Truth In Fiction Quotes

“Once kids’ brains had been rewired and programmed by indoctrination, social conditioning, and brainwashing from the great design, they’d give up their dreams, aspirations, and ideals, and instead focused on acquiring as much money as they could. Another slave willing to do anything for money would roll off the assembly line. The Masters had used money to corrupt humans and turn them into dogs, barking and biting each other for their piece of the pie. This is how the world had become a dog-eat-dog world; it was all part of the great design.”
― Jasun Ether, The Beasts of Success

“You can’t dethrone a king if you don’t know they exist.”
― Jasun Ether, The Beasts of Success

“Humans weren’t dumb enough to not be aware that the system they lived in was broken. They just had no idea that it was intentionally created to be broken for a reason—control. Humans constantly tried to fix their broken system by approaching each compartmentalized section separately, not knowing that each section was weaved together in a matrix that kept the others stable, a highly efficient checks and balances system. A human could take initiative and argue about an issue their whole life, barking in people’s faces till their face turned blue, thinking they were making a difference in the world. None of the issues could be fixed by tackling each one separately, because it was only a matter of time before the great design’s checks and balances would revert the solved issue back to its intended broken state, erasing the person’s lifelong hard work overnight.”
― Jasun Ether, The Beasts of Success

“The brainwashed humans were the code that kept the Masters’ program running smoothly and the freethinking humans were the viruses in the program who needed to be removed, quarantined, and deleted to protect the operating system, the Masters’ great spider-web design.”
― Jasun Ether, The Beasts of Success

“We are all fragments of the Source that have chosen to have an experience outside of Source and play different roles in a theatrical play of sorts. Some will play heroes and some will play villains; without all the characters, there wouldn’t be a play to enjoy. No play lasts forever, as that would cease to be entertaining and become boring. When the play is over, the curtain will fall. When the curtain rises, all of the players will be holding hands and congratulating each other on their well-played characters.”
― Jasun Ether, The Beasts of Success

“All those ants scurrying about like rats in a maze, going back and forth to the same few locations day after day, thinking the cheese they’re sniffing for will somehow magically appear on the routes they cover over and over again. They’re born into the programmed maze, so they can’t even conceive of a different way of life. Not only can’t they believe in a different way of life, but they’re programmed to scoff and ridicule the few freethinkers who do. After the ridiculing, they go back to their programming, pushing buttons and pulling levers for no reason. Ah, the good old rat race that never ends till cancer comes a knockin’.”
― Jasun Ether, The Beasts of Success

“Money, an invention in which its creators decide who gets what amount of the finite pie. A person could work miracles for humankind and be given next to none of this manmade item, whereas another person could do next to nothing, or even perform major adverse actions against humankind and the planet, and be given a huge helping of it. This is because the monetary system that was initially used as a way of keeping track of goods and services rendered had been hijacked by the Masters to be used against the population.”
― Jasun Ether, The Beasts of Success

“The common man already possesses the power they wished they had, they just don’t know it, and the powerful few do their best to keep that knowledge from them.”
― Jasun Ether, The Beasts of Success

“In this way, humans’ creative abilities were being used against themselves to create a reality for their masters. Why go through all the hassle of creating a planetary reality when you can hijack the humans’ co-creative abilities and program them to create a reality that the Masters wanted?”
― Jasun Ether, The Beasts of Success

“Taxes also paid for countless projects that kept humans enslaved. Meaning, humans slaved away all day for wages so they could lose their money to taxes and fees that paid for projects that were aimed at keeping humans even more enslaved than they currently were. Humans were paying their masters to enslave them.”
― Jasun Ether, The Beasts of Success

“All the pieces of the puzzle were in play—money, different forms of currency, taxes, fees, debt, slavery, news, media, conditioning, programming, politicians, political parties, political issues, secret societies, religions, all the isms, et cetera. They were collectively upheld for one single reason—control. Money was the most effective means for control.”
― Jasun Ether, The Beasts of Success

