Roger Zelazny Quotes

“The subjective response... when a Philip Dick book has been finished and put aside is that, upon reflection, it does not seem so much that one holds a memory of the story; rather, it is the after effects of a poem rich in metaphor that seem to remain.

This I value, partly because it does defy a full mapping, but mainly because that which is left of a Phil Dick story when the details have been forgotten is a thing which comes to me at odd times and offers me a feeling or a thought; therefore, a thing which leaves me richer for having known it.

- Roger Zelazny in his introduction to Beyond Lies the Wub”
― Philip K. Dick, The Collected Stories of Philip K. Dick 1: The Short Happy Life of the Brown Oxford

“A tyrant, in the future, is about to retire and turn over the 3 or so planets he controls to a younger aspirant. The young wife of the tyrant, however, wishes control to go to her, and to prove to her husband what a dreadful leader the aspirant would make. All time-travel experiments have failed, but there is a theoretical possibility that alternate presents could be reached. Instigated by the tyrant's wife, a research crew begins the job. MEANWHILE, the aspirant has let no grass grow beneath his feet; he responds to Project Alternate by hiring one of Earth's larges industrial corporations to build a fake alternate world, in which he rules, and all is wonderful. Now comes the tour de force. The tyrant's young wife learns about the construction of a fake alternate world. Her response: she engages a team of clever experts—along the lines of that in MISSION IMPOSSIBLE—to worm their way into the fake alternate world and plant fake fakes there, which will give it all away when the tyrant is brought to visit it. All seems clear at this point. The aspirant is having a fake alternate world being made; the tyrant's wife is busily subverting it. But—aha! Everyone's scheme is brought down in a great crash when a real alternate present is reached. The tyrant sets out to visit it—naturally. But it bears no relation at all to their own world. It is a 'board-game' world, with squares and the possibility of moving from one square to the next. Each square is a sort of alternate world on its own; the squares differ that much from one another in tone, structure, mood, color, with the characters themselves altering to fit into the Geist of each square. On one square, for example, all food tastes marvelous. On the next square, milk is a deadly poison. And so on. Ultimately, the characters discover the nature of this world: each square represents a particular mushroom, and that of a poisonous mushroom is a poisonous micro-world . . . the morel square, of course, being nearly on a level with heaven.”
― Dennis (introduction) Dick, Philip K.; Etchison, The Selected Letters, 1938-1971

“Are you he who fought the army of heaven to a standstill ?”
― Roger Zelazny, Lord of Light

“Are you (The Budda incarnate) who fought the Armies Of Heaven to a standstill on the banks of the Vadra ?”
― Roger Zelazny, Lord of Light

“I fought one great battle so terrible the sun itself hid it face from the slaughter”
― Roger Zelazny, Lord of Light

“I fought one great battle so terrible the sun itself hid its face from the slaughter.”
― Roger Zelazny, Lord of Light