Rushdie Quotes

“What do you most value in your friends?
Their continued existence.”
― Christopher Hitchens, Hitch 22: A Memoir

“So India’s problem turns out to be the world’s problem. What happened in India has happened in God’s name.

The problem’s name is God.”
― Salman Rushdie, The Satanic Verses

“When the Washington Post telephoned me at home on Valentine's Day 1989 to ask my opinion about the Ayatollah Khomeini's fatwah, I felt at once that here was something that completely committed me. It was, if I can phrase it like this, a matter of everything I hated versus everything I loved. In the hate column: dictatorship, religion, stupidity, demagogy, censorship, bullying, and intimidation. In the love column: literature, irony, humor, the individual, and the defense of free expression. Plus, of course, friendship—though I like to think that my reaction would have been the same if I hadn't known Salman at all. To re-state the premise of the argument again: the theocratic head of a foreign despotism offers money in his own name in order to suborn the murder of a civilian citizen of another country, for the offense of writing a work of fiction. No more root-and-branch challenge to the values of the Enlightenment (on the bicentennial of the fall of the Bastille) or to the First Amendment to the Constitution, could be imagined. President George H.W. Bush, when asked to comment, could only say grudgingly that, as far as he could see, no American interests were involved…”
― Christopher Hitchens, Hitch 22: A Memoir

“Books choose their authors; the act of creation is not entirely a rational and conscious one.”
― Salman Rushdie

“The moment you say that any idea system is sacred, whether it’s a religious belief system or a secular ideology, the moment you declare a set of ideas to be immune from criticism, satire, derision, or contempt, freedom of thought becomes impossible.”
― Salman Rushdie

“[T]he very multiculturalism and multiethnicity that brought Salman to the West, and that also made us richer by Hanif Kureishi, Nadeem Aslam, Vikram Seth, Monica Ali, and many others, is now one of the disguises for a uniculturalism, based on moral relativism and moral blackmail (in addition to some more obvious blackmail of the less moral sort) whereby the Enlightenment has been redefined as 'white' and 'oppressive,' mass illegal immigration threatens to spoil everything for everybody, and the figure of the free-floating transnational migrant has been deposed by the contorted face of the psychopathically religious international nihilist, praying for the day when his messianic demands will coincide with possession of an apocalyptic weapon. (These people are not called nihilists for nothing.) Of all of this we were warned, and Salman was the messenger. Mutato nomine et de te fabula narrator: Change only the name and this story is about you.”
― Christopher Hitchens, Hitch 22: A Memoir

“She's no flibberti-gibberti mamzell, but a whir-stir-get-lost-sir bundla dynamite!”
― Salman Rushdie, The Satanic Verses

“In a public dialogue with Salman in London he [Edward Said] had once described the Palestinian plight as one where his people, expelled and dispossessed by Jewish victors, were in the unique historical position of being 'the victims of the victims': there was something quasi-Christian, I thought, in the apparent humility of that statement.”
― Christopher Hitchens, Hitch 22: A Memoir

“Also, on account of the odd relationship between time and space, the people who do manage to time-jump sometimes space-jump at the same time and end up in places where they simply don't belong. Over there, for example," he said as a raucous DeLorean sports car rared into view from nowhere, "is that crazy American professorwho can't seem to stay put in one time, and, I must say, there is an absolute plague of of killer robots from the future being sent to change the past. Sleeping there under that banyan tree is a certain Hank Morgan of Hartford, Connecticut, who was accidentally transported one day back to King Arthur's Court, and stayed there until Merlin put him to sleep for 1300 thirteen hundred years. He was suppsoed to wake up back in his own time, but look at this lazy fellow! He's still snoring away, and has missed his slot.”
― Salman Rushdie, Luka and the Fire of Life

“Among the great struggles of man-good/evil, reason/unreason, etc.-there is also this mighty conflict between the fantasy of Home and the fantasy of Away, the dream of roots and the mirage of the journey.”
― Salman Rushdie

“Your potentials are called POTENTIALS because they are POTENT. Don't make them IMPOTENT by being IMPATIENT. Make an IMPACT".”
― Israelmore Ayivor, The Great Hand Book of Quotes

“Burn the books and trust the Book; shred the papers and hear the Word.”
― Salman Rushdie, The Satanic Verses

“I wanted to say: I believe that art is a waking dream. And that imagination can bridge the gulf between dreams and reality and allow us to understand the real in new ways by seeing it through the lens of the unreal. No, I don’t believe in miracles, but, yes, my books do, and, to use Whitman’s formulation, do I contradict myself? Very well, then, I contradict myself. I don’t believe in miracles, but my survival is miraculous. Okay, then. So be it. The reality of my books—oh, call it magic realism if you must—is now the actual reality in which I’m living. Maybe my books had been building that bridge for decades, and now the miraculous could cross it. The magic had become realism. Maybe my books saved my life.”
― Salman Rushdie, Knife: Meditations After an Attempted Murder

“It was, for him, an object lesson in the importance of the “better out than in” free speech argument—that it was better to allow even the most reprehensible speech than to sweep it under the carpet, better to publicly contest and perhaps deride what was loathsome than to give it the glamour of taboo, and that, for the most part, people could be trusted to tell the good from the bad.”
― Salman Rushdie, Joseph Anton: A Memoir

“the personification of philistine triumphalism”
― Salman Rushdie, The Satanic Verses

“I thought, let the best minds of my generation soliloquize about power over some other poor woman's body, I'm off.”
― Salman Rushdie, The Satanic Verses

“If you're serious about shaking off your foreignness, Salad baba, then don't fall into some kind of rootless limbo instead. Okay? We're all here. We're right in front of you. You should really try and make an adult acquaintance with this place, this time. Try and embrace this city, as it is, not some childhood memory that makes you both nostalgic and sick. Draw it close. The actually existing place.”
― Salman Rushdie

“To be born again," sang Gibreel Farishta tumbling from the heavens, "first you have to die.”
― Salman Rushdie

“When I regained consciousness I was seeing visions. They were architectural. I saw majestic palaces and other grand edifices that were all built out of alphabets. The building blocks of these fantastic structures were letters, as if the world was words, created from the same basic material as language, and poetry. There was no essential difference between things made out of letters and stories, which were made of the same stuff. Their essences were the same. The visions conjured up external walls, great halls, high domes that were both lavish and austere, a Mughal mirror-tiled Sheesh Mahal at one time, and at another a stone-walled place with small barred windows. Something like Hagia Sophia in Istanbul was manifested to me by my unsettled brain, and the Alhambra, and Versailles; like Fatehpur Sikri and the Agra Red Fort and the Lake Palace of Udaipur; but also a darker version of El Escorial in Spain, menacing, puritanical, a nightmare rather than a dream. When I looked closely the alphabets were always present, mirror-glittering alphabets and grim letters of stone, brick alphabets and treasure-letters of diamond and gold. After a while, I understood that my eyes were closed[…]”
― Salman Rushdie, Knife: Meditations After an Attempted Murder

“The style, form, and language of any writing project, whether fiction or nonfiction, is determined by the requirements of that project, and can vary from book to book, from the baroque to the stripped-down”
― Salman Rushdie, Knife: Meditations After an Attempted Murder