“You can’t prosecute criminals in a system that’s run by the same criminals.”
― Jasun Ether, The Beasts of Success

“He’d dive deeper and deeper into the calming depths of the sea, safe from the storms on the surface. And when he found himself coming up for air to interact with an unbalanced person who was stuck in the methodical illusion of the game, it would be his wealth of knowledge instead of his wealth of coin that would allow him to act like a cruise liner upon the surface of the sea, too immense for waves to agitate.”
― Jasun Ether, The Beasts of Success

“The Source is all-loving and everything is part of the Source, even the villains, so there’s no possible way a play could end without love prevailing, since everything and everyone is comprised of love. When the methodical illusion has been stripped away, this becomes clear.”
― Jasun Ether, The Beasts of Success

“Dale turned back to slander the bitter hippie who was wearing a tie-dye shirt with colorful text that read ACID BATH. “Looks like someone forgot to take their micro-dose of acid today, or maybe you mistakenly consumed too much gluten for breakfast. Or perhaps you’re resentful for having woken up today realizing the world revolves around money instead of love and sexually transmitted diseases.”
An eccentric expression crept onto the hippie’s face while he half-lifted his arms in surrender. “Hey man, crimson and clover, over and over.”
Dale hadn’t the slightest idea what the man was talking about, but he was pretty sure he wasn’t talking about colors and flowers. Or was clover a weed? Well, if he spotted these hippies in his backyard, he’d definitely remove them like weeds, even if their tie-dye shirts were colorful enough to deceitfully pass as flowers. Getting up close to them to smell their pungent odor, instead of a flower’s fragrance, would most surely be enough evidence to classify them as weeds. Stubborn weeds that attempted to buck the system by creeping up between logically placed cemented sidewalks that paved the way to buildings of high finance. He had crushed many of their kind under his polished shoes as he made his way toward the office. They were the dying remnants of a generation who thought pervasive love could spark a peaceful revolution. What they weren’t aware of was that love wasn’t more powerful than fucking. The honorable elite factions who hold the reins of an ordered society continually raped the hippie’s love movement until it was nothing more than acid flashbacks and bad hygiene, which conveyed the power of fucking over love.”
― Jasun Ether, The Beasts of Success

“Dale was a stockbroker at Stryker & Marshall, one of the biggest brokerage firms in America. He always wore a suit when he went out in public, even when he wasn’t working, because there was always that odd chance he might cross paths with a client, or a possible future client. But regardless of clients, it assisted in reinforcing his pompous mentality that he was superior to others. He flaunted his suits and wore them like they were a piece of himself, an outer shell that created a buffer zone between his vainglorious identity and the peasants that made up most of the population. So naturally he flinched when he heard Jeremy threatening the cleanliness of his suit, his image.”
― Jasun Ether, The Beasts of Success

“[Author's Note:] When I was sixteen, two of my cousins were brutally raped by four strangers and thrown off a bridge in St. Louis, Missouri. My brother was beaten and also forced off the bridge. I wrote about that horrible crime in my first book, my memoir, A Rip in Heaven. Because that crime and the subsequent writing of the book were both formative experience in my life, I became a person who is always, automatically, more interested in stories about victims than perpetrators. I'm interested in characters who suffer inconceivable hardship, in people who manage to triumph over extraordinary trauma. Characters like Lydia and Soledad. I'm less interested in the violent, macho stories of gangsters and law enforcement. Or in any case, I think the world has enough stories like those. Some fiction set in the world of the cartels and narcotraficantes is compelling and important - I read much of it during my early research. Those novels provide readers with an understanding of the origins of the some of the violence to our south. But the depiction of that violence can feed into some of the worst stereotypes about Mexico. So I saw an opening for a novel that would press a little more intimately into those stories, to imagine people on the flip side of that prevailing narrative. Regular people like me. How would I manage if I lived in a place that began to collapse around me? If my children were in danger, how far would I go to save them? I wanted to write about women, whose stories are often overlooked.”
― Jeanine Cummins, American Dirt

