Against the flat equality of Death
And the all-levelling insurgent Night
The hierarchy of the ordered Powers,
The high changeless values, the peaked eminences,
The privileged aristocracy of Truth,
And in the governing Ideal’s sun
The triumvirate of wisdom, love and bliss
And the sole autocracy of the absolute Light.
August on her seat in the inner world of Mind,
The Mother of Might looked down on passing things,
Listened to the advancing tread of Time,
Saw the irresistible wheeling of the suns
And heard the thunder of the march of God.
07.04_123:003-007”
― Savitri: A Legend and a Symbol
“As long as we are seduced by polarities, existence is happy to oblige us with our own smorgasbord of horrors. This is the reminder that the Goddess' dark face represents. But implicit in these horrors is an invitation. An invitation to venture into those closets in our psyche, ruled by guilt and fear and ancestral conditioning, and allow the sunlight to enter. She summons us to the alchemical process that she is-capable of transforming matter into moksha through the sheer furnace of her gaze. This is her ultimate promise”
― Wild Women: Seekers, Protagonists and Goddesses in Sacred Indian Poetry
― Wild Women: Seekers, Protagonists and Goddesses in Sacred Indian Poetry
“Kali was a symbol. According to the Vedic philosophy, Kaali signifies ‘Kaal’. In Sanskrit; kaal has two meanings :
1. Time. (like—kaal kya hoga)
2. Darkness. (like—Kaala kaaua)
Now, why does ‘kaal’ signify both of these?
Because, the Time is inseparable to the Space.
The space is Dark. So the time is also considered as Dark. The “Kaala”. That’s why ‘kaal’ has two meanings; Darkness, and Time; in Sanskrit.
There is no separate time, and separate space. Time is the fourth dimension of this universe along with three-dimensional space. The space exists; because time exists simultaneously with it.
Kali is considered as the symbol of this time-space; the ultimate structure of the world—and this is why it is portrayed as dark; just like the space-time in reality, is dark.
The violent and horrific form was portrayed of Kaali; because Kaali is the symbol of ‘kaal’, the time; and Time is unforgiving. Time is horrible by its nature. We all know how bad time can be. Time takes everyone to the death eventually; time destroys everything in the end. Time doesn’t take into account of who you are; time doesn’t take into account of how big you are or what your value is, be good or bad; each and everything has an end in the realm of time; and each and everything recedes ultimately in the ever engulfing mouth of the Time.
This is the reason; death is portrayed all around the Kaali. The decapitated heads of demons; the bloods all around. All symbolize the death. The ending. The mortality of everything. Not of evil only; but of everything. It’s just, the evils are first in the line of death.
And that tongue sticking out of her mouth symbolize—that the hunger of Kaali (the time) is never filled up. That tongue is always ready to savor the next death; the next destruction; the next ending of something. This stuck-out tongue is a reminder to the viewer; the hunger of ‘Kaal’ is not filled yet; and the next person she is going to savour can be you. In no way you can resist her for eternity; and in no way you can escape her. And she relishes licking out your death. It’s her duty; and amusement both.
This is the reason why Kaali’s tongue was made stuck-out while portraying her in Vedic Scriptures.
There is no clothing portrayed on Kaali; because— Time also shows you the nude reality. Time is rough, tough, rude, and nude. It speaks bluntly. Both good times and bad times comes without warning; and may go without warning too. Time does not know or follow politeness. Time does not follow any protocol.
Time has nothing to ‘hide’ from you. Because she knows; in the end, whoever you are, you are all hers.
Time holds each and everything in this universe in its womb. The creation happened; only because it has got a ‘time-space’ dimension for it. For anything to exist; Time has to produce it by creating a space for it. Time is also the destroyer of the all things; but time also creates everything; and holds everything within the eternal flow of her.
That’s why time is considered as feminine. Time is a female who gives birth to its children; bears it for a while; and then takes them back again on her embracing lap. While singing the lullaby of the funeral; she gives her children the most peaceful eternal sleep for of their life : the Death.
Life is beautiful; only because it has a time-limit to it. Without the time-limit imposed by the death; life is a prolonged disaster only.
This is why; Time was considered as Mother in Vedic Culture. An energy; who is feminine in nature.”
―
1. Time. (like—kaal kya hoga)
2. Darkness. (like—Kaala kaaua)
Now, why does ‘kaal’ signify both of these?
Because, the Time is inseparable to the Space.
The space is Dark. So the time is also considered as Dark. The “Kaala”. That’s why ‘kaal’ has two meanings; Darkness, and Time; in Sanskrit.
There is no separate time, and separate space. Time is the fourth dimension of this universe along with three-dimensional space. The space exists; because time exists simultaneously with it.
Kali is considered as the symbol of this time-space; the ultimate structure of the world—and this is why it is portrayed as dark; just like the space-time in reality, is dark.
The violent and horrific form was portrayed of Kaali; because Kaali is the symbol of ‘kaal’, the time; and Time is unforgiving. Time is horrible by its nature. We all know how bad time can be. Time takes everyone to the death eventually; time destroys everything in the end. Time doesn’t take into account of who you are; time doesn’t take into account of how big you are or what your value is, be good or bad; each and everything has an end in the realm of time; and each and everything recedes ultimately in the ever engulfing mouth of the Time.
This is the reason; death is portrayed all around the Kaali. The decapitated heads of demons; the bloods all around. All symbolize the death. The ending. The mortality of everything. Not of evil only; but of everything. It’s just, the evils are first in the line of death.
And that tongue sticking out of her mouth symbolize—that the hunger of Kaali (the time) is never filled up. That tongue is always ready to savor the next death; the next destruction; the next ending of something. This stuck-out tongue is a reminder to the viewer; the hunger of ‘Kaal’ is not filled yet; and the next person she is going to savour can be you. In no way you can resist her for eternity; and in no way you can escape her. And she relishes licking out your death. It’s her duty; and amusement both.
This is the reason why Kaali’s tongue was made stuck-out while portraying her in Vedic Scriptures.
There is no clothing portrayed on Kaali; because— Time also shows you the nude reality. Time is rough, tough, rude, and nude. It speaks bluntly. Both good times and bad times comes without warning; and may go without warning too. Time does not know or follow politeness. Time does not follow any protocol.
Time has nothing to ‘hide’ from you. Because she knows; in the end, whoever you are, you are all hers.
Time holds each and everything in this universe in its womb. The creation happened; only because it has got a ‘time-space’ dimension for it. For anything to exist; Time has to produce it by creating a space for it. Time is also the destroyer of the all things; but time also creates everything; and holds everything within the eternal flow of her.
That’s why time is considered as feminine. Time is a female who gives birth to its children; bears it for a while; and then takes them back again on her embracing lap. While singing the lullaby of the funeral; she gives her children the most peaceful eternal sleep for of their life : the Death.
Life is beautiful; only because it has a time-limit to it. Without the time-limit imposed by the death; life is a prolonged disaster only.
This is why; Time was considered as Mother in Vedic Culture. An energy; who is feminine in nature.”
―
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