Parthenon Quotes
Quotes tagged as "parthenon"
Showing 1-4 of 4
“I want to see the Parthenon by moonlight.'
I had my way. They floodlight it now, to great advantage I am told, but it was not so then, and since it was late in the year there were few tourists. My companions were all intelligent men, including my own husband, and they had the sense to stay mute. I suppose, being a woman, I confuse beauty with sentiment, but, as I looked on the Parthenon for the first time in my life, I found myself crying. It had never happened to me before. Your sunset weepers I despise. It was not full moon, or anywhere near it. The half circle put me in mind of the labrys, the Cretan double axe, and the pillars were the most ghostly in consequence. What a shock for the modern aesthete, I thought when my crying was done, if he could see the ruddy glow of colour, the painted eyes, the garish lips, the orange-reds and blues that were there once, and Athene herself a giantess on her pedestal touched by the rising sun. Even in those distant times the exigencies of a state religion had brought their own traffic, the buying and selling of doves, of trinkets: to find himself, a man had to go to the woods, to the hills.
"Come on," said Stephen. "It's beautiful and stark, if you like, but so is St. Pancras station at 4 A.M. It depends on your association of ideas."
We crammed into Burns's small car, and went back to our hotel. ("The Chamois")”
― Echoes from the Macabre: Selected Stories
I had my way. They floodlight it now, to great advantage I am told, but it was not so then, and since it was late in the year there were few tourists. My companions were all intelligent men, including my own husband, and they had the sense to stay mute. I suppose, being a woman, I confuse beauty with sentiment, but, as I looked on the Parthenon for the first time in my life, I found myself crying. It had never happened to me before. Your sunset weepers I despise. It was not full moon, or anywhere near it. The half circle put me in mind of the labrys, the Cretan double axe, and the pillars were the most ghostly in consequence. What a shock for the modern aesthete, I thought when my crying was done, if he could see the ruddy glow of colour, the painted eyes, the garish lips, the orange-reds and blues that were there once, and Athene herself a giantess on her pedestal touched by the rising sun. Even in those distant times the exigencies of a state religion had brought their own traffic, the buying and selling of doves, of trinkets: to find himself, a man had to go to the woods, to the hills.
"Come on," said Stephen. "It's beautiful and stark, if you like, but so is St. Pancras station at 4 A.M. It depends on your association of ideas."
We crammed into Burns's small car, and went back to our hotel. ("The Chamois")”
― Echoes from the Macabre: Selected Stories
“Across the distance, the Acropolis museum cradled within its protective walls its legendary treasures, lulling them to a peaceful sleep under the eerie light from the heavens. Yet, through the large window, the five Caryatids stood alert on their strong platform. The ageless maidens with the long braided hair down their backs remained awake even at this hour gazing across to the Acropolis, full of nostalgia for their sacred home. Inside their marble chests, they nurtured as always, precious hope for the return of their long lost sister.”
― The Necklace of Goddess Athena
― The Necklace of Goddess Athena
“Imagine you are a member of a tour visiting Greece. The group goes to the Parthenon. It is a bore. Few people even bother to look — it looked better in the brochure. So people take half a look, mostly take pictures, remark on serious erosion by acid rain. You are puzzled. Why should one of the glories and fonts of Western civilization, viewed under pleasant conditions — good weather, good hotel room, good food, good guide — be a bore?
Now imagine under what set of circumstances a viewing of the Parthenon would not be a bore. For example, you are a NATO colonel defending Greece against a Soviet assault. You are in a bunker in downtown Athens, binoculars propped up on sandbags. It is dawn. A medium-range missile attack is under way. Half a million Greeks are dead. Two missiles bracket the Parthenon. The next will surely be a hit. Between columns of smoke, a ray of golden light catches the portico.
Are you bored? Can you see the Parthenon?
Explain.”
― Lost in the Cosmos: The Last Self-Help Book
Now imagine under what set of circumstances a viewing of the Parthenon would not be a bore. For example, you are a NATO colonel defending Greece against a Soviet assault. You are in a bunker in downtown Athens, binoculars propped up on sandbags. It is dawn. A medium-range missile attack is under way. Half a million Greeks are dead. Two missiles bracket the Parthenon. The next will surely be a hit. Between columns of smoke, a ray of golden light catches the portico.
Are you bored? Can you see the Parthenon?
Explain.”
― Lost in the Cosmos: The Last Self-Help Book
“I said it grieved me to part from anything that mattered to me, yet I welcomed the grief because it meant I had felt deeply and needed to express it. 'I even had trouble leaving the Parthenon,' I told him ... 'because it was so beautiful and I knew I'd never see it again.”
― The Golden Condom: And Other Essays on Love Lost and Found
― The Golden Condom: And Other Essays on Love Lost and Found
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