“There is a Zen saying that states: everything is okay as it is. This realization can only be understood from the broadest viewpoint possible, as one would naturally look at the state of the world right in front of their eyes and not believe anything to be okay at all. We are all fragments of the Source that have chosen to have an experience outside of Source and play different roles in a theatrical play of sorts. Some will play heroes and some will play villains; without all the characters, there wouldn’t be a play to enjoy. No play lasts forever, as that would cease to be entertaining and become boring. When the play is over, the curtain will fall. When the curtain rises, all of the players will be holding hands and congratulating each other on their well-played characters. Then they will depart the stage and go backstage to reconnect with Source. However, some method actors get stuck in their characters after the play is over and need a cleansing Source bath to remember who they are. So seen from the highest possible big-picture scenario, everything is okay as it is.”
― Jasun Ether, The Beasts of Success

“Restaurant owners shouldn’t deceive their clientele into paying their workers. Instead, they should pay their workers decent wages and price their food higher. Let the customer decide if they want to buy their food or drinks for the price listed on the menu instead of paying a lower-marked price for their food, temporarily believing that’s all they have to spend, and then later being reminded they also need to pay the restaurant owner’s workers in the form of a tip … or be labeled an asshole if they don’t—it’s blackmail. And the pathetic thing about this scheme is that the waiters, the slaves, perpetually enforce this scheme upon the clientele, so the battle is always between the customer and the waiter, while the restaurant owners—the real assholes, not the customers who don’t tip—count the money in the backroom that their slaves have generated for them. Restaurant owners have effortlessly created the social stigma that labels a customer an asshole if they don’t pay their workers’ wages. What the fuck is that? How did that become acceptable?”
― Jasun Ether, The Beasts of Success

“If a satire breeds misconceptions, it's an effective satire. The more misconceptions, the more powerful the messages within the satire. Satire can be witty and wise, so it would behoove the reader to drop all their judgmental baggage and other distortions at the cover before entering the pages of satire.”
― Jasun Ether

“The more time he spent out of the office and in the public, the more he had to deal with asshats and dipshits. Dale wished the general public would take up hobbies that would benefit him, like walking off cliffs, pressing themselves into meat grinders, diving into wood chippers, or anything that kept them at home so he wouldn’t have to deal with them.”
― Jasun Ether, The Beasts of Success

“She held up three hangers inside a vinyl garment bag and hooked them sideways on the coatrack to unzip. "Raw silk. Vintage. Sort of a purple-black."

"Aubergine," he declared and cracked the opening wider.

"I love a man who can make colors sound dirty." She grinned.

"Cross-dyed." He wondered if Trip had helped pick this out, if he'd seen her model it and convinced her to splurge. "Great suit."

"I gotta stand next to J.R. Ward. Feel me?" She fluttered her short nails at him. "Baby, I went and bought a pair of Givenchy boots I cannot even afford because the Warden is gonna be there in full effect, and you know what that means!"

He didn't really, but he got the gist. "So you want nighttime for daytime."

"Extra vampy, hold the trampy. Like, more Lust For Dracula than Breaking Dawn." Rina squeezed her shoulders together to amp her cleavage. "If I'm hauling the girls out, no way can I do sparkly anorexia.”
― Damon Suede, Bad Idea

“I liked stories. I liked the way they had the power to make sense of life.”
― Candi Sary, Black Crow White Lie

“You can't search for the truth with integrity if you're only looking to find the kind that benefits you.”
― Emily Bain Murphy, The Disappearances: A Magical Young Adult Fantasy of First Love and Dark Family Secrets in a Cursed Town

“...just because one can guess the nature of a tale doesn't make it any less worth the telling. One might even find a treasure they've missed before, or see a glimmer of true things therein...”
― Sam Westhoek, Chasing the Dragon

“The strong never need to silence the weak, or they prove that they are the truly weak ones.”
― Tad Williams, Empire of Grass