The Beats Quotes

“Who dreamt
and made incarnate gaps in Time & Space
through images juxtaposed,
and trapped the archangel of the soul between 2 visual images
and joined the elemental verbs and set the noun
and dash of consciousness together
jumping with sensation of Pater Omnipotens Aeterna Deus
to recreate the syntax and measure of poor human
prose and stand before you speechless and intelligent and shaking with shame”
― Allen Ginsberg, Howl and Other Poems

“The Beats are crucial to an understanding of America's cultural revolution not least because in their lives, their proclamations, and (for lack of a more accurate term) their 'work' they anticipated so many of the pathologies of the Sixties and Seventies. Their programmatic anti-Americanism, their avid celebration of drug abuse, their squalid, promiscuous sex lives, their pseudo-spirituality, their attack on rationality and their degradation of intellectual standards, their aggressive narcissism and juvenile political posturing: in all this and more, the Beats were every bit as 'advanced' as any Sixties radical.”
― Roger Kimball, The Long March: How the Cultural Revolution of the 1960s Changed America

“Ginsberg turned out to be depressingly prescient when, after a heated argument with Norman Podhoretz in 1958, he yelled, 'We'll get you through your children!' For countless American families, that turned out to be only too true.”
― Roger Kimball, The Long March: How the Cultural Revolution of the 1960s Changed America

“Lured by smooth roads onto a new turnpike, he read with surprise the rules he was handed, don't stop, don't turn around, pay when you get there; he made his escape at the first exit he saw, for fiftyfive cents, and now he was on the old road buzzing the staid turnpike by turns over and under, teasing it crazy.”
― Douglas Woolf, Wall to Wall

“Although aesthetically nugatory, "Beat Culture and the New America" was an exhibition of considerable significance -- but not in quite the way that Lisa Phillips, its curator, intended, Casting a retrospective glance at the sordid world of Allen Ginsberg, Jack Kerouac, William S. Burroughs, Lawrence, Ferlinghetti, and other Beat icons, the exhibition unwittingly furnished a kind of pathologist's report on one of the most toxic cultural movements in American history.”
― Roger Kimball, The Long March: How the Cultural Revolution of the 1960s Changed America

“The romance that has surrounded the Beat generation since the mid-Sixties has acted as a kind of sentimental glaze, obscuring its fundamentally nihilistic impulse under a heap of bogus rhetoric about liberation, spontaneity, and 'startling oases of creativity', Notwithstanding their recent media media make-over, the Beats were not Promethean iconoclasts. They were drug-abusing sexual predators and infantilized narcissists whose shamelessness helped dupe a confused and gullible public into believing that their utterances were works of genius. We have to thank Lisa Phillips and the Whitney for inadvertently reminding us of this with such vividness. If nothing else, 'Beat Culture and the New America' showed that the Beats were not simply artistic charlatans; the were -- and, in the case of those who are still with us, they remain -- moral simpletons, whose destructive influence helped fuel the cultural catastrophe with which we are now living.”
― Roger Kimball, The Long March: How the Cultural Revolution of the 1960s Changed America

“The Beats inaugurated the long march through the moral territory of American culture. Who knows how many lives were blighted along the way as a result of their proselytizing on behalf of drugs and promiscuous sex?”
― Roger Kimball, The Long March: How the Cultural Revolution of the 1960s Changed America

“Ginsberg, Burroughs, and Kerouac were all on the side of the savage. That their penny-ante gnosticism was not only perpetuated but mythologized and spread abroad as a gospel of emancipation is something for which we have the Sixties to thank -- or to blame.”
― Roger Kimball, The Long March: How the Cultural Revolution of the 1960s Changed America

“I’ve all these two days spent filing old letters, taking them out of old envelopes, clipping the pages together, putting them away . . . hundreds of old letters from Allen, Burroughs, Cassady, enuf to make you cry the enthusiasms of younger men . . . how bleak we become. And fame kills all. Someday ¨The Letters of Allen Ginsberg and Jack Kerouac¨ will make America cry.
[— Jack Kerouac, in a letter to Lawrence Ferlinghetti, May 25, 1961]”
― Jack Kerouac, Jack Kerouac and Allen Ginsberg: The Letters

“The institutionalization of the Beat ethic has been a moral, aesthetic, and intellectual disaster of the first order. (It has also been a disaster for fashion and manners, but that is a separate subject.) We owe to the 1960s the ultimate institutionalization of immoralist radicalism: the institutionalization of drugs, pseudo-spirituality, promiscuous sex, virulent anti-Americanism, naive anti-capitalism, and the precipitous decline of artistic and intellectual standards. But the1960s and 1970s only codified and extended into the middle class the radical spirit of the Beats, who, in more normal times, would have remained what they were in the beginning; members of a fringe movement that provided stand-up comics with material.”
― Roger Kimball, The Long March: How the Cultural Revolution of the 1960s Changed America

“The Beats were tremendously significant, but chiefly in the way that they provided a preview in the 1950s of the cultural, intellectual, and moral disasters that would fully flower in the late 1960s. The ideas of the Beats, their sensibility, contained in ovo all the characteristics we think of as defining the cultural revolution of the Sixties and Seventies. The adolescent longing for liberation from conventional manners and intellectual standards; the polymorphous sexuality; the narcissism; the destructive absorption in drugs; the undercurrent of criminality; the irrationalism; the naive political radicalism and reflexive anti-Americanism; the adulation of pop music as a kind of spiritual weapon; the Romantic elevation of art as an alternative to rather than as an illumination of normal reality; the pseudo-spirituality, especially the spurious infatuation with Eastern religions: in all this and more the Beats provided a vivid glimpse of what was to come.”
― Roger Kimball, The Long March: How the Cultural Revolution of the 1960s Changed America

“Like the medieval heretics that Norm Cohn wrote about in The Pursuit of the Millennium, the Beats cultivated an extreme narcissism that bordered on self-deification and that 'liberated them from all restraints' and allowed them to experience every impulse as a 'divine command'. What Norman Podhoretz observed of Ginsberg was also true of the Beats generally: they 'conjured up a world of complete freedom from the limits imposed by [bourgeois] responsibilities'. Podhoretz added, 'It was a world that promised endless erotic possibility together with the excitements of an expanded consciousness constantly open to new dimensions of being: more adventure, more sex, more intensity, more life'. Alas, the promise was illusory. Instead of an 'expanded consciousness', the Beats purchased madness, ruination, and, for many, an early death. Their attack on bourgeois responsibility led not to greater freedom but to greater chaos. The erotic paradise they envisioned turned out to be rife with misery.”
― Roger Kimball, The Long March: How the Cultural Revolution of the 1960s Changed America

“The Beats, like their successors in the Sixties, have often been described as 'idealists'. But fantasies of total gratification are not the product of idealism. They arise from a narcissism that, finding the world unequal to its desires, retreats into a realm of heedless self-absorption. Modesty, convention, and self-restraint then appear as the enemies rather than as the allies of humanity. In this sense, the Beat generation marks a step away from civilization.”
― Roger Kimball, The Long March: How the Cultural Revolution of the 1960s Changed America

“If it wasn't for the Beats I would have never hit the streets”
― Gottfried Distl, From The Underground: Multimedia Art, Performances, Beat Poetry, Pop Stories 1972 - 2022

“Ray when you’re up here you’re not sitting in a Berkeley tea room. This is the beginning and the end of the world right here. Look at all those patient Buddhas lookin at us saying nothing.”
― Jack Kerouac